Tag Archive | LSP

“Bad Timing” Review

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Original Airdate: March 3, 2014

Written & Storyboarded by: Kent Osborne & Pendleton Ward

Lumpy Space Princess’s vanity and ego make her quite the difficult character to feel sympathy for. While all of the characters within Adventure Time have their fair share of flaws throughout the run of the series, all of them at least have something that gives me a reason as to why I should care for them, that is, all except for LSP. Bad Timing does the unthinkable. It manages to make me care for LSP’s character in a way I really never imagined. And this isn’t an episode that gives a cute or likable side to her character; the episode still does its damndest to show that LSP is crazy and arrogant in her own lumpy way, but it’s exactly that kind of attitude and behavior that directly contributes to the tragedy of her character as a whole. This is all tied together with a unique framing device that includes some delightfully silly creations from Pen Ward and Kent Osborne, and helps to all connect to Bad Timing’s piteous ending.

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The episode is introduced to Princess Bubblegum once again battling the logic behind anomalies and magic in contrast to her deep faith in her own scientific studies. Her method of time travel is also rather complex, but interesting. The back-to-back bickering between PB and Jake is quite enjoyable, as always; I really enjoy this playful conflict between the two. It’s pretty obvious that Jake is more captivated by presentation rather than the deep intervals of the space time continuum. He’d rather just see cool time portals and shit than a big presentation about the construct of time, which PB fails to understand, ultimately diminishing her faith in magic even more. It’s also nice to see one of the Mud Scamps from The Hard Easy back again! I love those quirky little critters.

As LSP enters the scene, it’s already clear what her current state of mind is. After literally sleeping in a gutter for the night (a terrific metaphor for her deranged mindset), she nearly tears PB apart for not allowing her to use the time device to visit her past boyfriend Brad. We haven’t seen a ton of LSP this past season and a half, as her only major appearances were in Candy Streets and Apple Wedding, where her deteriorating mental health is in clear view. And this one does not hold back when showing LSP at her absolute craziest and most desperate. It isn’t devoid of some of her funnier moments as well; Pen Ward gives his all with this performance, showcasing Lumpy Space Princess and her most loud and obnoxious, but also her most passionate.

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While LSP drowns her worries at the Candy Kingdom Tavern, as Tree Trunks softly sings “Slow Boat to China” (a referential moment I actually quite enjoy), she comes across Johnnie, or as she called him in high school: “Ugly Johnnie.” Johnnie is the perfect example of just a likable “nice guy” character. He’s certainly not the most interesting character that has ever starred on the show, but I don’t really think that was the point. He’s just supposed to be this really sweet guy who shows Lumpy Space Princess something that she has probably never received, or at least accepted: care and compassion. He’s also not without his funny moments, mostly stemming from his clear social awkwardness and quirky behavior. I like how corny and kind of stilted his interactions with LSP are. They laugh about using a vinyl record to stimulate a face, and then Johnnie immediately just tells Lumpy Space Princess to sleep on his couch. Talk about a confident and forward man! And honestly, Johnnie is the perfect representation of “that person from high school who went waaay under the radar.” I think all of us who have gone through high school know that one person you look at now and just wonder “damn, where were you three years earlier?” Is that rude? I don’t know.

But the utter tragedy of it all is seeing just how well LSP responds to all of this. She isn’t demeaning, she isn’t arrogant, and she isn’t being vain. She genuinely enjoys the company of Johnnie, and is much happier with herself and her life spending time with someone that not only benefits her own existence, but somebody that she can care and love for as well. Johnnie was able to build confidence and self-esteem through her own actions, and carried those skills over to get a job within the Candy Kingdom. Lumpy Space Princess most likely only dated guys who were physically attractive for a social status back in Lumpy Space, so this is definitely the first boyfriend she has had who isn’t completely materialistic. But of course, LSP’s desire for love is still a very self-centered desire. Though she’s able to give love to Johnnie, anything threatening the love that he gives her ultimately threatens the relationship as a whole. Lumpy Space Princess doesn’t know that love requires trust and flexibility; her only understanding of true love is that it feels good and that she doesn’t want the high to leave. Especially in this case, seeing as how Johnnie is a legitimately kind and loving guy, she does not want to lose him or the way he feels about her for anything.

