Tag Archive | Jesse Moynihan

“All the Little People” Review

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Original Airdate: December 3, 2012

Written & Storyboarded by: Jesse Moynihan & Ako Castuera

There’s a certain amount of criteria that must be met for an episode of AT to rank among my all-time favorites. It needs to:

  1. Be different from the show’s usual formula, while still retaining the charm and delightful characterization of any regular episode.
  2. Capture everything that makes the series so special, including good humor, heart, charismatic characters, and thought-provoking material.
  3. Be unique to anything else I’ve ever seen on television.

While there’s certainly plenty of episodes that meet parts of this criteria, only a select few meet all three individual points. All the Little People, with its very dark and uncomfortable approach at capturing Finn’s constantly evolving adolescence, hits on all of these points. It still takes place in the Land of Ooo and follows the latest debacle of our two main heroes, but rather than fighting a physical enemy or solving some sort of quest, Finn instead has to battle with his own identity and how much control he should be able to have over other people. It gets heavy-handed and grim, but remains bright and colorful throughout, and still captures the quirkiness, heart, and depth of our main boys. And I can’t think of a single series that captures a teenager’s fascination with relationships, combined with the the act of manipulation and the question of power so delicately and perfectly. It lands right up there with Sons of Mars, I Remember You, and Incendium on my personal group of favorites.

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Right from the title card, it’s hard not to be left with an ominous feelings of what’s ahead. The picture itself appears innocent and playful, as Magic Man designs toys (the Little People) of Finn and others. The music cue is what really makes the artwork feel significant and impactful. The entire episode’s soundtrack derives from the tune of a quarter-tone piano, and the title card itself includes a sample of it. Once the loud and hollow cue of a bass-drum goes off during this sample, you really get a feeling of “oh shit, something big is going down.” I don’t give the composers of this show, Tim Kiefer and Casey James, enough credit in these reviews, but they really did a stupendous job in particular with the score for this episode. The entire score feels unwelcoming, and really compliments the the tone and atmosphere of the actual episode.

The beginning of the episode starts off with a beautifully lit sunset, as the boys sit wistfully by a cliff and discuss relationships. I really love how the main story of this episode is set up by Finn asking simple and innocent questions about relationships and how they work. Though he’s involved in a committed relationship, Finn is only fourteen, and wildly inexperienced. He still has much time before he is able to grasp the fundamentals of a successful and healthy relationship, and still has many questions on how he will be able to achieve such a relationship. It’s interesting to see that, while he deeply cares for Flame Princess, it seems he may have some doubts about his relationship. He and FP have great chemistry, but still are wildly different in nature and interests. Jake, being someone who has tons of life experience and knows what a healthy relationship should consist of, gives Finn the most simple and surprisingly most logic answer of “just go with your heart.” It’s a sweet moment between the brothers that showcases the differences of the boys in the best ways possible, and clearly captures early on that Jake understands the matrix of relationships, while Finn may not be able to fully understand yet.

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This is where Magic Man makes his brief entrance, while he enjoys the boys’ conversation and even shares a laugh with them. Even to this day, it’s hard to understand what exactly Magic Man’s motivation is, whether to teach Finn a lesson in responsibility, or simply to fuck with his life as always. There’s tons of different angles you can take with it, but probably my favorite is just simply the idea that Magic Man wanted to show Finn what it’s like to have power over other people. Magic Man is constantly ruining the lives of others and playing god by using his magic to determine the destiny of others, so he’s now showing Finn how easy it is to take things out of control and abuse the power one does have over other living beings.  

Before Magic Man departs, he states, “I’m not coming back.”

And yeah, there’s tons of different moments I can point out to when it comes to allusions to Finn’s sexual awakening; Finn’s reaction to Jake noticing that he has something in his pants, the way Finn shakes the little people, yadda yadda. To mention it all would be somewhat redundant. It’s all there and all pretty obvious, but I think there are way more interesting bits regarding Finn’s identity as a hero and as person than just pointing to any scene that references Finn’s horny, teen urges. It’s a fun glimpse at how much they were able to get past the radar, but it’d be silly to waste a ton of time highlighting anything that y’all probably already thought about the minute you saw it.

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The most interesting aspect is really just the way Finn interacts with the Little People. I enjoy how the Little People are versions of pre-existing characters we already know. They could’ve just went full-on Sims and had these miniature versions be any random customized figurines, but the fact that they are citizens of Ooo helps us connect to them more emotionally, while still being able to disconnect them from their grown counterpart. The Peanuts adult speech patterns of the Little People are cute and endearing, and really help to separate them from appearing to be sentient beings. As Finn continuously says throughout the episode, “they’re just toys,” which shows his ignorance towards understanding that the Little People are anything besides just that: interactive figures for the pleasures of Finn and Jake. Had the Little People been speaking English as opposed to their trademark “wa wa wa’s,” I think Finn’s actions would easily be more despicable and unpleasant, but the fact that the distinction is there makes it seem more understandable that Finn would want to use them however he likes. I mean, being honest, who wouldn’t want to interact with these characters the way that Finn is? Having a tiny bag containing little versions of all the people you know would be dangerously intriguing, which makes Finn’s decision to experiment with them more empathetic and less cruel.

It is noteworthy that, the first time Finn does choose to experiment with the Little People, he first checks to see if Jake is awake.  It’s clear that Finn know that he’s doing something wrong, even if he’s not sure why. Whether he didn’t want Jake to wake up and see that he was destroying the miniature version of he and Lady’s relationship, or that he simply didn’t want Jake to know that he was experimenting with these figures at all, it’s clear that Finn’s fascination with these figures succeeds his desire to be morally correct and thoughtful in regards to his interactions. That’s why, when Jake does realize what Finn’s been doing the next morning, he’s noticeably freaked out. Probably the most shocking moment in the entire episode is Jake discovering the little Finn and little Rainicorn smooching, as Finn reacts apathetically to the entire situation. Finn acknowledges once again, “they’re just toys,” (while also reading a book by J.T. Doggzone that has the exact same quote from Jake in the beginning of the episode, hint hint) showing that, even though he’s spent an entire night seeing how the Little People would interact with each other, his desire to play with the Little People and see how their relationships with each other work out has only gotten worse.

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This is where Finn’s manipulative side comes out in full force; it will later plague his life in ways he probably could never have imagined, but one of his greatest character flaws comes from simple curiosity and desire to have people’s lives follow in the ways that he’s most interested in. Like I said, when putting it in this context, it makes Finn seem like a monstrous, immoral jerk, but his ignorance toward the situation and general fascination are hard to pinpoint as truly sociopathic for a 14-year-old boy. Most of this intrigue derives from his initial curiosity with how relationships work in the very first frame: he’s simply invested in the unusual relationships he’s created with the Little People and interested in how they are able to function in certain partnerships. This, of course, includes an obligatory inclusion of the threesome between Lollipop Girl, Choose Goose, and Abracadaniel that everyone has been requesting to see for years. It refers back to my statement earlier that this episode manages to be very unsettling while also being silly and colorful. I can’t even describe my feelings of combined disgust and enjoyment with Turtle Princess spanking Xergiok’s behind. It’s also a nice return for some characters we really never get to see or haven’t seen since the very first season, even if it isn’t actually said characters.

