Archive | July 2017

“Return to the Nightosphere” Review

RTTN 1.png

Original Airdate: April 30, 2012

Written & Storyboarded by: Ako Castuera & Jesse Moynihan

After three stories involving romance and one experimental episode, it’s nice that season four has its first true adventurous episode. Season four didn’t really have the best start, but this is one that feels like a breath of fresh air. It introduces us to the realm of the Nightosphere, and what a terrifically designed place it is! The episode is pretty much carried by the intrigue of this foreign underworld, and also because it’s just simply freakin’ hilarious.

The episode doesn’t waste any time by immediately throwing our two main characters into their main conflict right away, making the audience equally as interested in figuring out their dilemma as Finn and Jake are. There’s a ton of intrigue surrounding this one, from the way Hunson Abadeer is regarded amongst the citizens (the name “Hunson Abadeer” actually comes from Jesse Moynihan’s car, which was given the name by his brother) and just what the hell the meaning of bananas is.

RTTN 2.png

Part of the fun of this episode just comes from the surroundings. The civilians and environment of the Nightosphere are just spectacular. I love the random demons who hang around Finn and Jake at the beginning and just roll around and wave their arms. Then there’s the longshot a couple minutes in, which Jesse Moynihan has a pretty big self-indulged boner for, but can you blame him? It looks fantastic! Jesse’s been known for his long pans, especially in an episode like Death in Bloom, and this one really takes the cake. It’s funny, fast-moving, and builds a lot of atmosphere within the Dark World. There’s so much to take in that it’s impossible to notice everything on a first viewing; dozens of different areas on fire and surrounded by lava, wacky beasts, laser fights, a stock woman scream in the background, hooded groups of people walking into a building and (presumably) committing suicide as a tall demon watches, and so on. It’s something you can tell Moynihan really went all out with, and his pride in it really makes it all the more admirable to me.

There’s also other cool designs, such as the transportation demon, the teller, the guy on the boat, and many others. The thing about the demons is that they’re so obscure and oddly designed, and there’s actually a pretty big animation error with one of these characters that it’s hardly even noticeable because of it. Yeah, one of the demon’s ears were recognized as hands during the animation process, and it’s a bit of a confusing sequence once you realize those aren’t his hands, but it still kind of works to me in a silly way. Even if it was an error, it almost entirely makes sense with the world of these demons that moving their ears around like arms is just something that’s a social norm. And even though these demons are so obscure and unique, I love how their dialogue is so mundane and casual. Some of their exchanges are great, especially the one with the anxiety ridden demon waiting in line who can’t make brown (as someone who suffers from chronic IBS, this dude really hit home for me).

RTTN 3.png

Finn and Jake’s incorporation into the episode is just superb as well. I love any plotline that puts the characters into an increasingly boring or painstaking situation, and the “waiting in line” scenario often works a charm. Finn and Jake’s general deterioration throughout this one is great, from their sobbing and transition into insanity while waiting in line to their relentlessness to eventually meet with Abadeer, it’s fun watching these guys really try to stick it out together. Jake even utters the Japanese phrase “jouzu de Ganbatte ne (have faith and go forth)” to keep up Finn’s spirits: something Jesse’s mother would tell him when he was a young lad. D’awww.

It all leads to a pretty dope climax when Finn and Jake battle off with the beast they assume to be Abadeer. There’s a lot of cool details in Hunson’s domain, with some neat frames hung on his wall, including pictures with Peppermint Butler and the King of Mars. We all know Peppermint Butler has close connections to dark lords, but I wonder what the connection is between Hunson and ol’ Abe. Perhaps they’re just on friendly terms, like Abe and Death are. Besides that point, it all leads to a full-on battle in a bright and colorful warp hole, where it’s revealed that the beast was none other than Marceline! Draaaama bomb! Of course, that cliffhanger won’t be addressed till next episode, so we’ll talk about it more then.

RTTN 4.png

This one is just terrific though. Jam packed with jokes, gags, atmosphere, and placed in an awesome setting. The next one is really more emotion and writing based, so I’m glad we did have this first parter that gave us time to explore the Nightosphere a bit more before getting right into the meat. It’s always fun to check out different lands in the AT world, and the Nightosphere is one of my favorite in that regard. Just an all around good time. Onto Daddy’s Little Monster!

Favorite line: “Charlie, don’t socialize with the smaller demons! They’re dirty and stupid!”

