Tag Archive | Cole Sanchez

“Gotcha!” Review

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Original Airdate: June 18, 2012

Written & Storyboarded by: Cole Sanchez & Rebecca Sugar

Going into LSP-centric episodes is always a difficult task for me. I’ve been pretty audible on this blog about my feelings regarding Lumpy Space Princess in the past, so you probably already know I’m not the biggest fan of her. Yet, at the same time, I don’t actively dislike her. Of the recurring cast of characters, LSP and Cinnamon Bun are about as close I’ve come to disliking anyone, but I certainly don’t hate them. Even with that said, there’s a bit of bias I do hold against these episodes going in that I’m sure a diehard LSP fan wouldn’t necessarily agree with. Then again, there’s also characters I genuinely enjoy like Tree Trunks who isn’t really able to hold up an episode on her own either, so I’m not sure if it all comes down to personal preference or not. I dunno, I’m rambling now, but even though I’m not able to enjoy Gotcha! a whole lot for the reasons I’ve mentioned above, it’s still a pretty okay episode that I think has its moments.

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Part of the problem I do find with LSP-centric episodes is that her vanity and self-centered behavior just aren’t enjoyable enough to span the entirety of an 11 minute episode. The episodes she’s heavily focused in typically do revolve around the very one-dimensional side of her personality as well, which is why Lumpy Space Princess works best in small doses. You have an episode like this that attempts to help her come to a realization about herself and the way she behaves, but the fact that she still stays the same in her very next appearance just makes any type of development surrounding her seem like a waste of time. It’s not even that she’s portrayed badly in this one; I enjoy her epiphany that people aren’t solely attractive by their good looks and instead also by their personality, as well as the admiration she grows from Finn because he is especially attractive in that sense. However, as I’ve said, in a cast of characters that are constantly growing and changing, LSP is just one that we can never expect to change, which is fine, but it makes an episode like this seem practically pointless. The only time I find it interesting is when we’re treated to some of the more tragic aspects of her characters, such as in Bad Timing or Be Sweet, but any attempt to put Lumpy in a more compassionate and endearing light just feels a bit flimsy to me because her attitude and obsession with herself never seem to lessen.

As for the plot of the episode itself, I think it also suffers a bit from being slightly disjointed. It almost feels like it could’ve been separated into two different stories: one with Finn and Jake going on an adventure with LSP, and one solely revolved around LSP’s book. I feel as though they had some cool things going with LSP’s social experiment in the first act that just don’t get enough time to breathe or work to their fullest potential. That’s followed by an entertaining dungeon crawl, but by the time that expedition ended, I had almost completely forgotten LSP was writing a book to begin with. I liked both set pieces, but I think committing to one part or separating the two would have helped for satisfactory experiences.

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Not sure if the eye-whites here are an animation error or not. This feature was primarily done away with after the first season, though I’m not sure if the rule specifically applies to Finn. Nevertheless, you rarely see a character with eye-whites these days.

So yeah, I’m ranting my asshole out, but there are many other gems that are worth mentioning. Despite what I just said about the story, I do genuinely enjoy both the adventure and book aspect. From an LSP point of view, I think her parts can drag them down a bit, but it’s more of the atmosphere surrounding her that I like than her actual experience. For instance, I love that brief little montage of Lumpy Space Princess writing a new version of her story while that song about generosity plays softly in the background. The entire episode is just filled with nice indie vibes that I can really get behind. And I guess that’s the best way to describe how I feel after watching this episode, “nice.” Again, I don’t really find myself enjoying Lumpy’s character or sympathizing with her anymore than I did before, but I didn’t actively roll my eyes or find it painful to sit through. It’s not like sitting through a Ronaldo Fryman episode of Steven Universe (coincidentally, Rebecca Sugar boarded this one. Sorry, Rebecca. There’s just no way to make that guy pleasant or charming).

The connection between LSP and Turtle Princess is one I quite enjoy. The constant “HEY, GIRL!”’s throughout the episode do make me laugh considerably hard, and I just generally find Turtle Princess’s sad and macabre personality to be endearing, so anytime she’s on-screen is a delight. Jake in particular is pretty funny in this one. I like his brief interaction with BMO at the beginning (would’ve loved if Jake actually called BMO “sensei” in the next handful of episodes), his reaction when LSP first shows up at the doorstep, and his outburst “LSP, you’re wearing garbage as clothes!” towards the end. I think Cole Sanchez and Sugar went a little overboard with how nice Finn is for the purpose of the plot. It’s not overexaggerated or unbelievable, but it shapes him down to behave like a much blander character than he is. But again, this is from Lumpy Space Princess’s point of view, so I can’t really fault his behavior or the way he’s written for it. I would’ve enjoyed a few goofier or quirky moments for him. I do, however, like his remark, “you’re beautiful on the inside… like, your brain and stuff!” That was a perfect Finn interpretation of inner beauty.