Following this bit is probably the most interesting piece in the episode, which is Finn experimenting with the tiny FP and tiny PB respectively. It starts out innocently enough as Finn just casually and happily watches the two figurines romanticize with each other (much to the dismay of a crying little Lady; the first big indicator that the Little People are capable of real, human emotions). Things take a turn when Finn then begins to experiment with little PB and little Finn’s interactions, which quickly take the same direction as the prior encounter. I think the particular pacing in this part is just great; just from Finn’s facial expressions, there’s a lot to read into. He looks very concerned and troubled when little PB and little him begin to interact, perhaps due to the nature of his feelings and commitment to Flame Princess, which probably brings him a great deal of shame and guilt that he is pursuing this fantasy. He quickly shakes off the guilt when he notices that no one is watching, and continues to be invested on what will happen next. When little PB and little Finn begin to kiss, Finn is surprised. This is the first time he’s experiencing a mutual “hook-up” with PB, aside from when she was briefly 13, and even though it’s not actually him experiencing it, he’s still enticed and enthralled by the turn of events. This of course, is another big indicator that Finn still isn’t really over Bubblegum. Sure, the little version of himself and little Lady (boy, am I tired of putting “little” before every character’s name in this post) hooking up doesn’t mean that Finn is also interested in Lady. That was probably just an early experiment to test out all of the interesting connections he could make between the Little People. Yet, when little Finn and little PB do connect, Finn is obviously much more interested in seeing what happens with the two, and it’s clear he is living out some sort of fantasy through the Little People. Little Finn’s glory doesn’t last long, however, when little Flame Princess releases her anger against little PB, but Finn himself couldn’t be more interested. He’s understandably turned on by the idea of his two main flames fighting over him! Again, another very uncomfortable scene that’s balanced with some really great visual humor. I love Finn’s absolutely stimulated face throughout the fight sequence, and of course, the hilarious visual of little PB squeezing little Lady’s tears to douse little Flame Princess. That was priceless. It adds another bit of foreshadowing to the mix, showing Finn’s arousal to people fighting over him and an instance where he’d rather pursue his own needs of autonomy than follow a more logical and moral standpoint.

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Finn finally does come to his senses upon Jake’s return. Finn begins to realize that these tiny people, whether toys, separate entities, or plain dark magic, are suffering, and they are suffering because of the way Finn has messed with their lives. Jake says it best:

This is messed up dude! You’ve crossed the line from weird curiosity into some dark, messed up stuff. The destruction, the depravity, the wrongness of it all!

The somberness of Jake’s words, combined with the horrifying transformative montage of a melting Peppermint Butler, a physically abusive Turtle Princess, and a mangled Goose-Abracadaniel-Lollipop threesome, really drives the point home. Jake told Finn how relationships work at the beginning of the episode: there aren’t designed perfect relationships for others, but rather the feelings people have for each other and what they choose to do with those feelings that define a healthy relationship. Finn chose to ignore that advice and play match-maker, which backfired for others as well as himself. Finn’s only choice left is to fix what he started, as he strives to do so often as a hero. Finn uses the new method he’s discovered to communicate with the Little People, and to correct the damage he’s caused.

After talking with little Finn, little PB, little Lady, and little FP, Finn simply states, “I’m not coming back.”

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It mirrors Magic Man’s line from the beginning, and shows how similar, yet different the two are in terms of their power over other people. Magic Man uses his power to destroy and harm other lifeforms, and, instead of leaving these lifeforms in a safe place of comfort, he always departs with a message of hopelessness and pessimism. Finn had also used his powers over others to mess with and harm their lives, though unintentionally, yet he corrects those actions by fixing his dilemma and leaving the Little People on a note where they’re able to carelessly enjoy their lives. But still, it’s almost a bit of a paradox, because Magic Man did teach Finn a lesson and left him to carelessly go on with his life after correcting his mistakes, so it causes the statement to draw even stronger connections between these two characters. Regardless of intention, it’s really great to be able to have this connection between these two wildly different characters, and still have it feel appropriate with the story and each of their motivations. And of course, what better way to end on a happy note than to have a Little People dance party with Ice King and BMO really hitting it off? Can’t wait for the continuation of this relationship 110 episodes from now!

If there’s one sole thing I don’t like about this episode, it’s that Goddamn “16 weeks later” title card. Yeah, yeah, it’s a gag that lasts two seconds and probably shouldn’t be taken so literally, but AT takes place in a world of realism and has certain rules to abide by, and time is definitely one of them. This is something Jesse Moynihan seems to do a lot, and while I think it worked in an episode like Return to the Nightosphere, it really, really does not work here. I have a tough time believing that Jake went without talking to Finn, who is still in his sweaty, disgusting pajamas for 112 days. Also, if it was that long, why does everything feel like it’s only been a day? Little Lady is mourning over her relationship with little Finn as if it had just ended, with little PB also holding a similar grudge. Again, I get it, it’s a brief gag that’s only supposed to emphasize how freaked out Jake was by Finn’s actions, but I just don’t buy it. It’s a cheap gag that they really could’ve just removed completely. It’s not funny or entertaining enough to even include.

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But, that minor gripe aside, boy, do I love this one! It really is such a rich character study of our main hero, taking him in places he’s really never been, and foreshadowing more awkward and intense drama that will follow in his early teen years. It’s an episode I love primarily for it’s atmosphere; everything feels very unsettling by Finn’s actions, the music, the situational pieces, and just the outlandish nature of the Little People in general. The entire episode feels like a Twilight Zone segment, in the sense that Finn is somewhat of the everyman. I mean, he typically can be seen as the everyman, but this example is probably the most notable in the viewpoint of a completely harmless activity gone terribly wrong at the hands of an normal, charismatic person. Finn does some awful, terrible things, but we still root for him because we know he’s in a situation that even the most level-headed person wouldn’t be able to resist. It’s one I never get sick of revisiting, and one that certainly has a high place on my all-time favorites list.

Hope everybody had a great holiday as well! Thankful for all of your readers out there who visit this blog every week to see me read way too far into a children’s cartoon like a giant nerd. There’s plenty of great content to come in the next few months, and I’m excited to continue on this journey through Season Five. Thanks everyone!

Favorite line: “You’ve crossed the line from weird curiosity into some dark, messed up stuff.”