Advertisements

“Dream of Love” Review

DOL 1.png

Original Airdate: April 23, 2012

Written & Storyboarded by: Bert Youn & Somvilay Xayaphone

Interesting how we got a bit of a taste of the cons of long-term relationships last episode, while this episode heavily focuses on some of the issues involving infatuation when it comes to partners who become acquainted very early on. And while I’ve seen a bunch of people really voice their general distaste for the last episode, this is one I’d consider pretty bottom-of-the-barrel. It’s the first Tree Trunks-centric episode that completely retcons her ability to hold an episode on her own, and pretty much stays consistent from this point on. I do still really like Tree Trunks, there’s a part of me that will always have a soft spot for her. But it’s entirely difficult for me to argue that she really isn’t able to carry a story on her own, much like LSP, and her connection to Mr. Pig only really emphasizes those issues to me.

DOL 2.png

TT and Mr. Pig work fine as a couple overall, I suppose. I’m not really the biggest Mr. Pig fan; I think his voice actor is very talented and has played some very funny roles, but they never really give Mr. Pig much to work with. He doesn’t really have a clear character besides the fact that he’s quirky and slightly reserved. His connection with Tree Trunks doesn’t really make him any more interesting, and there’s plenty of moments of him in this episode that just feel completely dry and humorless. The only real laugh I got out of him was his brief line about returning to eating criminals, which is a pretty silly callback to Apple Thief. Besides that, his character doesn’t do much for me, so it’s a bit difficult to be able to put him in center-stage and not feel generally uninterested in the situation at hand.

While Finn and Jake we’re pretty heavily involved in the last story and really rounded out the melodrama surrounding them, they just don’t do much that’s noteworthy in this one. They try and mend the situation, but ultimately are pretty much what drive the main conflict, which also isn’t a very compelling one. They work as the mediator between the two characters in trying to mend their relationship, and while they give in to the characters’ desires by the end of the episode, I can’t help but feel that we were slightly cheated out of a decent lesson when it comes to romance. I mean, I get it, Tree Trunks and Mr. Pig shouldn’t have to hide their love in front of the eyes of others for approval, but they were legitimately invading the privacy of bystanders and taking attention away from other people. From practically ruining PB’s concert to making out in a mother’s baby carriage, they were doing some pretty shitty stuff that should’ve been addressed, and I would’ve liked it a lot better if they maybe set boundaries by the end of it that still worked for the relationship. The notion that everyone was just generally wrong for being pissed off by Tree Trunks and Mr. Pig wasn’t really a well-crafted resolution. Granted though, some of the Candy People did act like legitimate dickholes, and that only really brings down the episode further for me. I mean, being uncomfortable is one thing, but there’s a lot of other obnoxious moments with the Candy People screaming and wailing at the sight of TT and Mr. P, and their brief moment of celebration when the two are being separated. It really see’s both sides of the situation, but arguably in the worst way possible that just really makes me dislike both parties in this scenario.

DOL 3.png

And then there’s the song, which really just goes on for waaaay too long in my opinion. It’s a full two minutes out of the episode, and it just feels so obvious and generic to me. It’s not even that catchy or visually interesting, it just drags on and on, and when you think it’s about done, it keeps on going and going. One of my least favorite songs in the entire series without a doubt, and just drives the episode to a complete halt. You pretty much know where it’s gonna go from the first lyric, so there’s no point in drawing it out unless they just wanted to kill time.

I can’t really think of anything particularly funny in this one either. There’s the scene where Finn is replicating the sounds PB is producing through her xylophone, which is pretty amusing. Then there’s also the movie clip with the Gingerbread actor ordering people to look at different cups, but that’s about it. It feels pretty humorless, and there’s not even different aims at anti-humor or visual gags that feel new or unique.

DOL 4.png

It’s just a misfire in my opinion. I’m not really sure what I was supposed to get out of this one, but whatever it was, it just didn’t happen. There’s an intended message of allowing yourself to do what makes you happy, but it’s squandered by the two main characters consistently invading the privacy of other people in their actions. I just didn’t buy into Tree Trunks and Mr. Pig’s love at all; it seemed like very tradition infatuation, and the direction that their relationship takes later on only furthers my belief that these feelings were very much exaggerated. It’s one that feels very lifeless for a romantic tale, and one that doesn’t utilize any of the characters to their best advantages. I’m usually fairly forgiving with a lot of episodes that seem to be very unpopular in the fandom, but this one in particular just kinda rubs me the wrong way. Certainly not one of my favorites.

Also, what was up with that sequence at the beginning with Finn and Jake rolling on the grass and Lady Rainicorn who appears and disappears out of nowhere? I like to believe she kept on rolling for like, a whole week.

Favorite line:Look at this cup! Now, look at this cup! Look at this one!