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During Johnnie’s dinner with Princess Bubblegum, LSP sits sadly outside and utters a monologue that is so raw and passionate that I couldn’t help but include it in this review.

Oh, Johnnie… Ugly Johnnie, through my tender love you have metamorphed into Beautiful Johnnie Butterfly. Every relationship, I gamble with my heart. I go all in because the payoff is true love. I see you when I close my eyes, and thinking of you makes my mind feel light. All my problems fade away, and I can’t help smiling. To let someone you love go into the arms of another takes a big person. I don’t know… if I can be that big.

This is one of my favorite soliloquies in the show, and honestly the best representation about what Lumpy Space Princess as a character is all about. It’s easy to dismiss her as crazy, but even easier to empathize with her viewpoint on love and how important it can make one feel. Yet, it’s important to also realize that LSP isn’t in love… she has only known Johnnie for a day. However, the impact of the brief relationship and the effect it had on her is exactly what makes her feelings so validated. LSP is a person constantly looking for love, and one that struggles so hard to ever find it. For the first time in her life, she’s at least found a genuine person who she could actually see herself with. The thought of mutual love is enough to make her as high as could be, and the only thing that actually threatens her is the loss of that love. It’s a lot similar to Braco’s situation in The Suitor: if the two of these characters were patient and understanding with their alleged loved ones, they would have ended up having a much more positive resolution. Yet, LSP is left with only her paranoia and feelings of heartbreak, which continue to contribute to her own self-destructive behavior. She’s unable to look past her own insecurities because she is afraid of losing everything she has worked so hard to create, even though she’s actively destroying exactly what she wanted in the first place. In a very Lumpy Space Princess-y way, this is a very sad truth when it comes to love and infatuation.

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And of course, let’s not forget the tranch herself, Princess Bubblegum. I think PB is written pretty terrifically in this one, and it’s a nice balance to show her caring and compassionate side after sooo many episode of referencing her more shady and conniving nature (though he use of cyanide laced gum is quite questionable). Even though she initially threatens to declare war on Lumpy Space after a trivial fight between LSP (the chick can be petty sometimes!), her sympathy and understanding of Lumpy’s own self-doubt is exposed in all the right ways. Instead of reprimanding LSP for stealing her material, wrecking her castle, and sort of killing someone, she would much rather put a halt to Lumpy’s suffering, even if it means feeling the wrath of her own hostility. PB is a caring and understanding person when she realizes the emotional turmoil that is going on within other people, and after 800 years of trying to build a happy Utopian society, there’s still the underlying realism that some citizens do deal with deep emotional issues. And sometimes the only way to cope with the heavy issues of her citizens is to have a nice drink at the Candy Kingdom Tavern. Poor gal.

The ending is about as heartwrenching as it gets. Through the outer circle surrounding the episode, we see that these creatures are from an alternate dimension, and that the time machine sent Johnnie here instead of his past timeline. As LSP bawls over the loss of her love, we see that Johnnie can also see exactly what is going on within the Land of Ooo. As she angrily runs out, Johnnie sadly slouches himself, knowing that he’ll never be able to see his lover ever again. Johnnie perhaps receives the saddest fate out of any character in the entire show; he’s doomed to a dimension that he can presumably never escape from, and through everything, he really, really liked LSP. He never doubted his relationship or lost his feelings for his special someone, and Lumpy Space Princess’s failure to understand social cues is what ultimately led to the demise of their individual lives. It’s sad stuff.

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The outer circle is certainly an interesting gag within the episode, with many cute little characters and gags within it. I also think it was delightfully clever to tie the entire episode back to the actual visual gag. Though, I think this is definitely a feature that works much better on rewatches. When I initially viewed this episode, I was quite distracted by the actual circle and actually missed the emotional ending with Johnnie ending up in the circle. Thus, this is one that benefits from multiple viewings, so now I can either focus entirely on the circle, or the events going on within the episode. Each are equally interesting in their own right, and the cute little creatures have Pendleton Ward written all over them. Perhaps my favorite of these doodles are the peanut who splits into two individual nuts and the triangle and square happily see-sawing together.