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The quest Finn, Jake, and LSP go on is pretty neat-o too. As I mentioned, I really would’ve liked to see a whole lot more of the Mystery Mountains, but what we got to see was pretty cool. The whole bit with the mirrors was really spooky and interesting, and it makes me wonder what the story is behind the mirrors. Is it secretly what LSP most desires? That would make perfect sense, because the entire episode is devoted to her realization that Finn is not attracted to her, but instead, she is attracted to him. While we’re on the subject, what is the age gap between Lumpy Space Princess and Finn? Like, we know she was already a teenager in her debut, and she later celebrated her quinceranera in The Eyes, meaning she’s probably 15 or 16 where Finn is now a 14-year-old up to this point. I always kind of thought LSP’s attraction to Finn was sort of creepy, but it’s kind of reassuring that they’re likely only a year or two apart. Also, is this the only time Finn uses that little slot on his backpack for the Demon Blood Sword? I mean, I know he used it to carry the Root Sword around, but from the Demon Blood Sword onward, he’s always just kind of kept them in an area between his back and his backpack. Weird thing to note, but I kind of wonder why he doesn’t use that slot more often. Probably a hell of a lot more comfortable (though also probably tougher to draw).

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With that said, this one is okay. It has its fair share of decent moments, but nothing I get behind too much. Again, it might just be my personal beliefs blindsiding me, but there are several LSP-centric episodes down the line I actually really enjoy, so it does lead me to believe I’m not being too biased.

“I don’t know how it happened. Usually, I’m super observant about these kinds of things. Like that one time Melissa’s lump was all crooked when she came back from the bathroom. I observed that. I observed that all day and didn’t say anything. She must have been so embarrassed for herself. What-ever. ‘Cause that’s what you deserve when you PO LSP. Ha. Oh, she know what she did – No, I’m not going to tell you.

After all, a girl’s gotta have some mysteries.

Anyway, I’ll talk to you later, book. To recap, Finn is the one who is hot. I’ll see you in the next chapter. BUMPS.”

– I Wrote a Book, Lumpy Space Princess

Favorite line: “LSP, you’re wearing garbage for clothes!”

“Daddy’s Little Monster” Review

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Original Airdate: April 30, 2012

Written & Storyboarded by: Cole Sanchez & Rebecca Sugar

Daddy’s Little Monster answers the questions left behind in Return to the Nightosphere with pretty satisfying results. This one had some competition with the hilarity and bizarreness of the last episode, but I think Daddy’s Little Monster takes a bit of a new direction that still makes for an equally enjoyable episode.

This one starts exactly where Return to the Nightosphere left off, as Jake tries to charge up his camera phone through BMO after a refreshing shower. BMO’s technology functions usually incorporate some kind of double entendre revolving around making stool, but this one seems especially straining for the little guy. Almost like he’s passing a kidney stone or something. It’s also interesting to see a cellular phone in the Land of Ooo; to my knowledge, we only ever regularly see LSP’s cell phone up to this point, so it almost makes me wonder where exactly Jake retrieved it from. Though, from this episode on, it seems like almost everyone in Ooo and beyond has a cell phone. Kinda wish they kept up with the cool and unique personal phones Finn and Jake had that were adapted from a transistor radio and a walkie-talkie. They just seemed like fitting and creative pieces of technology for a post-apocalyptic world.

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Aside from that, we do get a lengthy sequence of exposition as Finn and Jake watch video evidence of what happened to Marceline. It’s all very energetic and humorous though, especially with the return of none other than Hunson Abadeer! That guy is so lively and vibrant that I love every second of him being on-screen. It’s rare we even get to ever see him, so his return is certainly welcomed. Marceline’s quick song about wanting Hunson’s respect is alright I suppose, but that’s because its counterpart from the last Nightosphere episode was The Fry Song. Pretty hard to compete with that, and the song itself is just sort of a brief leighway into Marcy’s main conflict with her father. It has some nice lyrics, and reveals more baggage in the ever-dysfunctional relationship between Hunson and Marceline. I also love Jake throughout the duration of the video: he’s constantly rotating the phone up and down from body-view to his feet. I also find his line “ow, my hippocampus!” to be great, because it works as a funny one-liner, as well as revealing where Finn and Jake’s amnesia came from in the previous episode.