“Web Weirdos” Review

WW 1.png

Original Airdate: April 16, 2012

Written & Storyboarded by: Ako Castuera & Jesse Moynihan

It’s pretty clear that season four has somewhat of a running theme of dealing with relationships. We’ve already seen Finn’s first encounter with Flame Princess and the development of his romantic feelings, and now in this episode, we focus more on the circumstances of a long-term partnership. It’s very fitting that Finn is beginning to observe relationships around him considering he’s now involved in one, and it’s made even more important by showcasing that relationships by nature aren’t always fun and games.

WW 2.png

The plot revolves around spider love interests Ed and Barb (voiced by Bobcat Goldthwait and Susie Essman respectively) and they’re alright I suppose, though the episode is filled with Finn and Jake moments that really round it out and make it much more enjoyable to sit through. I love the beginning with Jake performing some totally gnarly stunts, while Finn pulls off some pretty lame parkour. It’s a thoroughly charming and endearing entrance, followed by some hilarious bits, such as the interestingly utilized cutaway gag of Finn’s uncut fingernails and the introduction of the bug and fly who also got caught in the spiderweb. I really friggin’ love those guys, and they’re pretty great with relationship advice as well.

Speaking of relationship advice, it’s really interesting to watch Finn share a bit of wisdom with Ed regarding his connection with his wife. Obviously, it’s likely that Finn is just humoring Ed to buy him and Jake some time to escape, but it still feels very genuine and telling, and that Finn legitimately wants to help the guy out. Finn’s obviously inexperienced, but I think his bit of advice comes more from conscientious place of being righteous in any kind of relationship. And in the last few minutes, he chooses the heroic path by deciding to stay and help Ed out, even if it means he can’t escape and that he could possibly even die. Always gotta go with Glob!

WW 3.png

As for Ed and Barb, as I said, they’re alright. I think Ed’s pretty interesting in his own right; he wants to do things properly, but his egocentric behavior and combination of self-loathing make it impossible for him to fully commit and love his wife like he arguably did in the past. Barb just kinda seems like a bitch from what we’ve seen. The one part of the episode I really disliked was the bit where Barb was mercilessly punching Ed. This is pretty blatant domestic abuse, and it’s somewhat uncomfortable to me. It’s not even like Ed’s able to protect himself, he looks like he’s in legitimate pain (imagine if this was the other way around). It’s not a huge problem, but we’re supposed to kind of be rooting for these guys to work out there differences, and that scene just made me want Ed to get as far away from Barb as possible. Though the ending was an interesting conclusion, as many couples do stick with the concept that having children can usher in a new beginning for their marriage. Sometimes it works, sometimes it doesn’t. For Ed and Barb, it doesn’t look like it can get any worse, so hopefully having hundreds of babies ended up working out for them.

I like a good chunk of this one. There’s plenty of great Finn and Jake moments like the ones I listed above, and then there’s other great visual gags, such as Finn spitting out the bug, only for him to land directly back onto the spider web or Finn’s spitting down the bird (a lot of these involve spit, as you may have noticed) and the longshot of the many birds who suffered at the hands of this tactic. The Ed and Barb parts can lead to some pretty unlikable sequences, but I do think their dysfunctional marriage is a pretty interesting relationship that the series hasn’t really covered up until this point. Very frankly, it’s the type of relationship that most animated series typically don’t cover. Glad we could count on AT to tackle it head on with humor and potency.

Also, I don’t think I’ll ever be more grossed out by anything in the series than the way Ed produces string. That dripping was fucking vile.

WW 4.png

Favorite line: “It’s hard to step outside of yourself when you’re enmeshed with another being!”

“Five Short Graybles” Review

FSG 1.png

Original Airdate: April 9, 2012

Written & Storyboarded by: Tom Herpich, Cole Sanchez & Skyler Page

The Graybles episodes never quite reached the heights of the other experimental types of stories AT has pursued. The guest animator and Fionna and Cake episodes have produced quality material that the Graybles stories haven’t been able to meet in my personal list of favorites. Though, I can say, where some guest animator and Fionna and Cake episodes have failed somewhat severely, I’ve never thought too poorly of any of the Graybles. They’re simplistic and cute stories that later contribute to the lore of the show’s world, but for now, they’re simply the former. And there’s nothing wrong with that, this one actually reminds me a lot of 22 Short Films of Springfield, one of my all-time favorite Simpsons episodes. I wouldn’t be surprised if that’s where Graybles episodes stemmed from, Pen Ward is a huge Simpsons fan after all.