This one is an emotional rollercoaster, and one that I’m quite fond of. This is the best Lumpy Space Princess episode to date, and it’s one that finds all the right ways for me to sympathize with her. By the end of the episode, she’s still entirely vain and insane, but Bad Timing finds just the right balance to still make her charismatic. One of Ooo’s most unsympathetic characters was able to also become one of the show’s most tragic, and I think that’s just another magical actual of great writing within the scope of Adventure Time.

Favorite line: “Boy, when this evening started, I was feeling so dump trucks, but now it’s like a hundred forklifts!”

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“Gotcha!” Review

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Original Airdate: June 18, 2012

Written & Storyboarded by: Cole Sanchez & Rebecca Sugar

Going into LSP-centric episodes is always a difficult task for me. I’ve been pretty audible on this blog about my feelings regarding Lumpy Space Princess in the past, so you probably already know I’m not the biggest fan of her. Yet, at the same time, I don’t actively dislike her. Of the recurring cast of characters, LSP and Cinnamon Bun are about as close I’ve come to disliking anyone, but I certainly don’t hate them. Even with that said, there’s a bit of bias I do hold against these episodes going in that I’m sure a diehard LSP fan wouldn’t necessarily agree with. Then again, there’s also characters I genuinely enjoy like Tree Trunks who isn’t really able to hold up an episode on her own either, so I’m not sure if it all comes down to personal preference or not. I dunno, I’m rambling now, but even though I’m not able to enjoy Gotcha! a whole lot for the reasons I’ve mentioned above, it’s still a pretty okay episode that I think has its moments.

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Part of the problem I do find with LSP-centric episodes is that her vanity and self-centered behavior just aren’t enjoyable enough to span the entirety of an 11 minute episode. The episodes she’s heavily focused in typically do revolve around the very one-dimensional side of her personality as well, which is why Lumpy Space Princess works best in small doses. You have an episode like this that attempts to help her come to a realization about herself and the way she behaves, but the fact that she still stays the same in her very next appearance just makes any type of development surrounding her seem like a waste of time. It’s not even that she’s portrayed badly in this one; I enjoy her epiphany that people aren’t solely attractive by their good looks and instead also by their personality, as well as the admiration she grows from Finn because he is especially attractive in that sense. However, as I’ve said, in a cast of characters that are constantly growing and changing, LSP is just one that we can never expect to change, which is fine, but it makes an episode like this seem practically pointless. The only time I find it interesting is when we’re treated to some of the more tragic aspects of her characters, such as in Bad Timing or Be Sweet, but any attempt to put Lumpy in a more compassionate and endearing light just feels a bit flimsy to me because her attitude and obsession with herself never seem to lessen.

As for the plot of the episode itself, I think it also suffers a bit from being slightly disjointed. It almost feels like it could’ve been separated into two different stories: one with Finn and Jake going on an adventure with LSP, and one solely revolved around LSP’s book. I feel as though they had some cool things going with LSP’s social experiment in the first act that just don’t get enough time to breathe or work to their fullest potential. That’s followed by an entertaining dungeon crawl, but by the time that expedition ended, I had almost completely forgotten LSP was writing a book to begin with. I liked both set pieces, but I think committing to one part or separating the two would have helped for satisfactory experiences.

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Not sure if the eye-whites here are an animation error or not. This feature was primarily done away with after the first season, though I’m not sure if the rule specifically applies to Finn. Nevertheless, you rarely see a character with eye-whites these days.

So yeah, I’m ranting my asshole out, but there are many other gems that are worth mentioning. Despite what I just said about the story, I do genuinely enjoy both the adventure and book aspect. From an LSP point of view, I think her parts can drag them down a bit, but it’s more of the atmosphere surrounding her that I like than her actual experience. For instance, I love that brief little montage of Lumpy Space Princess writing a new version of her story while that song about generosity plays softly in the background. The entire episode is just filled with nice indie vibes that I can really get behind. And I guess that’s the best way to describe how I feel after watching this episode, “nice.” Again, I don’t really find myself enjoying Lumpy’s character or sympathizing with her anymore than I did before, but I didn’t actively roll my eyes or find it painful to sit through. It’s not like sitting through a Ronaldo Fryman episode of Steven Universe (coincidentally, Rebecca Sugar boarded this one. Sorry, Rebecca. There’s just no way to make that guy pleasant or charming).