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There’s a lot of funny moments once Finn and Jake return to the Nightosphere. I love Jake’s half-assed attempt at shifting into a demon, followed by his really grotesque transformation. The demons return once again and are equally as funny as their last appearance; love how the demonized Marcy finds a way to fuck with them no matter what, even when they try to find loopholes around their predicament. That one guy just wanted abs too God damn badly. Also, that fucking demon who was chewing out Finn and Jake for cutting in line was all kinds of amusingly obnoxious. I love the Political Rap that follows as well, written by J-Moyns himself. It’s so pandering to the demons listening, and yet I love the way they all just immediately go along with it. Especially the line “this system is broke, yo!” That really seemed to hit home.

The scene with Hunson in his kitchen (equipped with magnets from Vegas and Orlando; Hunson really got around in his younger days!) is both enjoyable and pretty interesting, really. Hunson’s actions are obviously morally wrong, but it’s clear that him and Marceline are two completely different people, and it’s often pretty relatable that a parent may want something for their child that just simply isn’t attractive to them. Hunson’s actions aren’t completely unlikable because he certainly seems to hold Marceline to a high standard by considering her worthy of ruling his kingdom, and only wants Marcy to be raised the way he was raised and possibly find more common ground with her. The reason he’s wrong in his actions, though, is obviously because he chose to do it against Marceline’s will and didn’t respect her choice of wanting to go her own path.

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Finn see’s this as an opportunity to save Marceline, and, though it backfires, Finn chooses the heroic and equally chaotically evil choice of putting on Marceline’s amulet. It’s cool to see such a twisted version of Finn’s personality. Even though he saves Marceline and Jake, he’s pretty much immediately taken over by the gem’s demonic powers afterwards, and can’t resist the overwhelming feelings of evil inside of him. That’s when Hunson comes out to save the day! I think this part in particular can be up for interpretation. It’s never explained fully whether Hunson knew this was Finn or not, and I like to believe he assumed the beast was Marceline and finally came to his senses in regards to allow her to go upon her own life path. Looking at it that way is a very sweet moment from the ruler of all darkness, and even if he knew it was Finn, he still chose to put an end to the suffering that Marcy and her friends had gone through.

The only thing about this one I didn’t like that much was the climax. I think the conversation between Hunson and Marceline was resolved way too quickly. It goes from quiet, to tense, to charming, to cheerful all over to course of about 20 seconds. I like Hunson admitting he’s proud of Marceline, but this scene just wasn’t enough of a selling point for me. I was really convinced that Hunson does care about Marceline during their interactions towards the end of the original Nightosphere episode, but it’s done so quickly this time around that I feel like there’s not enough time for a big emotional impact. It’s done well enough, but after one big two parter, I would have liked somewhat of a bigger payoff. Also, apparently a lot of people thought Marceline was completely serious when she said she’d stop being friends with Finn, which almost had me convinced because we won’t see her for another 18 episodes now. Marcy’s pretty much missing in action for the rest of the season from this point on, aside from one final prominent appearance.

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But I do like this one a lot, and I think it really does work well as a two parter. It was a great exploration of a rarely seen area in Adventure Time, and continued to build on a relatively important relationship. I love the Nightosphere, I love Hunson, I love his connection with Marcy, and I just really love all the creativity that went into these past two episodes. This is the last we see of Hunson for now (not sure why they’ve never incorporated him in another story till the upcoming season 9 episode, I suppose they just never found a place for him) and I’m glad we got to see enough into his character and his relationship with Marceline to hold me over till then.

Also, I’ll never look at a banana the same way again.

Favorite line: “See how I’m not killing you?”

“Five Short Graybles” Review

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Original Airdate: April 9, 2012

Written & Storyboarded by: Tom Herpich, Cole Sanchez & Skyler Page

The Graybles episodes never quite reached the heights of the other experimental types of stories AT has pursued. The guest animator and Fionna and Cake episodes have produced quality material that the Graybles stories haven’t been able to meet in my personal list of favorites. Though, I can say, where some guest animator and Fionna and Cake episodes have failed somewhat severely, I’ve never thought too poorly of any of the Graybles. They’re simplistic and cute stories that later contribute to the lore of the show’s world, but for now, they’re simply the former. And there’s nothing wrong with that, this one actually reminds me a lot of 22 Short Films of Springfield, one of my all-time favorite Simpsons episodes. I wouldn’t be surprised if that’s where Graybles episodes stemmed from, Pen Ward is a huge Simpsons fan after all.

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It starts out very uniquely, with the introduction of Cuber, voiced by Emo Phillips. It’s later revealed that he’s a futuristic dude, but I’m pretty sure in this one, we’re just kind of supposed to look at him as the narrator. But he’s pretty cool, though this is probably his most generic appearance. He later lends himself to some creative and clever scenarios, but here he’s just kind of in it to do his job, and that is to explain the purpose behind Graybles. It’s a decent first appearance, and I really do love Emo Phillips as a voice actor. Check out his stand-up if you haven’t, it’s hilarious!