FSG 2.png

It starts out very uniquely, with the introduction of Cuber, voiced by Emo Phillips. It’s later revealed that he’s a futuristic dude, but I’m pretty sure in this one, we’re just kind of supposed to look at him as the narrator. But he’s pretty cool, though this is probably his most generic appearance. He later lends himself to some creative and clever scenarios, but here he’s just kind of in it to do his job, and that is to explain the purpose behind Graybles. It’s a decent first appearance, and I really do love Emo Phillips as a voice actor. Check out his stand-up if you haven’t, it’s hilarious!

The first story starts out with BMO, and it’s by far the best. It’s a pretty stellar look into BMO’s psyche that introduces the recurring character of Football, as well as BMO’s underlying desires of wanting to be a human, or wanting to relate to humans. It’s really cute and almost tragic in a way; I really love seeing the little guy take so much pride in what he’s doing, but at the same time, he’s putting on a farce that will later become a larger burden for him and lead to a psychological breakdown. I never get tired of watching him pee through that glass of water, though. Really nice voice acting from Niki Yang, as always.

Finn and Jake’s story is a bit simplistic, but I do enjoy their somewhat masochistic behavior and the depths they’ll go to perfect a measly high-five. The framing device with our main duo is pretty great: their high-five pretty much carries through and builds up till the very end, which caps off in a pretty satisfying and funny ending, but we’ll get to that in a bit. I also love the unique shots we get to see as they run at each other in a pretty cinematic way. This is Skyler Page’s first time boarding for AT, and he really showcased some of his talents by drawing shots we don’t typically get to see in the series.

FSG 3.png

PB’s sandwich sequence is terrific! It’s a really drawn-out scene, but one that never feels like it’s dragging or stale. It’s done through all kinds of visual gags, such as the poor cow that endures that somewhat bizarre contraption, or his block of cheese that’s converted into a single slice using a sewing machine. Then there’s the pure absurdity of PB hitting a head of lettuce with a baseball bat for some reason. Wouldn’t it have made a cleaner slice if she just chopped it up? Also, it’s interesting to see Bubblegum using what is presumed to be black magic. They acknowledge this in the commentary, and no one really has a reason to back it up. I’m just gonna call this one a brief continuity error. And that final bit with Cinnamon Bun was all types of fucking nasty, in the best way possible. I cringe every time I watch his body spew out that diarrhea-like slop.

Ice King’s story is pretty damn funny. I love how 90% of it is just him abusing his penguins. First he sends Gunther off on a block of ice for smelling bad, then he uses penguins to clean himself off and abrasively throws in them in the trash afterwards. It’s some pretty horrifically amusing stuff that only Ice King could get away with, and only seems to get funnier each time I watch those suffering penguins. At least Ice King was partially right about what smelled by the end of it.

Finally, we have LSP’s story. Nothing much to say for this one from me; I never really cared for the These Lumps song too much and I think the story itself is a bit dry. Save for the ending though, which I think is a terrific punchline with Finn and Jake abruptly being named the winners of the talent show instead of LSP. That was priceless. A lot of oddly mean-spirited humor in this episode, wasn’t there?

FSG 4.png

Of course, there’s also the connecting theme. I think this one’s pretty obvious, and also because I had already read somewhere what the motif would be before I had even seen the episode. Despite that, I do commend the writers for introducing this type of brainteaser that would eventually get more difficult as the episodes went along. I think this one worked fine, but the creativity and ambiguity of the themes would only good up from here. I think it’s something neat that helps the youngins do some thinking while they’re watching.

So, I like it. It’s a cute introduction to a new series of stories within the series, and pertains a sense of enjoyability and intrigue throughout. It’s always fun revisiting these because I often forget which story happened when (I could’ve swore Tree Trunks was in this one), and it’s always fun to watch AT in such a chronicle structure.

Favorite line: “I thought you had a stank booty, Gunter. My bad.”

“Hot to the Touch” Review

HTTT 1.png

Original Airdate: April 2, 2012

Written & Storyboarded by: Rebecca Sugar & Cole Sanchez

Here we are, kids! Season four! As I’ve mentioned a couple times prior to this review, season four is a really big turning point for the series. Things get darker, edgier, and more impactful from hereon in, folks. Fresh off the batch is Hot to the Touch, a continuation from where season three’s cliffhanger left off. When the original synopsis for this episode was released, I had much different expectations for it. I generally didn’t expect for this one to pick right up where Incendium left off, as it typically wasn’t really something AT had done before, aside from the Mortal Folly/Mortal Recoil two-parter. I thought there’d be a lot more of Finn just sort of observing Flame Princess from afar, and trying to learn little tidbits about her in the process. There is a little bit of that, but what we got as a whole was a pretty satisfying episode, though not without it’s issues.