 

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“Finn the Human” Review

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Original Airdate: November 12, 2012

Written & Storyboarded by: Tom Herpich & Jesse Moynihan

The season premiere starts off much like how the last season premiere began: right where the finale left off. The Lich ended with a fast-paced, hectic journey into the multiverse, and the stakes never seemed higher. What was in store for AT’s audience was completely unknown, and the fanbase sat patiently as we endured a long, three week break (yeah, remember when three weeks was the longest period of time we waited for new episodes?). So we all sat down, got ready for the thrilling follow up to the previous episode, annnnd… were mostly met with middling and underwhelming results. Well, at least I was.

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I think the root of the main problem for the episode is simply that the Farmworld just isn’t very interesting. The idea of a world without magic seems so promising and intriguing, yet it just doesn’t seem to have an identity outside of the fact that society has seemingly regressed into a more medieval period because of the creation of an ice age. I would’ve much more enjoyed the possibility of a corrupted future where its civilians ignore the existence of magic and beckon it off as something that should not be discussed, but instead we’re dealt with the typical story of a country boy who has to sacrifice for his family.

Farmworld Finn himself isn’t really a compelling protagonist and I genuinely didn’t really enjoy watching him. He’s a blander, less charismatic version of Finn, and unlike the actual Finn, I really just don’t care about what happens to his pet mule Bartram or the inhabitants of his family. I know this is actually Finn we’re supposed to be caring about and identifying with, but it just doesn’t feel like Finn. This Finn seems almost completely apathetic to what’s going on until the end (something that I think can unfortunately plague Herpich’s writing of the actual character as well) and has no issue with stealing from an older, crabbier Marceline. I know he figured she was crazy, but still, I think the action was somewhat crueler than it had to be. I think if Farmworld Finn simply found the crown and Marceline saw him leaving with it and then pursued him, it would be a bit more of an understandable clause. I get the idea that Farmworld Finn is supposed to be written as a more mundane, modern child character, but there’s just very little that makes me actually care for him. He’s supposed to be Finn, but he’s just… not. The one notable piece of exposition that serves his character well is the reveal of his full name, Finn Mertens. It’s a pretty significant information drop that opens the question on whether or not this is really Finn’s full name, which Finn actually learns subconsciously later on. I’m guessing Farmworld Finn’s self-awareness of his full title was something Finn somehow picked up on his own.

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The inclusion of Marceline made for an interesting tale. I enjoy the detail that, because of the second ice age, she was never bitten, and remains as a decrepit old demon. It really raises the question of, “how long will Marcy actually live for?” to which I honestly have no idea what the answer is. I’m sure demons can live for a long period of time and then die off, but exactly how long? It’s something that continuously has me wondering. Also, her devotion to Simon, as well as protection of the crown, is really sweet. It seems that she’s unable to leave in fear of being ridiculed as a freak by society for her demon-like appearance, so she’s lived in isolation for years, making sure nobody enters the same fate as her beloved father figure. It also leads to one of the most somber, as well as hilarious, interactions in the entire episode, where Simon demands that Marceline should return the crown to him. It could be all in Marceline’s head, or a product of the crown still possessing Simon’s body and thoughts, but either way, it’s really sad to see that, after all these years, Simon’s voice still plays as clear as day in Marceline’s head, but also humorous because it’s Ice King’s inflections and tone.

The biggest highlight of this episode is the Destiny Gang, a group of really generic looking and speaking bullies that just crack me up, given their almost sociopathic nature. Their leader, Big Destiny, actually offers interesting insight that’s both somewhat insane and slightly thought-provoking. The Destiny Gang themselves are practically equivalent to a cult, believing that everyone has a specific destiny in store for them, and if someone crosses them, their fate will be as awful as one could imagine. It’s a pretty tyrannical concept, highlighting a group of bullies as prophetic figures who decide the fate of others, but also hilarious given the fact that, they really are just bullies who love torturing people for their own sadistic kicks. Funny bullies, but bullies nonetheless. It really is a terrific mix-match of both threatening and silly, and showcases a group of some of the most threatening villains yet, who are human by nature. Scary.

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There’s a few other nice details, including Finn’s robot arm, which is always a fun part of his alternate selves, as well as the similarities between Farmworld Finn’s mother and father to his later introduced biological parents. Besides those two positive tidbits, I actually have quite a few nitpicks on side details that really frustrate me as any of the bigger elements would. First of all, why does everyone in Farmworld have eye whites and noses? I know that was the design choice to make the Farmworld feel more “human,” but c’mon, it makes no sense with the world already established and doesn’t connect to the other visual examples of humans in the series. We’ve seen humans several times before this episode and several times after (Heat Signature, Susan Strong, Elemental, and Helpers are just some examples) and never has anyone been shown with eye whites, or to a lesser extent, noses. It’s just a frustrating detail that really throws off the authenticity of Finn as a human. It feels like something Pendleton Ward wanted to do, as he holds the belief that Finn is mutated due to his lack of nose and dotted eyes, but I still stand that it’s a pretty phony argument and has been retconned several times in the series. So why would a humanized incarnation of an already human Finn look like that? It just doesn’t work for me.

Another issue I have is how believable the world they’ve set up is. Like, why would Finn even own Jake as a pet? Jake’s parents are the ones who found Finn in the woods, and also the ones who originally named Jake, so how would Finn even gain possession of Jake, let alone give Jake the name that his talking dog parents gave him? Also, the inclusion of Choose Bruce seems confusingly dumb to me. Why would Choose Goose be a human? Wouldn’t he have mutated from an actual goose? Does this mean Choose Goose in the actual series was once human and was either transformed or mutated into being a Goose? I am reading way too far into this one guys, I know, but I just really do not understand the logic behind this wish-world and I can’t seem to wrap my finger around the absurdity of these two very uncanny reference points.

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Nitpicks aside, this episode is just entirely dull. It isn’t till the ending I actually began to care and get invested in the characters and situations, which made the entire episode feel retroactively meaningless. I know it’s just setting up for the events of the next episode, much like Holly Jolly Secrets – Part 1 did, but I’ve learned over time that “setup” doesn’t necessarily have to mean “uninteresting.” Wake Up, Preboot, or Lemonhope – Part 1 are all examples of episodes that build up to their typically bigger second parts, yet still manage to be very interesting and entertaining in their own right. Finn the Human fails to do any of that, and feels like a bland attempt at using exposition to make up for the fact that there’s nothing that funny, interesting, or enjoyable going on. The only bit of intrigue this one left me when the commercial break start was, “what’s going to happen to Finn as he wears the crown?” and “what’s going on with Jake while he remains in Prismo’s time room?” Both of those questions would be answered in the next episode, as I was surprisingly more excited to visit one of the newest additions to the AT cast, Prismo the Wishmaster, than to delve deeper into the Farmworld.

Favorite line: “How did I even get here, son?”