The first story starts out with BMO, and it’s by far the best. It’s a pretty stellar look into BMO’s psyche that introduces the recurring character of Football, as well as BMO’s underlying desires of wanting to be a human, or wanting to relate to humans. It’s really cute and almost tragic in a way; I really love seeing the little guy take so much pride in what he’s doing, but at the same time, he’s putting on a farce that will later become a larger burden for him and lead to a psychological breakdown. I never get tired of watching him pee through that glass of water, though. Really nice voice acting from Niki Yang, as always.

Finn and Jake’s story is a bit simplistic, but I do enjoy their somewhat masochistic behavior and the depths they’ll go to perfect a measly high-five. The framing device with our main duo is pretty great: their high-five pretty much carries through and builds up till the very end, which caps off in a pretty satisfying and funny ending, but we’ll get to that in a bit. I also love the unique shots we get to see as they run at each other in a pretty cinematic way. This is Skyler Page’s first time boarding for AT, and he really showcased some of his talents by drawing shots we don’t typically get to see in the series.

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PB’s sandwich sequence is terrific! It’s a really drawn-out scene, but one that never feels like it’s dragging or stale. It’s done through all kinds of visual gags, such as the poor cow that endures that somewhat bizarre contraption, or his block of cheese that’s converted into a single slice using a sewing machine. Then there’s the pure absurdity of PB hitting a head of lettuce with a baseball bat for some reason. Wouldn’t it have made a cleaner slice if she just chopped it up? Also, it’s interesting to see Bubblegum using what is presumed to be black magic. They acknowledge this in the commentary, and no one really has a reason to back it up. I’m just gonna call this one a brief continuity error. And that final bit with Cinnamon Bun was all types of fucking nasty, in the best way possible. I cringe every time I watch his body spew out that diarrhea-like slop.

Ice King’s story is pretty damn funny. I love how 90% of it is just him abusing his penguins. First he sends Gunther off on a block of ice for smelling bad, then he uses penguins to clean himself off and abrasively throws in them in the trash afterwards. It’s some pretty horrifically amusing stuff that only Ice King could get away with, and only seems to get funnier each time I watch those suffering penguins. At least Ice King was partially right about what smelled by the end of it.

Finally, we have LSP’s story. Nothing much to say for this one from me; I never really cared for the These Lumps song too much and I think the story itself is a bit dry. Save for the ending though, which I think is a terrific punchline with Finn and Jake abruptly being named the winners of the talent show instead of LSP. That was priceless. A lot of oddly mean-spirited humor in this episode, wasn’t there?

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Of course, there’s also the connecting theme. I think this one’s pretty obvious, and also because I had already read somewhere what the motif would be before I had even seen the episode. Despite that, I do commend the writers for introducing this type of brainteaser that would eventually get more difficult as the episodes went along. I think this one worked fine, but the creativity and ambiguity of the themes would only good up from here. I think it’s something neat that helps the youngins do some thinking while they’re watching.

So, I like it. It’s a cute introduction to a new series of stories within the series, and pertains a sense of enjoyability and intrigue throughout. It’s always fun revisiting these because I often forget which story happened when (I could’ve swore Tree Trunks was in this one), and it’s always fun to watch AT in such a chronicle structure.

Favorite line: “I thought you had a stank booty, Gunter. My bad.”

“Hot to the Touch” Review

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Original Airdate: April 2, 2012

Written & Storyboarded by: Rebecca Sugar & Cole Sanchez

Here we are, kids! Season four! As I’ve mentioned a couple times prior to this review, season four is a really big turning point for the series. Things get darker, edgier, and more impactful from hereon in, folks. Fresh off the batch is Hot to the Touch, a continuation from where season three’s cliffhanger left off. When the original synopsis for this episode was released, I had much different expectations for it. I generally didn’t expect for this one to pick right up where Incendium left off, as it typically wasn’t really something AT had done before, aside from the Mortal Folly/Mortal Recoil two-parter. I thought there’d be a lot more of Finn just sort of observing Flame Princess from afar, and trying to learn little tidbits about her in the process. There is a little bit of that, but what we got as a whole was a pretty satisfying episode, though not without it’s issues.