HTTT 2.png

First off, I think Flame Princess’s character is crafted perfectly in this episode. I dunno, after this one, I think they kinda jumped the gun and made her a lot less interesting than this episode set her up to be. I like her curiosity, how uneducated of the world around her she is, and how her moral code is constantly put into question. With a few exceptions (and some cool development much later on) I think her character was sorta squandered down into just a straight good guy following Hot to the Touch. Not to say Flame Princess is an awful character after this episode, but it almost feels like day and night to watch her so recklessly destroy a kingdom in this one and then be all cute and bubbly the next. I just really think they had a lot of momentum going with her ambiguity and then sorta dropped it way too quickly. It’s not an actual issue with the episode, though, and is one of my very favorite appearances of FP’s character in general. Also, she frequently mentions that she’s an elemental! It’s cool to see this mentioned so early on, and makes me wonder how Flame Princess became so familiar with this label to begin with. Perhaps Flame King educated her on this matter? It’s really up for discussion.

Finn’s interest in Flame Princess is very cute; I love his instant infatuation with FP and how he’s quickly able to profess his love for her without even really knowing her. That’s a typical thirteen-year-old for you (or is he 14 now?). I love how honest he is right off the bat, completely contradicting his prior relationship with PB. It’s rewarding to see the little guy be so open regarding his feelings and to not hold back, learning from his mistakes the first time. In addition to that, there is an interesting bit of turmoil he experiences when he has to choose between being a hero or preserving the one he cares about. The decision seems simple at first, but it all becomes more difficult when we learn that putting out FP’s flames legitimately hurt her. All of us want Finn to choose the obvious route of being heroic, but also don’t want to see Flame Princess get injured in the process. As for his ending breakdown… we’ll get to that in a bit.

HTTT 3.png

Jake is the perfect everyman in this episode: completely supportive of his hormonal brother, but being very rational when handling the situation. I love how much he goes through just for his friend, from helping him pursue his new love interest to trying to protect the Goblin Kingdom in the process. And, as a result, Jake is actually the true hero of this episode! Yeah, he helps Finn get closer to Flame Princess AND saves everyone in the Goblin Kingdom. What did you do again, Finn? You’re slippin’, buddy.

There’s a lot of enjoyable moments in this one. I love Finn’s awkwardness when it comes to pursuing FP, right down to the fact that he’s basically being a giant stalker and even acknowledges himself in the act. There’s plenty of silly side characters, from the smoking bird (who, for some reason, speaks in rhymes) and the return of the quirky goblins! And hey, speaking of characters returning, my boi NEPTR’s back!! NEPTR is one of my all-time favorites, and it’s really delightful to see the little scamp once again. I love the fact that everyone just generally disregards everything he says, including his entire existence. It just seems like such an oddly cynical and sadistic turn for such loving characters, and I really like how different it is because of that. NEPTR will always be BMO-Light to the rest of the cast. Also, that rap was fucking dope!

HTTT 4.png

My one problem with this episode, which is actually kind of a major one, is Rebecca Sugar’s part of the episode. I think Cole Sanchez’s section is just fine, but Sugar’s work feels like it’s trying too hard to be really profound and emotional to me. This is a common criticism for a ton of the season six and seven episodes, but really, I think it comes out full-fledged here. Finn’s crying just didn’t hit home for me at all; Rebecca had some big obsession with wanting Finn to cry during her time on the show, and really, I’m not sure I get it. I think some of the most impactful and poignant moments on the show are done without any crying at all (Finn discovering Susan may not be human in Susan Strong, Simon’s video diaries in Holly Jolly Secrets, Finn being abandoned by his father in Escape from the Citadel, etc.). It’s something that carries over heavily into her own show Steven Universe, but really, I just don’t think it works here. And considering the ending is left so ambiguous and poetic, you’d think there’d be room for more development on how Flame Princess and Finn are in a somewhat “forbidden” romance, but it’s rarely even touched upon in the next episode FP is in, outside of the last half, and just feels like a cheap gimmick in order for me to feel something or be left with some lasting impression, but it just doesn’t work at all. Pendleton Ward had this brief bit of wisdom on the episode’s commentary:

“[in reference to writing kid characters] … you just think that they’re gonna skin their knees and cry a bunch, when it’s not fun to watch, I don’t think.”