The connection between LSP and Turtle Princess is one I quite enjoy. The constant “HEY, GIRL!”’s throughout the episode do make me laugh considerably hard, and I just generally find Turtle Princess’s sad and macabre personality to be endearing, so anytime she’s on-screen is a delight. Jake in particular is pretty funny in this one. I like his brief interaction with BMO at the beginning (would’ve loved if Jake actually called BMO “sensei” in the next handful of episodes), his reaction when LSP first shows up at the doorstep, and his outburst “LSP, you’re wearing garbage as clothes!” towards the end. I think Cole Sanchez and Sugar went a little overboard with how nice Finn is for the purpose of the plot. It’s not overexaggerated or unbelievable, but it shapes him down to behave like a much blander character than he is. But again, this is from Lumpy Space Princess’s point of view, so I can’t really fault his behavior or the way he’s written for it. I would’ve enjoyed a few goofier or quirky moments for him. I do, however, like his remark, “you’re beautiful on the inside… like, your brain and stuff!” That was a perfect Finn interpretation of inner beauty.

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The quest Finn, Jake, and LSP go on is pretty neat-o too. As I mentioned, I really would’ve liked to see a whole lot more of the Mystery Mountains, but what we got to see was pretty cool. The whole bit with the mirrors was really spooky and interesting, and it makes me wonder what the story is behind the mirrors. Is it secretly what LSP most desires? That would make perfect sense, because the entire episode is devoted to her realization that Finn is not attracted to her, but instead, she is attracted to him. While we’re on the subject, what is the age gap between Lumpy Space Princess and Finn? Like, we know she was already a teenager in her debut, and she later celebrated her quinceranera in The Eyes, meaning she’s probably 15 or 16 where Finn is now a 14-year-old up to this point. I always kind of thought LSP’s attraction to Finn was sort of creepy, but it’s kind of reassuring that they’re likely only a year or two apart. Also, is this the only time Finn uses that little slot on his backpack for the Demon Blood Sword? I mean, I know he used it to carry the Root Sword around, but from the Demon Blood Sword onward, he’s always just kind of kept them in an area between his back and his backpack. Weird thing to note, but I kind of wonder why he doesn’t use that slot more often. Probably a hell of a lot more comfortable (though also probably tougher to draw).

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With that said, this one is okay. It has its fair share of decent moments, but nothing I get behind too much. Again, it might just be my personal beliefs blindsiding me, but there are several LSP-centric episodes down the line I actually really enjoy, so it does lead me to believe I’m not being too biased.

“I don’t know how it happened. Usually, I’m super observant about these kinds of things. Like that one time Melissa’s lump was all crooked when she came back from the bathroom. I observed that. I observed that all day and didn’t say anything. She must have been so embarrassed for herself. What-ever. ‘Cause that’s what you deserve when you PO LSP. Ha. Oh, she know what she did – No, I’m not going to tell you.

After all, a girl’s gotta have some mysteries.

Anyway, I’ll talk to you later, book. To recap, Finn is the one who is hot. I’ll see you in the next chapter. BUMPS.”

– I Wrote a Book, Lumpy Space Princess

Favorite line: “LSP, you’re wearing garbage for clothes!”

“From Bad to Worse” Review

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Original Airdate: October 24, 2011

Written & Storyboarded by: Somvilay Xayaphone & Kent Osborne

I always sort of look at From Bad to Worse as a lesser The Creeps. Both possess a large horror theme and feature a set of major characters working together. In addition, both are quasi-sequels to past episodes. This episode is a follow-up to the very first episode Slumber Party Panic, and while this one is definitely more cohesive and enjoyable than the episode it’s based around, I think it squanders a bit of its potential by struggling to work in good humor and character interactions in its execution.

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The episode essentially lives up to its title by being exactly what it promises: situations going from bad to horribly wrong. While I do like some of the transitions the zombies go through, especially LSP’s luscious lip formula, I think the show could’ve been funnier and more creative with the way these zombies transform. Even the characters, who are the ones that create these potions that end up fucking things up are just sort of there to observe everything. I’ve always believed that disbelief and confusion can be two of the funniest reactions to watch in any TV show, and I really think From Bad to Worse could’ve worked in some stronger ways for the characters to react to the insanity going on around them.

