Tag Archive | Lumpy Space Princess

“From Bad to Worse” Review

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Original Airdate: October 24, 2011

Written & Storyboarded by: Somvilay Xayaphone & Kent Osborne

I always sort of look at From Bad to Worse as a lesser The Creeps. Both possess a large horror theme and feature a set of major characters working together. In addition, both are quasi-sequels to past episodes. This episode is a follow-up to the very first episode Slumber Party Panic, and while this one is definitely more cohesive and enjoyable than the episode it’s based around, I think it squanders a bit of its potential by struggling to work in good humor and character interactions in its execution.

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The episode essentially lives up to its title by being exactly what it promises: situations going from bad to horribly wrong. While I do like some of the transitions the zombies go through, especially LSP’s luscious lip formula, I think the show could’ve been funnier and more creative with the way these zombies transform. Even the characters, who are the ones that create these potions that end up fucking things up are just sort of there to observe everything. I’ve always believed that disbelief and confusion can be two of the funniest reactions to watch in any TV show, and I really think From Bad to Worse could’ve worked in some stronger ways for the characters to react to the insanity going on around them.

Somvilay really pushed the bar with just how many dynamic shots he could include in this episode, and it really shows. Somvilay can have some of the funniest anti-joke oriented episodes when he puts his heart in it, and I think that, while it’s a very distinct type of humor he tried to incorporate, it just doesn’t work aesthetically with the episode. There’s very long sequences of the characters mixing different juices and potions and it just feels… dry. There’s tons of unique and nice looking shots, but they just aren’t outrageous, in depth, or even funny enough to keep my attention. Somvilay’s one of the most ambitious storyboard artists on Adventure Time, but there are times when he can get a bit too carried away with forms of anti-humor that the episode ends up being just that: humorless.

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Now, that’s not to say this episode is really that bad though. It’s a very fast-paced episode, and while it’s not a particularly funny one, it’s still relatively enjoyable from beginning to end. I do really like the frantic speed and the urgency of the situation. Although The Creeps was primarily a horror-themed episode, the circumstances didn’t seem to have a feeling of dire consequences till the last third, while this episode has a sense of dread throughout its entirety. There are some nice bits, like Jake trying to outrun his arm and being turned into a zombie. That entire scene is both humorous and creates a large feeling of tension, and man, you really do sympathize with Jake. His actions in particular are just really considerate; he doesn’t freak out or want any of his friends to worry about him, and quarantines himself for the safety of others. It really shows Jake at his best. He isn’t always as morally centered as Finn in his actions, but Jake is firm in his belief to not let anyone worry about him, and to protect those he cares about most.

In addition, while I don’t think Somvilay’s drawings make for some very funny scenes, they are really visually interesting to gawk at. Somvilay really knows how to make shots dynamic without them seeming too off-model or distorted, and the way he incorporates both the ceiling and the floor in several shots make the episode seem much more aesthetically pleasing on some levels. There’s also a longshot where Finn slides through PB’s lab on a task chair through a bunch of the Candy zombies and it just looks so freakin’ cool. Kent and Somvilay really mesh well when it comes to well-crafted intriguing shots.

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I could kinda see the ending coming from a mile away. I don’t mean to sound like a stuck-up little snob when I say that, but the minute I saw Science and remembered PB’s line, I was all “yeah, Science is totally her rat.” But whatevs, it was a cute ending and it wasn’t a twist that deserved to be completely ambiguous. I especially enjoy Science using “knife juice” in his concoction. I wonder how one even gets to acquire knife juice. The solution with Finn dousing himself in the serum was very clever, and the award ceremony at the end was equally amusing. Although, I call bullshit on Finn not getting an award. The little guy sacrificed himself to save the Candy People. All Science did was comically shrug!

So yeah, this isn’t really a great one in my book. I think there could’ve been a lot more jokes and funny character interactions, but for what it is, it’s a mildly enjoyable bit of frantic terror that compellingly keeps the viewer’s attention all the way through. A bit odd that we got The Creeps and From Bad to Worse back-to-back; I know they both aired during the Halloween season, but I’m wondering if they were purposely next to each other in production order. While both episodes are good at conveying this genre in their own merits, the best horror-themed episode of season three is yet to come.

Favorite line: “Sorry, LSP, PB, Jake, LR, peepee poopoo doodoo.”

“The Creeps” Review

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Original Airdate: October 17, 2011

Written & Storyboarded by: Ako Castuera & Jesse Moynihan

From the premise alone, you’d think The Creeps was a cheap imitation of the season two episode Mystery Train. However, The Creeps cleverly acknowledges its recycling and even pays homage to Mystery Train, in an execution that makes this episode stand out on top in my book. It’s much more diverse in its cast of characters, and even leaves us wanting a bit more by the end.