Though he wasn’t speaking directly about that portion of the episode, it pretty much sums up my feelings. I criticized What Was Missing slightly in the past for Sugar’s style feeling off with AT’s aesthetics, but I think this is a prominent example of her writing failing to meet the emotional complexities of the characters, at least in my eyes. I think Cole gets it right from Finn’s monologue earlier on in the treehouse, that’s meant both to be funny and somewhat profound. That’s exactly what I was looking for throughout a majority of this episode.

HTTT 5.png

That being said, I do think it’s still a pretty decent season premiere. I think there’s still a lot of enjoyable moments, from the silly jokes, to the beautiful visuals (really nice blends of orange and yellow), to the general intrigue of the main conflict. The characters are written as perfectly as they should be; as I mentioned, this is one of my favorite appearances of Flame Princess to date. Even though I’m not crazy about the ending, it still leaves a ton of ambiguity and mystery that Incendium left off with, giving me enough motivation and anticipation to keep watching forward. And as long as I live, I will never get tired of Finn stretching out Jake’s face like silly putty.

Strap in, everyone! Season four is gonna be one hell of a ride!

Favorite line: “Listen, when I look at you, my brain goes all stupid, and I just wanna hug you, and sit on the couch and play BMO with you.” (the most accurate depiction of teenage feelings of all time)

“The Legend of Lucky Pie” Review

LOLP 1.png

I was really scrambling around while searching for something to cover for the between season mini-review. Not that I have to review anything, but after doing the pilot and The Wand, it’d only make sense if I kept up the tradition and gave myself a little bit of a breather as well. Unfortunately, there’s no new shorts until we get past season six. So, I was considering the games, books, or even comics (which I’m also considering covering through a series of reviews once this blog is complete, though that’s years down the line), but again, not a ton of these correspond with the appropriate season, and I think they should. So, that’s when I stumbled upon The Legend of Lucky Pie, and checked out all of the available episodes. Though I had seen the intro before, I had absolutely no knowledge of this webseries aside from the fact that it was labeled as a knock-off of Adventure Time.

As a bit of background for the series, The Lucky of Lucky Pie was originally released in 2015 on Cartoon Brew’s YouTube by Yimumu and Tim Chan. The series itself is completely funded through Patreon as of its latest episode, and has three episodes to date. It stars Lucky (who I guess is like a combination between an owl and a human boy?? I dunno) and his shapeshifting horse friend Pie, two cool bros who love to go on adventures and visit distant lands. Where have I heard this before?  Basically, all of the claims that it’s a rip-off are slightly correct, but I don’t know, after watching three episodes, it’s not as bad as I thought it was going to be. There’s actually a decent amount of good stuff. Let’s check out the first couple episodes a bit more in detail.

Who Makes That Voice?

LOLP 2.png

Original Airdate: January, 2015

This one is probably the weakest out of all the ones I’ve seen. This series is a lot more slow paced and leisurely than Adventure Time, which can be nice, but Who Makes That Voice? just sorta drags for me. Lucky and Pie meet a mermaid and hang out with her on the beach, and then defeat a sea monster before the mermaid leaves. Pretty thin when it comes to plot, but it’s actually just kind of… pleasant. A lot of these episodes just feel nice to watch: the colors, the selections of classical music, and the atmosphere do make for a really soothing experience. I do think that the character interactions are pretty weak and the mermaid character herself is largely undeveloped, but there is a genuine good feeling you get from watching it. It’s also really fucking weird how different customs are since it’s a non-American series. There’s a scene where Lucky straight-up accuses Pie of acting like a pedophile. Imagine Finn saying something like that to Jake.

The Zodiac Maze

LOLP 3.png

Original Airdate: October 19, 2015

This one is actually pretty cool. Lucky and Pie enter a maze based on zodiac signs, and you can only open certain treasure chests based on your designated sign. That’s a pretty dope concept that shows that there is a good amount of creativity behind the series, and that it’s not ripping off actual plots from AT. There’s some other cool moments as well, like this scene where Pie puts a cow’s teardrop in his eye and starts to trip balls for some reason. I do like how this series adds its own little bit of bizarreness as well, and doesn’t really hold back in that regard. The artwork’s also a lot smoother and cleaned up in this episode, which makes sense because each episode is released roughly a year apart from each other. It’s also the introduction to a PB-like character named Sourrie, who’s kind of just a giant bitch. She’s actually more like LSP, in that regard. There’s also her friend Plum Butler, who’s like Peppermint Butler except he looks like a giant creepy weirdo. I wouldn’t be surprised if he was an actual pedophile instead of a morally ambiguous ambassador for the dark arts.