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First off, I think Flame Princess’s character is crafted perfectly in this episode. I dunno, after this one, I think they kinda jumped the gun and made her a lot less interesting than this episode set her up to be. I like her curiosity, how uneducated of the world around her she is, and how her moral code is constantly put into question. With a few exceptions (and some cool development much later on) I think her character was sorta squandered down into just a straight good guy following Hot to the Touch. Not to say Flame Princess is an awful character after this episode, but it almost feels like day and night to watch her so recklessly destroy a kingdom in this one and then be all cute and bubbly the next. I just really think they had a lot of momentum going with her ambiguity and then sorta dropped it way too quickly. It’s not an actual issue with the episode, though, and is one of my very favorite appearances of FP’s character in general. Also, she frequently mentions that she’s an elemental! It’s cool to see this mentioned so early on, and makes me wonder how Flame Princess became so familiar with this label to begin with. Perhaps Flame King educated her on this matter? It’s really up for discussion.

Finn’s interest in Flame Princess is very cute; I love his instant infatuation with FP and how he’s quickly able to profess his love for her without even really knowing her. That’s a typical thirteen-year-old for you (or is he 14 now?). I love how honest he is right off the bat, completely contradicting his prior relationship with PB. It’s rewarding to see the little guy be so open regarding his feelings and to not hold back, learning from his mistakes the first time. In addition to that, there is an interesting bit of turmoil he experiences when he has to choose between being a hero or preserving the one he cares about. The decision seems simple at first, but it all becomes more difficult when we learn that putting out FP’s flames legitimately hurt her. All of us want Finn to choose the obvious route of being heroic, but also don’t want to see Flame Princess get injured in the process. As for his ending breakdown… we’ll get to that in a bit.

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Jake is the perfect everyman in this episode: completely supportive of his hormonal brother, but being very rational when handling the situation. I love how much he goes through just for his friend, from helping him pursue his new love interest to trying to protect the Goblin Kingdom in the process. And, as a result, Jake is actually the true hero of this episode! Yeah, he helps Finn get closer to Flame Princess AND saves everyone in the Goblin Kingdom. What did you do again, Finn? You’re slippin’, buddy.

There’s a lot of enjoyable moments in this one. I love Finn’s awkwardness when it comes to pursuing FP, right down to the fact that he’s basically being a giant stalker and even acknowledges himself in the act. There’s plenty of silly side characters, from the smoking bird (who, for some reason, speaks in rhymes) and the return of the quirky goblins! And hey, speaking of characters returning, my boi NEPTR’s back!! NEPTR is one of my all-time favorites, and it’s really delightful to see the little scamp once again. I love the fact that everyone just generally disregards everything he says, including his entire existence. It just seems like such an oddly cynical and sadistic turn for such loving characters, and I really like how different it is because of that. NEPTR will always be BMO-Light to the rest of the cast. Also, that rap was fucking dope!

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My one problem with this episode, which is actually kind of a major one, is Rebecca Sugar’s part of the episode. I think Cole Sanchez’s section is just fine, but Sugar’s work feels like it’s trying too hard to be really profound and emotional to me. This is a common criticism for a ton of the season six and seven episodes, but really, I think it comes out full-fledged here. Finn’s crying just didn’t hit home for me at all; Rebecca had some big obsession with wanting Finn to cry during her time on the show, and really, I’m not sure I get it. I think some of the most impactful and poignant moments on the show are done without any crying at all (Finn discovering Susan may not be human in Susan Strong, Simon’s video diaries in Holly Jolly Secrets, Finn being abandoned by his father in Escape from the Citadel, etc.). It’s something that carries over heavily into her own show Steven Universe, but really, I just don’t think it works here. And considering the ending is left so ambiguous and poetic, you’d think there’d be room for more development on how Flame Princess and Finn are in a somewhat “forbidden” romance, but it’s rarely even touched upon in the next episode FP is in, outside of the last half, and just feels like a cheap gimmick in order for me to feel something or be left with some lasting impression, but it just doesn’t work at all. Pendleton Ward had this brief bit of wisdom on the episode’s commentary:

“[in reference to writing kid characters] … you just think that they’re gonna skin their knees and cry a bunch, when it’s not fun to watch, I don’t think.”

Though he wasn’t speaking directly about that portion of the episode, it pretty much sums up my feelings. I criticized What Was Missing slightly in the past for Sugar’s style feeling off with AT’s aesthetics, but I think this is a prominent example of her writing failing to meet the emotional complexities of the characters, at least in my eyes. I think Cole gets it right from Finn’s monologue earlier on in the treehouse, that’s meant both to be funny and somewhat profound. That’s exactly what I was looking for throughout a majority of this episode.