Somvilay really pushed the bar with just how many dynamic shots he could include in this episode, and it really shows. Somvilay can have some of the funniest anti-joke oriented episodes when he puts his heart in it, and I think that, while it’s a very distinct type of humor he tried to incorporate, it just doesn’t work aesthetically with the episode. There’s very long sequences of the characters mixing different juices and potions and it just feels… dry. There’s tons of unique and nice looking shots, but they just aren’t outrageous, in depth, or even funny enough to keep my attention. Somvilay’s one of the most ambitious storyboard artists on Adventure Time, but there are times when he can get a bit too carried away with forms of anti-humor that the episode ends up being just that: humorless.

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Now, that’s not to say this episode is really that bad though. It’s a very fast-paced episode, and while it’s not a particularly funny one, it’s still relatively enjoyable from beginning to end. I do really like the frantic speed and the urgency of the situation. Although The Creeps was primarily a horror-themed episode, the circumstances didn’t seem to have a feeling of dire consequences till the last third, while this episode has a sense of dread throughout its entirety. There are some nice bits, like Jake trying to outrun his arm and being turned into a zombie. That entire scene is both humorous and creates a large feeling of tension, and man, you really do sympathize with Jake. His actions in particular are just really considerate; he doesn’t freak out or want any of his friends to worry about him, and quarantines himself for the safety of others. It really shows Jake at his best. He isn’t always as morally centered as Finn in his actions, but Jake is firm in his belief to not let anyone worry about him, and to protect those he cares about most.

In addition, while I don’t think Somvilay’s drawings make for some very funny scenes, they are really visually interesting to gawk at. Somvilay really knows how to make shots dynamic without them seeming too off-model or distorted, and the way he incorporates both the ceiling and the floor in several shots make the episode seem much more aesthetically pleasing on some levels. There’s also a longshot where Finn slides through PB’s lab on a task chair through a bunch of the Candy zombies and it just looks so freakin’ cool. Kent and Somvilay really mesh well when it comes to well-crafted intriguing shots.

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I could kinda see the ending coming from a mile away. I don’t mean to sound like a stuck-up little snob when I say that, but the minute I saw Science and remembered PB’s line, I was all “yeah, Science is totally her rat.” But whatevs, it was a cute ending and it wasn’t a twist that deserved to be completely ambiguous. I especially enjoy Science using “knife juice” in his concoction. I wonder how one even gets to acquire knife juice. The solution with Finn dousing himself in the serum was very clever, and the award ceremony at the end was equally amusing. Although, I call bullshit on Finn not getting an award. The little guy sacrificed himself to save the Candy People. All Science did was comically shrug!

So yeah, this isn’t really a great one in my book. I think there could’ve been a lot more jokes and funny character interactions, but for what it is, it’s a mildly enjoyable bit of frantic terror that compellingly keeps the viewer’s attention all the way through. A bit odd that we got The Creeps and From Bad to Worse back-to-back; I know they both aired during the Halloween season, but I’m wondering if they were purposely next to each other in production order. While both episodes are good at conveying this genre in their own merits, the best horror-themed episode of season three is yet to come.

Favorite line: “Sorry, LSP, PB, Jake, LR, peepee poopoo doodoo.”

“The Monster” Review

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Original Airdate: August 15, 2011

Written & Storyboarded by: Kent Osborne & Somvilay Xayaphone

Besides Trouble in Lumpy Space, LSP has taken on very minor roles since her debut episode. This is her main return to the spotlight, and arguably has an even bigger role than the episode aforementioned. I’ve mentioned before that I’m not the biggest fan of LSP when it comes to her more prominent roles, and this episode is somewhat of a true testament as to whether she’s able to hold a story on her own. Does she succeed? Well, let’s see…

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My overall favorite part of the episode is the beginning with Finn and Jake singing their little tune about themselves, which is both really endearing and funny, made even funnier by Finn’s outburst of “PIZZA!” as the song finishes. Somvilay boarded the first half of the episode, and he really does a standout job in this one. There’s a few great Somvilayisms: the tiny people falling down one-by-one and forming a map to the monster, Finn, Jake and LSP abruptly pulling up seats before LSP tells her tale, and just some of the really nice dynamic shots. One of Somvilay’s biggest strengths are his very in depth looking scenes, including the ones of Finn and Jake trodding through the woods and LSP frantically traveling through a forest. Also, he continues to be the master of telling jokes without actually telling jokes. There’s plenty of sight gags within this episode that are so easy to miss if you simply blink.