“Reign of Gunters” Review

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Original Airdate: October 8, 2012

Written & Storyboarded by: Jesse Moynihan & Ako Castuera

Gunter has continually been shown as somewhat of an enigma up to this point. There’s been hints and foreshadowing of his inner darker side, most recently in King Worm, and this episode has as much fun as possible with how fucked up, while still incredibly cute and cuddly, the wide-eyed penguin is.

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It kinda goes without saying for this one that it’s somewhat all over the place. It’s essentially three different stories combined that don’t really blend together in a completely cohesive way. One is about, as the title states, a reign of Gunters attacking the Candy Kingdom. Another is about Finn’s impressionable status as a teenage that leads him heading in the direction of douchebaggery, while the third regards Ice King discovering the secret Wizard society. So yeah, none of these really have any connection at all, besides IK’s initial motivation towards heading into Wizard City, but I have to say, they are all pretty fun on their own. The battle of the Gunters provides for a lot of fun action and laughs, the detour into Finn’s adolescence reminds us that he is still in the early stages of his teenage years, and is prone to many changes in hormones, behavior, and identity when it comes to how he regards himself and his loved ones. The Ice King B-plot, while the weakest of the three, sets up a future endeavor regarding the secretive nature of Wizard City that will eventually have a bigger effect on the IK than he could ever imagine.

I guess it’s really only appropriate to talk about these stories in sequence. The initial plot begins with practically no set up, as the immediate first frame is Ice King shouting “Where the turds is my de-mon-ic wishing eye!?” It’s a very humorous beginning to emphasize the somewhat scattershot story we’re in store for, and really showcases the hilarity behind Ice King and Gunter’s father-son relationship. And by God, do I even need to bring up Ice King’s search history? Honestly, there’s very few times I’ve laughed as hard and long as I did at these freeze frame bonuses, so I almost feel obligated to include them as visual pieces.

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My personal favorites are “wizard chick pics, skinny knees” and “wiping my bum isn’t working right.” It feels less like an opportunity to get shit through the censors and just feels like something natural that you’d find when using Ice King’s search engine. I don’t even wanna know what other dirty secrets lie on that monitor.

It’s a bit of an interesting depiction for Gunter as well. I think we’re supposed to sympathize with him, but at the same time, we don’t really know what’s up with him. Does he just want love and affection? Or something much more than that? Whatever it is, it causes him to engage in complete fits of rage and doom, which leads to an eventual invasion into the Candy Kingdom. This is home to some really great interactions between Jake, PB, and Finn. They all work off of each other so well, once again showcasing PB’s somewhat goofier side (love how she just stops caring halfway through and plans on building bottles forever, I feel like she just didn’t have the effort or energy to put her time into actually defeating an army of penguins). Some terrific playful voicework by John DiMaggio in this one, where Jake doesn’t really have many funny lines on his own, but it’s one of those episodes where just the tone of DiMaggio’s delivery is enough to get a laugh out of me. And then there’s Finn, who is so confident in his own secret plans that he doesn’t really think through whether or not they’ll work out. It really is just a terrific showcase of these three distinct personalities, allowing their goofier, as well as their more prideful sides come out in full force. It’s also just an endearing hangout experience for them. From PB’s reaction, I think she sees this as a more opportune time to hangout with her boys than immediately get up in arms and weapons-heavy in regard to the Gunter invasion. She probably knows she can handle it, but would much rather just take it easy and do something silly with her close friends, which is why she acknowledges that her plan is awful. The stakes actually do feel pretty high during this one, despite the fact that, once again, we’re dealing with an army of Gunters. The scene with Gunter nearly cracking the Gumball Guardian is definitely wince-worthy, and actually somewhat had me concerned on where it was going next. Of course, the episode does ends with Ice King giving Gunter the “squirty-squirts” so any sinister motivations from Gunter just come off as mere “teen angst”… for now, at least.

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About halfway through the episode revolves around Finn’s excerpt about how he wants to be more secretive towards women in case anything with Flame Princess ends up failing. It makes sense that Finn would want to be more educated on how to handle relationships since he’s in his first committed one with FP, and makes even more sense that he wouldn’t want to go into another spiraling depression that’s equivalent to what he went through with Bubblegum. Of course, it makes Finn look more like a jackass that he’s subtly manipulating people for his own gain, but it’s a terrific segue into his eventual fuck-ups that are based off of hormonal needs and the teenage male perspective. I was never bothered by this side of Finn because I felt it was an honest, realistic, and interesting portrayal of his character that went beyond just simply portraying him as a stand-up kid with no moral issues. It’s an intriguing step up from what we’ve already seen from the innocent little guy, and even more interesting that he looks to outside media for advice regarding how to handle girls, something I think most teenage boys are also guilty of. This, in return, introduces us to Jay T. Doggzone, and I swear to God, if we don’t find out who the identity of this author is before the end of the series, I’m gonna be hella pissed. Jay T. Doggzone was a recurring element added in that continued appearing through the end of Season Four towards the end of Season Five, and it’s constantly implied that he’s Jake, yet never openly revealed. I feel as though the staff may have just scrapped following up on this idea, which I don’t really mind not knowing, but I feel like they added so much God damn build-up already towards the identity behind this character that it keeps me up at night wondering who this guy is. Is it Jake’s secret alter-ego? Why does Jake write “trash books” in secret? Who are you Jay T. Doggzone!? Honestly, the finale could leave me with as many open questions as possible, as long as I find out who this fucking author is, I can die in peace.

Ice King’s B-plot isn’t especially lengthy, but it does introduce us to Wizard City for the first time: a totally rad landscape where some choice wizards hangout. It’s also the first speaking appearance of Huntress Wizard, that I know Jesse Moynihan in particular was probably really, really hype about. Moynihan had already tried to incorporate Huntress Wizard into his AT episodes a couple of times, and this was the first successful pitch (aside from her non-speaking cameo in Wizard Battle). She’s good fun to watch; snarky, mysterious, and well-designed, her presence is always welcomed, especially when her personality battles Ice King’s. But IK doesn’t mind, since his Jay T. motherfucking Doggzone book told him otherwise. The secret society of wizards kickstarts that cool recurring story arc, and is definitely the biggest and most interesting takeaway from this episode. I didn’t really know what to expect from this combination of unique wizards, and felt that there were a ton of possibilities that could come from it, especially in regards to the division from Wizard-culture and Ooo-culture. And it’s a small moment towards the end, but I really enjoy Finn’s notable sympathy for Ice King and his physical injuries. They could’ve easily just pinned the entire Gunter incident on the IK, but I enjoy how Finn especially is more concerned with his well-being than why he wasn’t keeping a better eye on his pet penguin.

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I kinda went into this one feeling divided because of its scattershot nature, but I actually have to say that I do enjoy this one. Sure, the set pieces never really flow well together, but I still think it’s thoroughly enjoyable and fun all the way through, no matter what its focus is. It never feels so incoherent that it’s distracting, and still keeps my attention regardless. You could definitely argue that it’s unfocused, but take an episode like Ignition Point that’s a complete snore-fest, despite it’s solid main story. Reign of Gunters may not be the most cohesive episode, but it’s certainly a lot of fun. Great character interactions, jokes, lore, and a wildly silly conflict, everything that Adventure Time does right in one, flimsy package.