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That being said, I do think it’s still a pretty decent season premiere. I think there’s still a lot of enjoyable moments, from the silly jokes, to the beautiful visuals (really nice blends of orange and yellow), to the general intrigue of the main conflict. The characters are written as perfectly as they should be; as I mentioned, this is one of my favorite appearances of Flame Princess to date. Even though I’m not crazy about the ending, it still leaves a ton of ambiguity and mystery that Incendium left off with, giving me enough motivation and anticipation to keep watching forward. And as long as I live, I will never get tired of Finn stretching out Jake’s face like silly putty.

Strap in, everyone! Season four is gonna be one hell of a ride!

Favorite line: “Listen, when I look at you, my brain goes all stupid, and I just wanna hug you, and sit on the couch and play BMO with you.” (the most accurate depiction of teenage feelings of all time)

Season Two Review

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Season two of Adventure Time pushed the envelope for the series a bit more than season one. It still focused on the lighthearted yet occasionally dark adventures of a boy and his dog in the post-apocalyptic land of Ooo, but this really feels like a point when the series began to get comfortable in its own skin. It began expanding what was already established in its world, and even added new elements on top of that. I’ll be revamping the season reviews a bit from the last one and, instead of breaking it up into sections, I’ll just kind of ramble on about the season as a whole.

First off, the humor and pacing this season became much more rounded and coherent. My biggest problem with season one is it could get a bit too juvenile and random in its approaches to humor. In season two, the writing focused a lot less on zany catchphrases and non-sequiturs and just focused on being funny, which it definitely succeeded at.

This season’s storyboard teams worked off of each other greatly! Season two introduced some of the most crucial writers on the Adventure Time crew, and some who work on the show even to this day. If I had to pick a team that I thought worked best together, it’d probably have to be Adam Muto and Rebecca Sugar. The two definitely have an apparent chemistry with each other: Muto definitely has a clear vision of what’s important regarding the AT world, while Sugar understands the emotional complexity and the deeper layers of each lead character. The other teams were terrific as well: Kent Osborne and Somvilay Xayaphone helped create some of the zanier and more fun-focused episodes, Jesse Moynihan and Cole Sanchez began developing their own writing skills, and Ako Castuera and Tom Herpich had some of the most stylized work all season. Ako and Tom didn’t really have the best relationship as storyboard partners, but it’s great to see that creative differences within the staff don’t affect the actual quality of the episodes.

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As for story, the one main recurring theme revolves around honesty. Finn continues to battle with his feelings towards Bubblegum and struggles to be honest about them, Jake had to show his true self in order for the acceptance of his loved one’s parents, Marceline began to connect more with her real personality and became less focused on putting on her typical trickster facade, Bubblegum explicitly showed her affection for Finn throughout, and Ice King even began to ponder realizations about the cause of his unhappiness, and what he wants to do to improve it.

Finn continues to be an incredibly likable protagonist. Despite his goofiness, he is beginning to transition into his early teen years, and is starting to deal with more heavy handed issues that he typically isn’t accustomed to. Jake definitely began to grow into a more diverse character as well. My one complaint with the way Jake is written in the first season is that he seems a bit too similar to Finn, but this season begins to literally and metaphorically shape his character into someone with his own aspirations and view on life.

Additionally, Ice King and Marceline began to go through their own big transitions this season. Ice King is much less of a villain, which is a point where I really start to enjoy his character. It’s much more fun to watch him try to befriend Finn and Jake and fail than to watch his depiction as an ineffectual nemesis. As I had mentioned, Marcy has begun to connect more with her true self, which arguably lessens the wild and exciting aspects of her character, but leads to a chain of her complexity in return.

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Also, we begin to see a lot more BMO this season! It’s definitely a bit of a different portrayal of his character; he’s a bit more sassy and negligent, but not without his charms. It’s delightful to see a character that was practically irrelevant in the previous season have more screen-time, as he rightfully should.

If there’s one of the leads that kinda got the shaft this season, it’s Princess Bubblegum. She appears in a handful of episodes, yet I feel as though we barely learned anything that new about her character. Besides her connection with Finn, she’s just seen as cute and nice, and it’s a bit of a shame that we don’t get to see any of her darker aspects that would eventually unravel later on. That’s not to say she’s written badly, but she definitely pales in comparison to the developments of the rest of the cast.

Top 5 Best Episodes

5. Susan Strong – The introduction of a character that forever changed Finn’s intrigue when it comes to the existence of humans, and a beautifully explored depiction of their relationship.

4. The Eyes – A humorous episode focusing on the mere interactions between our two main characters, as well as another sympathetic look into the life of the Ice King.

3. Mortal Folly – A high stakes and action packed episode that introduces the big bad of the series, and is filled with heavy atmosphere and intense imagery.

2. Power Animal – An entertaining look at the life of Jake the Dog and the inner struggles he faces, including a great subplot featuring Finn.