What this episode really comes down to though, is a good chunk of it being Pendleton Ward talking in his LSP voice for nearly five straight minutes. Lumpy Space Princess’s valley girl accent is worth a laugh if it’s used very sparingly, but hearing it for almost an entire episode is really grating. When it comes down to it, her situation with the wolves just isn’t that funny to me either. I enjoy watching her pretending to speak as the wolves, but aside from that, I can’t think of anything else that really even got a chuckle out of me. It’s classic LSP reading too far into drama, but nothing we haven’t seen before and just really drags on and slows down the general pacing of the episode a lot.

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In addition, the conflict of the episode really isn’t that compelling at all. I don’t really care if Lumpy Space Princess moves back into her house with her parents, which is even completely retconned later on. Why would they even include this somewhat emotional reunion if LSP just ends up choosing to be homeless in later episodes? It’s a resolution that I really have no reason to care about, and Finn and Jake being chucked to the sidelines only weakens the episode’s chance of succeeding.

The only other noteworthy aspect is that Lumpy Space King and Lumpy Space Queen’s design was revamped in this episode. I admittedly sort of liked the more grotesque and detailed design from the first two seasons, but Pen Ward labeled it as “too gross” so they simplified it a bit. It somewhat feels a bit drastic of a change from what they looked like before, but it’s a cute redesign, so I really don’t mind that much.

Aside from that, there really isn’t much else for me to discuss. It’s just slow moving LSP-centric episode that doesn’t do much to help develop or strengthen her character.

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Favorite line: “Yeah, we didn’t really do that much.”

“To Cut a Woman’s Hair” Review

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Original Airdate: January 10, 2011

Written & Storyboarded by: Kent Osborne & Somvilay Xayaphone

One thing that Adventure Time does best is completely defying the viewer’s expectations and constantly keeping them on their toes. It’s not necessarily the shock humor you’d find on show like Family Guy, where it’s constantly trying to be in your face with over-the-top characters and situations, but it always has an element of surprise that you could have never predicted to see. Great examples of these are Magic Man’s reveal in Freak City or the Whywolves in Donny. This episode is the very first time we see Finn’s hair, and it isn’t treated like a big, significant reveal by the staff, network, or even the episode itself. It’s something that comes entirely out of the blue, and it’s hilarious, beautiful, and epic.

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When Finn does finally reveal his hair, the characters and visuals do treat it as if it’s a big deal, because it honestly is. The introduction of Finn’s hair and the fact that it’s immediately shaved off introduces something that isn’t regularly mentioned within the nature and world of the show: a clear timeline. We’re able to gather just how quickly or slowly time has passed by examining how long Finn’s hair has grown over a period of time. Considering we only get a legitimate mention of his age three times after season two, it’s rewarding to have this bit of continuity for fans to pick up on the changing times within the world, and it’s awesome to feel as though you’re in a world that’s constantly moving and growing. Again, the series manages to do this so ingeniously with something as simple as the length of Finn’s hair.

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Besides that, there’s a bit of world building for the other characters in this episode as well. We’re introduced to LSP living in the woods, which is a recurring home for her throughout the entirety of the series. This is also one of LSP’s better appearances in general. I really love the bulky and detailed way Somvilay draws her, and it adds a lot of oomf and personality to all of her dialogue. In addition, the scenes with Finn and Princess Bubblegum are especially cute, and she bestows upon Finn one of his most treasured possessions: a lock of her hair. Of course, this was specifically to serve the plot in this episode, but it would later become a source of affection, as well as obsession, for our hero.

The tree witch is a terrifically crafted antagonist, as she proves to be mildly likable despite her lunacy. Her voice is provided by Thurop Van Orman, the creator of The Marvelous Misadventures of Flapjack and the voice of its titular character. Van Orman has such a distinct and unique voice, yet he can alter it to fit any type of role without it feeling like he’s doing the same voice. Same goes for his performance as Gideon Gleeful in Gravity Falls; he really can add flair to any of these characters without drastically changing his range.