If It’s The Last Thing I Poo

LOLP 4.png

Original Airdate: May 26, 2016

This is actually the most enjoyable episode of the series. It’s not great, but it at least finally explores the relationship between the two main characters when Lucky calls Pie weak. There’s also a fly named Hyperneat that this episode introduces, a really cute side character that even has a backstory and his own character motivations. This is somewhat of a dungeon type episode, where the three characters are on a quest to grab treasure from a dragon named Nightmare. Again, the animation and colors are a step up from previous episodes, and it all just looks real sharp. There’s a nice montage sequence as well, which showcases some really cool artwork that looks as though it would fit as one of the title cards for the series. When they finally get to the dragon’s lair, there’s some decent suspense when Hyperneat is constantly hit with Nightmare’s flames, but finally gets what he’s wanted all along: the cleanest piece of pink poop in all the land! This really was a weird one, you guys. But besides that, Lucky also gets what he came for as well: a stellar new sword crafted from the dragon’s flames. There’s a surprisingly good amount of continuity in this series; Lucky’s sword was partially eaten in the first episode, and remains broken throughout the next two episodes. There’s also a callback to how Lucky and Pie defeated the sea monster in the first episode, and do so the same way during the montage.

So yeah, this webseries isn’t anything great, but you know what, it certainly has a good deal of effort put into it. It’s not particularly funny, but the color palette in general is great; the backgrounds and settings almost look like they’re filled in with water colors, it just looks really nice. The animation looks pretty damn fluid most of the time, considering it’s only a webseries. Lucky and Pie aren’t the most interesting main characters, but there’s hints of Finn and Jake there that make them likable and fun to watch. As I also mentioned, it’s just really calming to watch. It’s very atmospheric in it’s tone, and just makes you feel very at ease even when situations get more hyperactive. And despite its label as AT’s knock-off, it really does have a good amount of new elements and originality to work as its own thing. Probably not something I’d rewatch in the future, but I’m glad I checked it out at least once. You can check out all episodes of The Legend of Lucky Pie on their official YouTube channel, or subscribe to their Patreon here!

Season Three Review

ATS3 1.png

Season Three of AT is arguably the best combination between humor and drama in the entire series. Season seven comes close, but I think season three really manages to balance goofiness and intensity to a tee. I always stand by my belief that each season gets better as the show goes along, but really, this is as close to a perfect season for any series.

The humor was really spot on this time around. With episodes like Still, Hitman, and Another Way, the show has really come accustomed to a much sharper, rounded form of humor that goes beyond just uttering wacky catchphrases. The interactions between the characters are brilliant, especially episodes that deal with the relationship between Finn, Jake, and Ice King. I can’t remember laughing as hard as I did while rewatching episodes like Hitman or Still up to this point. And even then, episodes that aren’t primarily comedy based had a lot of great jokes and gags within them as well: Dad’s Dungeon, The Creeps, and Too Young had their own moments of precise hilarity.

Some episodes also introduced one of AT’s greatest elements in later episodes: their experimental nature. Fionna and Cake and Thank You both diverted majorly away from the show’s comfort zone, and took on topics and genres that proved to be largely popular in the outcome. It’s clear the crew was very pleased with these episodes, as it lead to some bigger experimentation later on, such as more Fionna and Cake stories, guest animated episodes, and the inclusion of side characters as the main focus of their designated episode.

Things took a dark turn in No One Can Hear You, which was a largely unfunny episode that was more focused more on creepy atmosphere and story than trying to shoehorn in jokes. Again, it was another creative choice that pushed the boundaries of the series on whether it could possibly work out not, which, again, proved to be a successful decision in the long run.

ATS3 2.png

We also got a good chunk of particularly emotional episodes. Holly Jolly Secrets revealed the secret backstory of the Ice King through one of the most powerful sequences in the entire show, and Incendium focused on Finn’s crushed love life as he struggled to bounce back from getting rejected by Bubblegum for the final time. It was really nice for AT to divert from what a typical kid’s show is allowed to do by showcasing some of the more raw emotional circumstances and hardships of life. Even The New Frontier, which was a relatively silly episode, had a very heavy focus on the topic of death and whether we should handle it with open arms or ignore it completely. Little things like that are what really show why this series has such a large adult following, and how a good majority of viewers these days are adults themselves.