1. It Came from the Nightosphere – A beautifully crafted episode that kicks off an entirely new feel to the style of Adventure Time, with an important exploration of Marceline’s character and big, wide-scope feel to it.

Top 5 Worst Episodes

5. Crystals Have Power – An enjoyable and funny, but relatively slow-paced episode with somewhat distractingly crude drawings throughout.

4. The Chamber of Frozen Blades – A nice subplot featuring Ice King and Gunther, but the Finn and Jake material never quite got off on its feet.

3. The Pods – A bit too formulaic of a plot for even AT to bring anything that unique to the table.

2. Video Makers – An episode that highlights one of the worst aspect of Finn and Jake’s relationship: the two arguing over petty nonsense.

1. Slow Love – One that focuses on a pretty unlikable main character, which brings down the entire episode as a result.

Final Consensus

Season two brought to the table some of the most enjoyably fun AT episodes. It’s not my personal favorite season, but I think it’s arguably the season with the least amount of problems in it. Great depictions of the lead characters, higher stakes, terrific writing, and colorfully pulpy animation on top of that. It’s a great continuation of what season one started, and probably what drew in the large following that Adventure Time began to have. It’s surely not the strongest in story or character-study wise, but it’s one that will go down in history as one of the most delightful adventures a viewer can experience.

“Mortal Recoil” Review

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Definitely one of the most chilling title cards in the series.

Original Airdate: May 2, 2011

Written & Storyboarded by: Jesse Moynihan & Cole Sanchez

This episode starts immediately where the last one left off, as we’re treated to a dramatically funny scene featuring Dr. Ice Cream and Nurse Poundcake. “Dramatically funny” is a key adjective in this episode; where Mortal Folly was a mostly intense, fast-paced episode, Mortal Recoil is much slower and blends comedy with horror elements.

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Immediately this one makes up for the mistakes of last episode by making the Ice King beneficial to the plot. His constant interruptions of Finn and Jake earlier bordered on the annoying side, but here his purpose is more to serve the main characters, but not before Finn can get rightfully pissed at him. It’s a bit of a breaking point for Finn to blow up at the IK this way. Finn has treated Ice King as a mild disturbance in the past, but never has he affected Finn or someone he cares about so dearly in such a devastating way. It’s a nice instance of Finn royally chewing him out, and letting off that steam allows for things to gradually improve as the episode continues.

The scenes that follow in PB’s bedroom are straight out of a horror movie, but they’re still played lightly enough to save from complete darkness. It’s sad to see that this is really the first time Finn is truly upfront with his feelings toward Bubblegum, but she’s completely possessed and her true self isn’t conscious at all. The only other time we get to see Finn engage in this emotional release again is in Burning Low, and he does so mostly out of anger and sorrow. Here, he’s doing it to express his genuine care and appreciation for the princess, which again, is sadly squandered by the circumstances of the situation.

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Even sadder is Jake’s little booty dance can’t rescue PB from the Lich’s overwhelming presence. Bubblegum is able to absorb massive amounts of power through the fluids Finn gave her, and becomes an entirely new force. This is, of course, when Finn tries to use the sweater to defeat the demonic presence of the Lich once again, but fails this time. Even though Finn confidently holds that his feelings for PB were what helped him defeat the Lich last time, he realizes that love isn’t always the answer to defeating evil, and there’s no guarantee that something that worked fine once will do its job the same way again. Which is where the Ice King comes in with a tale of his wizard eyes, as Finn finally accepts his help and we see the two team up for the very first time. It’s an appropriate fit to watch Ice King and Finn work together civilly for once, and shows just how much the Ice King has evolved from the first instance we saw him. The IK isn’t an evil villain in the slightest anymore. Rather, he’s someone who just wants the attention of the coolest guys in Ooo.

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It’s here that Princess Bubblegum literally dies, in an even more aggressive way than the last time. In the end, she’s rebuilt to be thirteen, something that we’re going to explore later on, even if it never really got off it’s feet. The episode ends in what almost feels like a cap to the series, but we’re left with one haunting wave from the Lich possessed snail, signaling for more to come. This episode is really just a terrific showcase of how much the Lich’s introduction has forever changed the history of the show. Sure, the status quo and the way things return back to the main formula a good chunk of the time still remain relatively untouched, but it’s with this episode that I realized that literally anything can happen in Adventure Time. Princess Bubblegum can become thirteen, some plot points may be held and resolved and a later point. It was just a crazy burst of intrigue that left me so excited for the rest of the series. I began to really appreciate that element of surprise that came with every AT episode. In the past, any surprises or twists that came with the plot could be easily brushed off as something that was contained to just the singular episode, but Mortal Recoil introduced us to the idea that anything can come back at any point, and the fate of the characters could be altered at any given moment. This is all conducted by the intro of the show’s greatest evil, and one that would continue to affect the existence of Ooo much more down the line.