Favorite line: “Bubb, your plan… bunks.”

“Who Would Win” Review

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Original Airdate: September 3, 2012

Written & Storyboarded by: Ako Castuera & Jesse Moynihan

Many moons ago, I reviewed Video Makers and was pretty vocal about my general distaste for the type of story they were going for. Jake and Finn fighting with each other, in most cases, just isn’t very fun to watch. They’re best friends and brothers, and that doesn’t mean that they need to be kissing each other’s asses all the time, but anytime their bickering and disdain for each other is used as a focal point in the main conflict, it just doesn’t work for me. It kind of feels forced and melodramatic if we’re supposed to believe their main issue is with each other, rather than the main opponents who typically face them. It is, however, realistic to portray them having differing desires and wanting different things from each other, which Video Makers did do, but again, not in an entirely enjoyable way. Here, I think it’s much more fun to watch. Where this episode doesn’t have an especially strong story, it makes up for with some pretty great slapstick and a very enjoyable physical battle between the two boys.

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I love, love, LOVE the beginning of this one. Finn and Jake just hanging out, enjoying each other’s company, and allowing some time to themselves. Finn acknowledges that it’s nice to have bro-time for once, and after a long season of exhausting drama regarding Hunson Abadeer, Ricardio, Princess Bubblegum, and Flame Princess, it is nice that the two take the time to get away from it all. The music, the visuals, and the dialogue between the two just really make this an entirely adorable scene. Also, on a more personal note, rewatching these episodes and taking note of who boarded what is really making my brain hypersensitive to detail. Like, I actually noticed that the first five or so drawings were done by Herpich, despite not being credited for the storyboard overall. These reviews are doing things to me, man.

The scenes that follow are pretty fun, as a bunch of different warriors (who look very similar to the Marauders; wonder why they didn’t just bring them back) face off against “The Farm.” The Farm is a delightfully designed anti-hero, with droopy limbs, a blank facial expression, and great voicework from Tom Gammill. There’s also “The Train” voiced by Dana Snyder. The design of The Train is just so ludicrous I can’t help but not enjoy it, especially how his mouth scrunches up every time he forms an “o” sound. There’s also a bit of unintentional subtle lore here, as The Train mentions his “friend” who can give him a new pair of bionic legs. In addition to all the warriors who have bionic limbs and attachments, I would guarantee that he’s speaking of Dr. Gross, which totally wasn’t intended as I mentioned, but it works as a bit of nuanced foreshadowing for the eventual reveal. Always fun to piece together bits and chunks of this show.

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Some pretty apparent nods to Gross’s work.

I like the dynamic they put Finn and Jake in especially in this one. Both are being rather selfish, though for justified reasons. Finn only wants Jake to do what he wants to do, but it’s only because Jake offered to so in the first place, presumably because Jake didn’t want to let his brother down. Yet, Jake shouldn’t have agreed to do something he didn’t want to do, and should’ve emphasized his affinity for Kompy’s Kastle. This is where the battle ensues, and it’s very much my favorite part of the episode. The line that starts it off is actually particularly sweet: “I’m gonna break every bone in your body, then heal you later with that magical goo we got from the Cyclops’ eye!” suggesting that, while Jake is clearly pissed off at Finn, he would never actually want to put his best friend through any lasting harm. The way the fight is portrayed, I think it can be clear that this has all happened before to some extent. Jake’s exclaiming, “no bities!” leaves me to believe this did happened at least a couple of times when they were children, though as Jake got older, as well as Finn, it really hasn’t happened in recent years. What we’re treated to is some delicious slapstick from this point on: Jake growing dozens of legs just to repeatedly kick Finn in the face, Finn spitting an entire fucking dollop of saliva into Jake’s face, and Jake repeatedly hitting his own face and rump by accident. It takes up a large chunk of the remainder of the episode, but stays thoroughly entertaining and humorous throughout. I always die laughing whenever The Farm abruptly squats on both Finn and Jake and then disposes barn animals all over them. That’s always pretty priceless to me.

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Once we’re introduced to the Dream Warrior, however,  I think the episode kind of reaches a bit of a halt. I think it’s all pretty obvious from hereon in: the advice that the Dream Warrior gave was all nonsensical, yet subtle advice that Finn and Jake had to use to defeat the farm, and Finn and Jake would finally team up and be able to work together. None of it’s done badly, of course, but it’s quite dissonant from the first half and never quite lives up to what it started out with. I also don’t know why Jake comes out as the one on the bottom by the end; sure, he compromises and enjoys the victory with Finn, but I wanna see Jake kicking ass in some Kompy’s Kastle too! Didn’t seem fair to the little yellow guy. In addition to this, the Dream Warrior himself isn’t that remarkable or noteworthy, besides the fact that he’s voiced by Matthew Broderick (what an unusual role for a guest celebrity) and I just don’t feel like there’s anything that unique or funny about the sensei-type advice he gives the boys. It’s just somewhat of a simplistic resolution for an episode that’s already pretty lowkey on its own.

I do enjoy this one, though. I don’t think it’s anything great, but it does handle the conflicting side of Finn and Jake’s relationship a lot better than an episode like Video Makers did. It uses the appropriate differences between the brothers and turns it into a fun, fight-filled romp. It’s not especially strong in story, but after coming off the heels of the past three or four episodes, it doesn’t need to be. A smaller, lighter episode after some heavy inner and outer drama is always warranted. Always nice to see an episode focusing on the relationship between our two main boiz.

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Favorite line: “Don’t you always call sweatpants ‘give-up-on-life pants,’ Jake?”

“You Made Me” Review

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Original Airdate: August 27, 2012

Written & Storyboarded by: Jesse Moynihan & Tom Herpich

The Earl of Lemongrab had potential to be the most disposable character after his debut in Too Young. He was an absurdist gag who was used as a humorous plot device, and outside of that, I didn’t really expect to see him again. When I heard he was returning in You Made Me, I was slightly nervous. One-shot comic relief characters typically are never as funny as they were in their first appearance, and to a degree, this episode arguably supports that idea. However, it also takes Lemongrab’s character in a very interesting direction in regards to his connection with PB. We’ve already gotten so many glorious in depth looks at PB’s character this season, and this is just another addition into an already solid collection. Season four really is the season of PB, y’all!

