Tag Archive | Kent Osborne

“To Cut a Woman’s Hair” Review

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Original Airdate: January 10, 2011

Written & Storyboarded by: Kent Osborne & Somvilay Xayaphone

One thing that Adventure Time does best is completely defying the viewer’s expectations and constantly keeping them on their toes. It’s not necessarily the shock humor you’d find on show like Family Guy, where it’s constantly trying to be in your face with over-the-top characters and situations, but it always has an element of surprise that you could have never predicted to see. Great examples of these are Magic Man’s reveal in Freak City or the Whywolves in Donny. This episode is the very first time we see Finn’s hair, and it isn’t treated like a big, significant reveal by the staff, network, or even the episode itself. It’s something that comes entirely out of the blue, and it’s hilarious, beautiful, and epic.

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When Finn does finally reveal his hair, the characters and visuals do treat it as if it’s a big deal, because it honestly is. The introduction of Finn’s hair and the fact that it’s immediately shaved off introduces something that isn’t regularly mentioned within the nature and world of the show: a clear timeline. We’re able to gather just how quickly or slowly time has passed by examining how long Finn’s hair has grown over a period of time. Considering we only get a legitimate mention of his age three times after season two, it’s rewarding to have this bit of continuity for fans to pick up on the changing times within the world, and it’s awesome to feel as though you’re in a world that’s constantly moving and growing. Again, the series manages to do this so ingeniously with something as simple as the length of Finn’s hair.

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Besides that, there’s a bit of world building for the other characters in this episode as well. We’re introduced to LSP living in the woods, which is a recurring home for her throughout the entirety of the series. This is also one of LSP’s better appearances in general. I really love the bulky and detailed way Somvilay draws her, and it adds a lot of oomf and personality to all of her dialogue. In addition, the scenes with Finn and Princess Bubblegum are especially cute, and she bestows upon Finn one of his most treasured possessions: a lock of her hair. Of course, this was specifically to serve the plot in this episode, but it would later become a source of affection, as well as obsession, for our hero.

The tree witch is a terrifically crafted antagonist, as she proves to be mildly likable despite her lunacy. Her voice is provided by Thurop Van Orman, the creator of The Marvelous Misadventures of Flapjack and the voice of its titular character. Van Orman has such a distinct and unique voice, yet he can alter it to fit any type of role without it feeling like he’s doing the same voice. Same goes for his performance as Gideon Gleeful in Gravity Falls; he really can add flair to any of these characters without drastically changing his range.

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To Cut a Woman’s Hair is great because it works as a completely self contained episode but also increases on the expansion of the world of AT and the characters within it. I always figured that Finn’s hair would grow back fully by the next episode we saw it, if we ever saw it again, but the writers took in the account of Finn’s aging process and the growing of his character, and one of the greatest ways they took on that is through the length of his hair. Also, this is an episode that has Jake being tortured while Finn has to rescue him. What a change of pace!

Favorite line: “Girl, if I didn’t already have a G.F., I’d be on you like butter on toast!”

“Crystals Have Power” Review

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Original Airdate: November 29, 2010

Written & Storyboarded by: Cole Sanchez & Jesse Moynihan

Interesting how I mentioned in my previous review that Jake isn’t necessarily concerned with his physical strengths and one episode later finds him worrying about being too abrasive with others. It’s a nice shift and some well warranted development to have two Jake-centered episodes in a row, even if this one doesn’t necessarily match the quality of the last episode.

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I really like the backstory element in this episode as well. This is the first time we are introduced to Joshua being Jake’s father, as well as his brother Jermaine. The Jermaine in this episode feels like a bit of discontinuity with the Jermaine we meet later on, but I’m willing to convince myself that he’s going through some type of midlife crisis. Jake trying to be “soft” while his best friend is being crystalized is a bit frustrating to watch, especially since this is the second episode in a row that Finn is being tortured while Jake chills on the sideline, but his interactions with the crystal guards are funny enough to carry a majority of the episode. It’s also important to keep in mind that Jake’s entire motivation behind controlling his strength is the fact that he hurt his best friend, so it’s heartening to know he was driven by the person he cares about most.

This is Jesse Moynihan’s first episode as a storyboard artist and he acknowledged that he hadn’t had much experience drawing before this episode. A lot of his drawings are a tad bit awkward and flat looking at times, but that’s not necessarily a jab at him. A lot of his drawings are off model, yet we don’t get many off model shots from this show in general. It’s actually somewhat refreshing to get some crude, floppy looking shots for once.

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Also, this episode marks the return of Tree Trunks! On the commentary for this episode, Pen Ward mentions that this episode went through several rewrites before the final product, and it kind of shows. In fact, Tree Trunks’ return wasn’t even included in the episode in the first two scripts, but Ward kept pushing for it to be a part of the episode. The writers do their best to blend the two plots together, but it almost feels as though half the episode is devoted to Jake’s crisis of life and the second half is devoted to Tree Trunks return. Whenever I think back to this episode, I always think about either the Jake plotline or the Tree Trunks plotline, but never both together.

Aside from that complaint though, both set pieces are relatively well done. I do have a warm place in my heart for Tree Trunks, and it’s delightful to have her return to the series once again. The episode ends in the greatest way possible: having our three central characters fly through a portal while a techno song about apple pie plays in the background.

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Favorite line: “If I had a penny for every time someone went crazy hopped up on magic energy… I’d be Abraham Lincoln!”