The teams were pretty great for this season as well. Adam Muto and Rebecca Sugar are once again the superstars of this season, crafting some of the most poignant and enjoyable episodes in the series (Morituri te Salutamus, What Was Missing, and Incendium). We also got the great new pairing of Ako and Jesse, who surprisingly worked very well together! They actually crafted a lot of the creepier and more atmospheric episodes this season (No One Can Hear You, The Creeps, and Ghost Princess) and while not all of them were big hits, they did manage to blend their styles together quite nicely. Tom Herpich and Bert Youn were a solid team as well, which leaves Kent Osborne and Somvilay Xayaphone as the weakest team once again. They did manage to create what is definitely the funniest episode of the season, Still, but their work never really stood out one way or another to me. Their styles just never really meshed that well together; Somvilay was all for more absurd comedy and visuals, while Kent is kind of a traditionalist when it comes to AT’s humor. I think Osborne himself works terrifically on his own later on, and Somvilay even found a better pairing with Seo Kim.

The character arcs this season are pretty well divided out: Finn begins experiencing some of the hardships of his teenage life, including his development of an inferiority complex, his acceptance that, one day, his best friend will die, and the painful tragedy of unrequited love. He still remains the goofball with a heart of gold that we’ve come so comfortable with, but it’s still very interesting to watch him experience his changing life around him, and the traumas that come with growing. Jake wasn’t entitled to a specific arc, but we do get a really good glimpse of his view on death and destiny in The New Frontier, which pretty much remains consistent throughout the show’s run. We get a good amount of episodes dedicated to Marceline, including hints of her backstory that are explored in Memory of a Memory, What Was Missing, and Marceline’s Closet. It’s all really cool to get even some hints of post-Mushroom War information through her past, and it only becomes more compelling and interesting from this point on. Unfortunately, we still don’t get too in depth with PB’s character arc, which doesn’t really go into full effect until the next season. The most we get to see out of her is through Too Young, where, during her time as a thirteen-year-old, she gets to enjoy time having fun with Finn, and we even get a look into her background as a the ruler of the Candy Kingdom. This single episode shows that PB finds being a ruler quite stressful, and sets up a good chunk of her story later on. Besides that, we only get to see her one-sided relationship with Finn (on Finn’s side, of course) and a glimpse into her rocky relationship with Marceline. It’s also unfortunate that we get to see a majority of the depth on Marceline and Finn’s side of the story and rarely ever get to see a view from PB’s point of view. This is handled better later on, but I still feel like PB is a bit underwhelming when it comes to true character development in this particular season.

ATS3 3.png

And of course, the true star, the Ice King. The way he’s incorporated into this season is absolutely genius. There’s a handful of episodes that work towards developing the IK into a lonely jerk who simply wants to be friends with Finn and Jake in some of the funniest ways possible. Just when you think that concept can’t build up any longer, the big reveal occurs that Ice King’s crown is what caused a relatively normal human being into a crazy ice wizard, which completely changes the IK’s story into one of the most interesting arcs in the entire series. This entire season could simply be labeled as “The Best of Ice King”, because that’s truly what it is in my eyes: a terrific assortment of episodes that really do their damnest to make the show’s primary antagonist into one of the most sympathetic and endearing characters of all time.

Top 5 Best Episodes

5. Fionna and Cake – A dazzlingly beautiful episode that takes full advantage of an awesome experiment, as well as being the best Fionna and Cake episode to date.

4. Thank You – Another great experiment that’s a strong emotional experience, churning out one of the most heartwarming stories in the entire series.

3. Dad’s Dungeon – A totally kickass episode that showcases the relationship between Finn and his adoptive father, as he and Jake trek through the coolest dungeon to date.

2. No One Can Hear You – A rather creepy episode that feels like AT’s most prominent attempt at a psychological thriller, and one that succeeds in the very best way.

1. Incendium – A turning point for the series that puts an end to one of the first established relationships in the series, and one that’s filled with emotion, humor, and the introduction of a new major player.

Top 5 Worst Episodes

5. Marceline’s Closet – Not a bad one by any means, but one that feels a bit thin on any new light to put Marceline in, and thin on story as well.

4. From Bad to Worse – Not particularly strong in humor or story, and a very experimental one for Somvilay that slightly backfires.

3. Wizard Battle – Less of Finn trying to smooch on Princess Bubblegum and more wizard battles, dammit!

2. Paper Pete – A cute, yet mildly bland episode that I almost always forget immediately after I watch it.

1. The Monster – A spotlight debut for LSP that only brings out why she shouldn’t be in the spotlight of any episode.

Final Consensus

As I mentioned above, this really is as perfect a season as you can get. The Monster is really the only episode from season three I could label as straight-up bad, and that’s pretty impressive from a package of 26 episodes. It continued to pushed the boundaries of what AT is capable of doing, and gave reasonable belief for viewers that the series wasn’t going anywhere anytime soon. It really closed out the era of classic Adventure Time with a bang.