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The episode starts off silly enough with another peak at Peppermint Butler’s dark and twisted psyche, followed by a mildly humorous interaction between the boys and the Banana Guards. I find it interesting the BG’s are practically rebelling against PB in this sequence, it’d be the first of many instances where the Candy People disregard PB’s orders out of their own stupidity. This is when we’re reintroduced to the creepy lurker himself, Lemongrab. The entire meat of this episode is introduced once PB barges in, and that’s the connection between Bubblegum and Lemongrab in a mother-son scenario. Lemongrab was originally pitched to be PB’s uncle in his first appearance, which was scrapped before its development, but kind of shows as PB generally disregards his physical and emotional well being without even slightly holding back. Here, she’s generally more sympathetic and caring towards him, and their first interactions with each other really give us a more impactful concept of how their relationship actually is. PB isn’t some cynical tyrant making his life more difficult for the sake of her own sadistic gain, but a loving and caring mother who simply can’t empathize with or understand one of her children. It reflects her dialogue in Too Young, where she describes Lemongrab as her first experiment that “went wrong.” All of the Candy People were designed to be moderately simple-minded so they were able to enjoy life freely and have little bottling issues, yet Lemongrab was born with an imbalance that made him unable to experience life as the other Candy People. So, as Bonnie shouts out, “I don’t understand you, Lemongrab!” it isn’t out of anger or malice, but simply her failure to understand the Earl as easily and carefully as she is with her other candy citizens. Lemongrab seems to hold this against PB deeply, as his fears and sadness are something he directly blames on his creator and mother. It’s oftentimes troubled children will blame their parents for any psychological issues they’re experiencing, and it’s only emphasized by the fact that, here, PB literally created Lemongrab with her own two hands. So, it only makes sense that Lemongrab would blame the princess for every single thing wrong with him, including his inability to socialize and live life as carefree as the other citizens. I’m sure I’m just babbling about the obvious right now, but it’s all really interesting written out.

This inner conflict within Lemongrab’s psyche carries through the entirety of the episode, and he begins to sink deeper as he believes that he’ll never be able to conform, so he must change the views of others to better fit what he was made to do. This is where the Pup Gang comes in (based on a real group of kids who threw a basketball at Jesse Moynihan’s head, my apologizes, Moyns) a group of enjoyably juvenile children who simply want to earn cash to support their delinquent mothers. The Pup Gang’s strong demeanor and outlandishness simply aren’t fitting of Lemongrab’s perception of how society is supposed to be, so he decides that the only way to change their perspectives is through extreme means of conditioning. It’s a really big switch from what we’ve seen in his first appearance; he was originally a token buttmonkey and an ineffectual pain in the butt, but here, he’s a much bigger threat and even more sympathetic than before. Despite his insane means of punishment, he still is deeply troubled for the sole reason that he was made to think and act this way, even though PB didn’t intend for this to happen.

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In the same way, PB is also sympathetic. Despite her being the creator of Lemongrab and being unable to fulfill his needs the same way she is with her other people, I do enjoy how motherly she is with LG and how she simply tries to level with him instead of butting heads with his mannerisms and preferences. Even though her efforts to try to help him to see the light fail, she does so in such a genuine and passionate way that isn’t talking down to Lemongrab in the slightest, and it’s really nice to see that she does care for him. Even when she knows that other Candy citizens (though, are the Pup Gang actually Candy People? If so, what the hell are they?) are in danger, she still wants to try to help him, because, in her own words, he’s her responsibility. From a mother-son perspective, it really is done fantastically. We get to see both sides of the situation, and it never feels too one-sided. Both characters have their flaws, which are demonstrated individually in a very fascinating way. “Raising” a child can be mentally taxing for both the mother and the child.

Entering Castle Lemongrab is where we do get to view sad symbolism into Lemongrab’s life, including the fact that he owns empty catcher’s mitts, a sign that he does want to relate to “normal” civilians, but has never found someone he’s able to relate to enough, or even accept into his life, that he’s willing to do so with. The turmoil within LG unleashes when PB enters his reconditioning chamber and pleads with him to stop. Lemongrab argues with PB, “You’re the one who made me this way, how can yoooou help??” It’s clear that his fear to change also stems from the fact that he was born with terrible fears and suffering, meaning that allowing PB to help him could result in only more problems and difficulties in his own life. He isn’t willing to risk that, and instead wants PB to feel and think exactly how he does.

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And I guess I can’t write this review without taking a deeper look into why Finn took the blow for Bubblegum at the hands of LG’s sound-sword. I think it can be looked at two ways: 1. Finn is heroic and willing to take a bullet for those around him, and I think that goes without saying. 2. He still loves PB. Not that he’s still in love with PB, but he still deeply cares for her and his feelings for her will never go away completely. Though he’s willing to do the same for others, Finn really would take a bullet for PB without question, as someone he cares about, serves, and respects greatly. I think this interpretation is much more interesting to me, because even after we get an episode like Burning Low that highlights Finn’s changing feelings and moving past his infatuation with Bubblegum, he still thinks very highly of her and would never let something terrible happen to her. It’s a moment I think could really put shippers in a tizzy, but honestly, I think it was just a nice moment showcasing that Finn still deeply cares for Peebles, and I’m glad they never really added any more attention to it.

The ending is the perfect solution to Lemongrab’s issues (for now, that is…) as he meets his new brother: Lemongrab 2. It’s a sweet and funny ending that once again highlights PB’s compassion; I’m sure there may have been a way for Bubblegum to simply change Lemongrab’s mind chemistry to think and act more like the other Candy People, but it’s clear that, despite his erratic behavior, PB does care and respect Lemongrab for the way he is and wants him to be comfortable in his own skin. The Lemongrabs get acquainted by humorously poking each other over and over and bid their new friendly guests farewell, in perfect Lemongrab fashion.

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I don’t think Lemongrab was that funny in particular in this one, but I don’t think he really needed to be. He’s transformed from a one-time gag into a legitimately compelling and interesting character, and I think that’s much more effective. At times, the screaming can get a bit tiring, but I think that’s something to expect from any Lemongrab episode. I actually think the Candy People were pretty funny in this one. I liked the stuff going on with the Banana Guards, Mr. Cupcake brutally breaking his own arm to get out of residing in Castle Lemongrab, and the Pup Gang are a very delightful addition to the tertiary cast. Also, I thought PB’s hair was somewhat of a funny sight gag for some reason. Her hairstyle was based off of a dutch crown, which I’ve seen in person before, but it just kind of looks wonky in most scenes here. A nice unintentional bit of humor for me. As for scenery, Castle Lemongrab is a very intentionally ugly looking landscape. The yellows, greens, and beiges make it a real eyesore, but always feel appropriately fucked up for the kind of place Castle Lemongrab is supposed to be.

Overall, this episode’s real interesting to me. I love the dynamic between Lemongrab and Princess Bubblegum, and how far they’re willing to stretch Lemongrab’s dysfunctionality. I’ve mentioned many times already, including in the beginning of this review, but the development for PB lately is fantastic. She’s gone from one of the weakest main characters to one of the most interesting and a personal fave for myself. Thank you, season four.