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To Cut a Woman’s Hair is great because it works as a completely self contained episode but also increases on the expansion of the world of AT and the characters within it. I always figured that Finn’s hair would grow back fully by the next episode we saw it, if we ever saw it again, but the writers took in the account of Finn’s aging process and the growing of his character, and one of the greatest ways they took on that is through the length of his hair. Also, this is an episode that has Jake being tortured while Finn has to rescue him. What a change of pace!

Favorite line: “Girl, if I didn’t already have a G.F., I’d be on you like butter on toast!”

“It Came from the Nightosphere” Review

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Original Airdate: October 11, 2010

Written & Storyboarded by: Adam Muto & Rebecca Sugar

Marceline is one of the most mysterious, yet developed characters in the entire series. Many elements of her past are vague; how she came into this world, the timeline between her entrance into vampirism to the time she met Finn and Jake, her past relationship with Bubblegum, etc. In her two spotlight episodes during season one, the only thing we could gather about Marceline is that she’s lived way beyond a handful of the main and secondary characters, and that she’s lost a chunk of her moral ethics along the way. It wasn’t until this episode that the more hidden layers of her character begun to unravel, in what is most likely the second season’s strongest effort.

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This is the first episode to welcome Rebecca Sugar to writing team, and I’m sure I don’t even have to explain to any of you who she is. I have somewhat controversial opinions about some of the episodes she has worked on, but overall believe that she’s one of the strongest writers on AT. The staff has said time and time again that Marceline is one of the hardest characters to empathize with, but I think it’s safe to say that Sugar knows Marcy better than anyone. She really made the character her own during her time on the show, and helped this episode to go above and beyond to showcase her more sympathetic side, along with the help of Adam Muto.

While I’m certainly not one of those people who believes that the series instantly began to rot once Sugar left during season five, the music of the show sadly did undergo decline. The reason I mention this is because “Fry Song” is the first song that was written by Sugar, and it really sky rockets above anything we’ve heard thus far in the series, and one that isn’t really comparable to anything we hear in later seasons. The raw emotion, the soothing strums, coupled with Olivia Olsen’s beautiful voice are really what make it one the show’s most famous symphonies.

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Hunson Abadeer, who is simply referred to as “Marceline’s Dad” or “Daddy” in this episode, as well as being voiced by Olivia Olsen’s father Martin, is the first real threat to the series. Thus far, we’ve had Ice King, Magic Man, Ricardio, among others, but none have felt as threatening as Abadeer. What makes him most effective as a villain is his connection to Marceline; we’re not really supposed to like this guy, but at the same time, we feel the strong emotions of our main heroine (in this case, Marceline) and want the two of them to be able to be able to reunite as family once again. It’s an impressive feat of conflicting emotions, and helps us both empathize with Marcy, as well as wanting Abadeer to be defeated.

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Finn is written terrifically in this episode. While we’re able to put ourselves in Marceline’s shoes, Finn never lets his emotions get the best of him. What he wants is what’s best for Ooo, but also for Marceline. While a 12-year-old can’t possibly understand what Marceline’s going through, Finn knows to allow what’s pure and righteous to save the day, and not to let his own feelings control the outcome.

This is also a great episode to showcase some of Ooo’s wonderful side residents. Among some of those residents are the Marauders and the Fuzzy Friends, who, to this date, have not appeared since this episode. Maybe they never got their souls back? Keeping in the tradition of building story arcs off of non-sequiturs, Abadeer deems Gunther as the most “evil thing I’ve encountered,” and we learn later on that Gunther is actually the powerful space deity Orgarlorg. I doubt this was planned from the beginning, but it’s a lot of fun to go back and watch this episode to see that the concept of Orgalorg didn’t arise from nothing.

There are some really beautiful nighttime landscapes in this episode. Ooo feels extremely expansive, as we explore Marceline’s House, the Grasslands, Red Rock Pass and the Ice Kingdom. The colors are especially vibrant, and really make the entire experience illuminating. As I’ve said, it’s just really nice to see Finn and Marcy hanging out as well. I just genuinely enjoy the way these two characters work off of each other, and this is one of their cutest interactions thus far. Also, if you were wondering where Jake was in this episode, he was in Finn’s pocket the whole time!

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Favorite line:No one flicks me in the butt without my consent!