Welp, that’s season two folks! It’s been a lot of fun covering these episodes the last couple months, and really only increases my interest and love of my all-time favorite show. Thanks to everyone who has been reading (special shoutout to fellow commentators Stuped1811 and LilPotato911!), this isn’t really a project I’m doing for copious amounts of viewers, but it always helps to know that people are reading! The full season two review and a bonus mini-review should be out later this week, but besides that, I’ll see y’all for season three!

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Favorite line: “Uh, bleach, lighter fluid, ammonia, gasoline, I dunno. Lady stuff.”

“The Limit” Review

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Original Airdate: April 11, 2011

Written & Storyboarded by: Cole Sanchez & Jesse Moynihan

Jake, despite being a magical shapeshifting dog that can transform into anything, is still very vulnerable when it comes to the topic of being injured and even the possibility of death. Jake’s aging process and cosmic destinies have been alluded to many, many times in the series, but The Limit poses a unique type of situation to put Jake through: a boundary to how far he is able to stretch. It not only brings that possibility to center stage, but it also showcases an extremely likable yet foolhardy side of Jake to put the needs of others before the needs of himself.

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First of all, the episode starts off great. It’s just Finn and Jake gracefully watching stars and talking about aspirations while hanging at Hot Dog Princess’s house. I really love whenever episodes begin with the two main characters hanging out with any random tertiary character. It really makes the world of Ooo seem so big and yet so small in terms of social circles at the same time. The rest of the episode takes place on an effectively cool maze crawl. There’s no trademark dungeon episode during the course of the second season, but I’d say this episode comes to closest to having that old school D&D feel: rescuing others, trekking through a confusing maze, varieties of different monsters, a devious wishmaster, and the Ancient Psychic Tandem War Elephant, of course!

The main plot of the episode makes the journey seem a bit paper thin. It’s mostly just Jake testing how far he’s able to stretch with, of course, dire results. Of course, the episode is filled with fun, flashy dialogue, silly songs, great side characters (the hot dog knights are a perfect example of well-written “too dumb to function” characters) and some fun beast battles. I do wish that they could’ve gone a little more detailed with some of the creatures Finn and Jake stand off with. There’s so many neat looking monsters and demons just chilling in certain parts of the maze, so the fact that Finn and Jake end up just dealing with one rock monster and a group of scorpions is fairly disappointing.

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The best part of the episode is surely the climax. Even though the creatures in the actual maze might not have been used to their advantage, Aquandrius is the kind of devious, slimy foe I’ve been wanting to see. He’s not necessarily unique in his motivations or intentions, but his design and name are just so inventive and mythological-feeling. In addition to that, the way Finn saves Jake feels a bit like a deus ex machina and relatively rushed, but I’m glad the show didn’t go the corny route of “Finn uses his last wish to save Jake, rather than what he wants.” It would’ve been sweet, but it’s a nice little subversion from what the viewing audience was expecting, and it certainly doesn’t make Finn seem unlikable either for thinking outside the box. Man, is Ancient Psychic Tandem War Elephant a great element to this episode too! Pen Ward mentioned that he worked a long time on the design of APTWE so people could eventually get tattoos of him on their body. It sure paid off too, Elly’s design feels like it’s straight out of ancient Buddhism. Also, I can’t believe that hot dog knight just brutally blew up on screen. At least he lives to see another day through the power of demonic magical wishes.

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Jesse Moynihan mentions in the commentary that there’s a nice little anti-moral with what’s going on with Jake’s character study in this episode, but I wouldn’t really call it an anti-moral so much as an actual moral. On so many different occasions, people are encouraged to try their hardest and, if they push themselves hard enough, they will succeed. The Limit focuses more on the idea that there is such a thing as pushing yourself too far, and it’s good to know when to step back, analyze a situation, and decide what’s best and most rational for yourself and the safety of others. Jake’s true heroism unravels in this episode, but unlike Finn, Jake is a bit more stubborn and prideful when it comes to showing off his strengths and hiding his weaknesses. Jake rarely ever expresses his true struggles throughout the series, meaning he has enough faith in himself and the idea that everything will be okay to ever quit what he instinctively believes is right. If he’s learned anything in this episode, however, is that he does have a limit, and as the series will explore later on, he’s not quite as immortal as it seems. Also, he’d much rather just have a sandwich than save himself from perishing. And if that doesn’t sound like Jake the Dog, I don’t know what does.

Favorite line: “Whoa! Fudge, man! This place is yoga balls huge!”