Favorite line: “We want the big cash money wad! Enough to provide for our delinquent mothers, so that hopefully they’ll show us the love we always dreamed about in our sad, young lives!”

“Sons of Mars” Review

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Original Airdate: July 23, 2012

Written & Storyboarded by: Ako Castuera & Jesse Moynihan

The official planned release date for reviews will be Fridays from now on. The only exception may be next Friday, only because I’ll be pretty damn busy. And I know one review a week might seem slim, but I’m going to try my best to increase that amount through time and see how much I’m able to juggle at once. Again, thank you all for being patient!

So, to end this summer of daily reviews, we have Sons of Mars! A personal favorite of mine that I may have seen one too many times (the luster has faded a bit because of how many rewatches I’ve sat through) but one that signifies how all-around awesome it is. It’s loaded with world-building and mythology, and delves into the lives and stories of its central characters.

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First and foremost, this episode reintroduces Magic Man, and he enters in the most sadistic and jarring way possible by turning that fucking creepy deer from No One Can Hear You into a telescope. This is still when it was fairly uncommon for AT one-off characters to return, so it was very surprising to see the nihilistic wizard who lacks empathy back once again, but surely rewarding. Magic Man is one of my favorite characters in the series, simply because I enjoy how little of a fuck he gives for other people, yet still manages to retain an unusually sympathetic side. This is the first episode to showcase this, as we get a look into some of his inner turmoil. Speaking of firsts, this episode is a pretty prominent point in Jesse Moynihan’s writing tendencies, as he began to get much more personal and surreal in his boarding efforts. Much of Magic Man’s story in Sons of Mars revolves around Moynihan’s own experiences with his girlfriend Margaret, who he called “Margles.” Jesse used this pet name to portray Magic’s lost love interest, and did his damndest to channel all of the negative emotion he had been feeling into this character and particular episode. In the words of Moynihan himself, “Magic Man had gone insane because I had gone insane.” This kind of self-insertion doesn’t seem to appeal to AT’s audience much, and would only receive even more negative attention as Jesse turned it into a regular practice. I dunno, for me personally, I think it’s one of the most interesting and ambitious aspects of Jesse’s writing in general. There’s no one on the staff quite as heady as Moynihan, and while I’ve criticized specific styles of the writers and storyboard artists on the show somewhat often, Moynihan’s is one I’ve never really had a clear problem with. It’s something I completely understand as to why people find it pretentious, but it also makes for some of the most imaginative and poignant stories and character arcs in the entire series. Moynihan’s ability to connect with Magic Man so closely and make one of the biggest assholes in Ooo seem more human is a really impressive task and one that I think was exceedingly well done. Moynihan believes he may have went a bit overboard with just how much of his own self he inserted into this episode, but I think it was handled with a great deal of subtlety. She’s only even mentioned twice briefly, but the most powerful moment comes from Magic Man discovering her photo after Finn tosses it aside. In a rare moment of Magic Man acting completely straightforward and honest, he quietly acknowledges the location of his Martian transporter. It’s a moment that feels so real and genuine, and doesn’t at all feel like it’s forcing me to care about a relationship that we barely know anything about. All we know by this encounter is that Magic Man had a significant other, who he tragically lost. But it’s how it personally affects Magic Man that makes it so much more interesting. The heartwrenching promo art sets up this unseen relationship, and amazes me at just how vaguely emotion is conveyed in this one without going into too much detail about what happened in the past.

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We also get a bit of history with the introduction of Grob Gob Glob Grod and the King of Mars, two very important characters in regards to the overall lore of the series. These two characters have their fair share of goofy and fun moments (including the hilarious run-through of all of Magic Man’s terrible crimes, which they don’t have footage of, so it’s a good thing Grod is good at drawing), but I do really enjoy how the episode still treats them as very crucial beings in the world of AT. Grob Gob Glob Grod (blending the many humorous variations of “glob” mentioned throughout the past few seasons, though has anyone actually said “oh my Grob” before or even mentioned Grob? Poor dude doesn’t get enough praise) is essentially the religious figurehead of this universe, while King of Mars isn’t necessarily a religious figure but instead an all-knowing ruler of entire galaxies, who is represented by Abraham Lincoln himself. Pen Ward obviously incorporated Lincoln in the pilot of Adventure Time as a silly gag that was never intended to be utilized again, but this episode is very clever in never mentioning the 16th president of the U.S. by name, and is only ever referred to by his stance as king. It’s open for a good deal of interpretation as well; I think the whole story behind the King of Mars himself is that he is a magical entity and possesses the power to travel time and the multiverse. Him sacrificing his immortality meant that he would allow himself to be as human and vulnerable as the rest of society, causing him to take his place as a legend of the past, present, and future. A soul who traveled Earth as a human being thousands of years ago, an entity who ruled over the cosmos as the King of Mars, and a spirit who will continue to embark throughout the many lands of Dead World. Honestly, it just makes me think that the actual Abraham Lincoln was a lot more fucking cool than what high school history classes taught me. Props to you, Jesse and Ako. Of course, there are plenty of connections to the King of Mars and Abe Lincoln as well. The notion that he’s the “most honest being in all the land”, the penny he carries with him at all times, and his sad remark about his lack of peers that references his longterm depression. His exchange with Death is one of my all-time favorite moments in the series, and feels like a classic negotiation between two friendly rivals as opposed to good facing off with evil.

And at the center of this heady venture is the relationship between Finn and Jake. It’s funny because, looking deeper into Finn’s mission to get Jake back, he could honestly give less of a shit of the events going on around him. He has one goal: to get his best friend back and save him from certain death. He doesn’t care about the trial Magic Man was put through or the sacrifice of Mars’ thousand year ruler. He just wants his buddy back by his side, and it’s both really endearing and quite funny when you acknowledge that he just does not care that he practically initiated the King’s sacrifice. I mean, it’s pretty clear that ol’ Abe probably would’ve let Jake go when he discovered that Magic Man may have been experiencing real emotions, but Finn just pops the fuck out of nowhere and hits GGGG with a chair that ends up striking Jake with the wand. Finn inadvertently set a prophecy into motion, whether it resulted in positive or negative consequences, though he was correct in citing that nothing would have escalated had Abe and Glob believed in his brother’s statements. It definitely could’ve made Finn come off as a dick, but again, he’s doing everything for the sake of his brother, and he doesn’t care what powerful entities he has to cross to do so.

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Jake’s role in this episode is interesting as well. He doesn’t do a ton, but we’re once again reintroduced to his desire to go out with a bang when it comes to death and destiny, though Jake acknowledges for the first time that, though he’d love to accept the afterlife with open arms, he’d be leaving his best friend behind, and he just can’t do that to Finn. It’s very heartwarming and thoughtful of Jake to put Finn before himself in this situation, and really shows how far he has come from his original stance. Knowing that Finn would do anything to save him and have him by his side, Jake will simply have to put off his own prophetic desires for the person he cares about most, and that’s what is really at the core of this trippy episode: the connection between Finn and Jake. Through all of the drama Magic Man experiences with his own personal problems and the collapsing of Mars’ government, Finn and Jake simply want to be with each other, and in the toughest of life’s problems, the relationship between two best friends can often bring light to some of the darkest of moments. Even the releasing of Tiny Manticore, who wrongfully dissed Finn and Jake, but will regret doing so to the two most caring guys in Ooo for presumably the rest of his life. His new prison is shame, if you haven’t heard.

The entire Martian space system looks amazing. Ghostshrimp once again designed a bunch of the scenery for this one, and I love everything from the design of the numerous domes and silos that populate Mars, as well as the terrific red, purple, and pink color scheme that makes the entire land feel foreign and unique. I think the designs of the martians who view the trial are kind of lame, however, though characters strictly in the background of AT episodes never look superb or detailed. I guess it’s just weird that they decided to include these random Martian civilians in the background at all because wouldn’t they like, be freaking out about what’s going on? They’re kinda just there to be there, so I feel like they could’ve just be excluded completely unless they were in-sync with the tragedies occurring in front of them. The design of GGGG is awesome though, one of my favorite character designs in the series. Love his/her rotating heads and the groovy headgear they wear to cover their baldness.

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Sons of Mars embodies some of the greatest elements of any AT episode up to this point: the honesty of our two main characters, the ambition and headiness of the world surrounding them, the ability to humanize even the most abysmal characters, the intrigue of wanting to see even more of what this world has to offer, and the deep connection between writer and character. It’s one of my personal all-time favorites, and even though I’ve seen it a million times, it just has so much to offer every time I do watch. One of the biggest steps towards more surreal and intoxicating mythology that would grace the series much later on.

Favorite line: “How long have you had this house?” “Yes, that is true!”

 

“Beyond this Earthly Realm

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Original Airdate: June 11, 2012

Written & Storyboarded by: Ako Castuera & Jesse Moynihan

Beyond this Earthly Realm isn’t as heady as the last one, but it’s pretty freakin’ cool. It’s a simple story equipped with an even more simplistic B-plot: Finn and Ice King have to team up after Finn enters some sort of spirit realm, and Jake just misses his buddy while he’s gone. These two stories are pretty basic and nothing new, but they’re carried largely by just how enjoyable it is to watch Ice King and Finn’s budding friendship, as well as the awesome visuals that support the plot.

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The entire episode is coated in an orange-red filter that looks really artistically pleasing and interesting, while dozens of awesomely designed creatures roam the spirit world. They’re certainly not as funny or unique as some of the demons of the Nightosphere, but every creature has its own individual design that ranges from creative to inherently gross. I really love how a lot of the side monsters or creatures in AT look like they were developed from a notebook doodle, as a good chunk of them were. It really adds that bit of likability to them, even the one that diarrheas and vomits at the same time. Yuck.

Finn’s connection to the Ice King in this episode makes me feel all warm and fuzzy. He obviously doesn’t like that he has to deal with Simon (yes, I did love that name drop), but I do appreciate the level of patience and acceptance he has with the old coot. Instead of being angry or inflicting violence on the Ice King when he realizes he’s been lied to, Finn simply states “I’m gonna re-open the hole.” It’s a great “fuck this” reaction, but also pretty telling that Finn simply just wants to punish the IK for his behavior rather than necessarily hurt him. It makes the connection between the two seem much stronger, and shows us how far they have come. It’s just really sweet to see them working together once again, which we legitimately don’t get to see again for another three seasons or so. I suppose if we got these types of episodes a lot they wouldn’t be as special, but their dynamic, especially when it comes to common goals, is just a ton of fun.

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There’s great moments between the two, such as the implication that Ice King regularly lies to Gunther and claims that him and Finn are hanging out, which is both hilarious and somewhat heartbreaking. Ice King trying to be cool by deeming them “turbro…turbo-bros” is a nice overly long gag as well. There’s also some nice individual moments, including Ice King’s description of the spirits that ends with a solemn, “… I hate them.” This story stemmed from Ice King’s brief mention of wizard eyes in Mortal Recoil, and both episodes emphasized what a taxing issue it is for ol’ Simon to be experiencing hallucinations 24/7. It’s very amusingly tragic, and it really helps you emphasize with the circumstances of his condition that he himself isn’t even comfortable with. Finn’s reaction to the contents of the portal is a funny callback to the beginning, where instead of being treated to anything too expository, we just simply get Finn’s utter confusion with his surroundings to help inform us of what’s going on.

I especially like Jake’s subplot as well. It isn’t heavily focused on, but man, there’s some legitimate melancholy when it comes to Jake’s behavior. It’s sad seeing the guy so torn up over losing his friend, along with his efforts to bring him back which Jake probably knows won’t work. I really sympathize a lot with him in these bits, and even though we obviously know Finn’s going to return by the end of the episode, it’s still sad to see Jake so torn up over the disappearance of his brother, and the in-universe reality that he may not be able to get him back.

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The conclusion involves a pretty trippy breaking-the-fourth-wall moment that definitely has me believing that Ice King still has aspects of Simon deeply embedded in his subconscious, though this is likely no surprise. Finn symbolically refers to him by name a bit earlier on, and his long, open-ended speech about the basis of television have me thinking that Simon’s existential and scholarly personality still play a part in Ice King’s everyday life, whether he knows it or not.

There’s a couple of inconsistencies in this one, mainly the idea about what the spirits can touch and whether they can be touched or not. Like, there’s bits where Finn is able to sit on the couch or a tree branch, but he isn’t able to feel BMO or Jake? And then there’s the scene where Ice King says he isn’t able to touch the spirits, but immediately swats one off  of him afterwards. It’s brief moments like this that make me kinda question how the Spirit World works and what limitations it has, but ultimately don’t tarnish the experience as a whole.

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And I truly do enjoy this one. Like I said, there’s nothing mind blowing or especially hilarious about it, it just does what it set out to do so well that it ultimately ended up being a great one for me. Lots of nice visuals, character interactions, an entertaining adventure, a pretty dope musical score, and the compassionate connection between our main characters. What more could ya ask for in an episode of Adventure Time?

And holy shit, have you guys ever seen the lyrics of BMO’s spider song?

Three baby spiders, three bitty baby spiders,
Were playing in the sun.
The rain came down and it was no fun.

Cry cry cry cry goo ga goo.
Oh me, oh my, eyes are raining too.
The first spider drowned, he was never found.

The second spider cried till he died,
But the babiest of all splashed and had a ball.

He grew up very tall and lived inside a wall.
Sometimes the sun shines even on baby spiders and you!

A pretty God damn dark version of Itsy Bitsy Spider, if ya ask me!

Favorite line: “Now you’re trapped, and only I can see you. So if you want friends, this is it, pal!”