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The atmosphere in general in this one is much more desolate. Whereas Mystery Train was pretty much straightforward comedy, The Creeps adds a bit of a horror element to it, increasing the tension behind the murder mystery and the gang’s surroundings. There’s generally a lot of nightmare fuel within this episode as well, with PB melting, BMO’s face being ripped off, Cinnamon Bun’s eye drooping into BMO’s body… it’s all pretty nasty. It makes me really wonder why Jake goes through great lengths to potentially traumatize his younger brother. But hey, he’s thirteen. The kid can handle it.

I also like how the culprit of this episode isn’t really clear. The conductor of the mystery train was pretty obviously Jake to me, but here, I was kinda second guessing myself a lot. It bounces back from Finn, to Jake, to Finn, to some sort of outside force. It’s a twist that I really didn’t see coming, and the fast, thrilling pace of the episode leave little time for you to even have time to think about it. Jake puts on a damn good front as well. His blatant acknowledgement of the fact that they had already done a murder mystery before, his ability to get everyone else in on it, and even small details, like the fact that he was disappointed with his nickname “Randy Butternubs”. He was totally the one who picked out those names!

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In addition, I really love the cast of characters they chose for this episode. It’s an interesting choice of people, but they all work off of each other really well. Some great exchanges in this one, from CB trying to flirt with Lumpy Space Princess, LSP’s melodramatic monologue regarding her ex-boyfriend Brad, Finn’s infatuation for PB allowing him to remember something as insignificant as what he wrote on her birthday card two years prior, and the constant distrust Jake shares towards Finn a majority of the episode. It’s rare we ever get to see a group of characters like these interact with each other, and I really think that adds to the episode tremendously. This could’ve been a completely self-contained murder mystery, but the way each character attributes their own unique presence makes the entire experience much more enjoyable. There’s also one of my favorite BMO lines:

When bad things happen, I know you want to believe they are a joke. But sometimes, life is scary, and dark. That is why we must find the light.

The fun part about it is that it isn’t even supposed to be taken completely seriously based on the circumstances, as BMO was just looking around for a light switch. It works entirely as a beautifully out-of-nowhere bit of poignancy that you wouldn’t necessarily expect from a mostly comedic episode. I do have one gripe with this scene in general though: isn’t BMO in on Jake’s plan? Why would the two of them be talking about something scary and dangerous happening if they know exactly what’s going on? Perhaps BMO wasn’t in on the plan till later on? I dunno, it’s pretty much just an afterthought.

This episode also introduces the ghost from the mansion, which will later have a much bigger role later on. For now, she’s simply locked in Finn’s vault, where he hides all of the traumatizing material he experiences. Maybe it makes sense that Finn’s so unaffected by his friends dying grotesquely around him. He can just simply lock it away anytime he wishes. I do really love the way they carry out the ghost scene by treating it as one little glimpse of information to chew on while the conclusion sets in. Finn’s experience of almost dying via train the last time Jake pulled this stunt was a scary thought, but even scarier for Finn is something he can’t entirely understand or even believe before his own eyes.

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A very minor thing, but I also really love the attention to detail with the outfits in this episode. Ako designed a majority of the masks and costumes, and it treats the characters like visual candy (as I frequently say on this blog, no pun intended) by diverting from the standard models. It’s rare we ever get to see Jake, LSP, or Cinnamon Bun fully clothes, and even more interesting is the fact that when Jake stretches, his clothes stretch with him. Not sure if I should consider that an error or a fun visual gag. It can be two things.

Overall, I like this one a lot. It really does a lot with the murder mystery story and uses it to its greatest advantage, something it’s predecessor, Mystery Train, did not. It’s jam packed full of fun jokes, including the false personas of each character (Duchess Gummybuns and Guy Farting being two of my favorites) and its creepy atmosphere keeps me coming back for more. This is certainly one that isn’t getting locked up in the vault anytime soon.

Favorite line: “난 제이크랑 항상 한 몸이 되는데. (Jake and I merge our bodies all the time.)”

“The Monster” Review

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Original Airdate: August 15, 2011

Written & Storyboarded by: Kent Osborne & Somvilay Xayaphone

Besides Trouble in Lumpy Space, LSP has taken on very minor roles since her debut episode. This is her main return to the spotlight, and arguably has an even bigger role than the episode aforementioned. I’ve mentioned before that I’m not the biggest fan of LSP when it comes to her more prominent roles, and this episode is somewhat of a true testament as to whether she’s able to hold a story on her own. Does she succeed? Well, let’s see…

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My overall favorite part of the episode is the beginning with Finn and Jake singing their little tune about themselves, which is both really endearing and funny, made even funnier by Finn’s outburst of “PIZZA!” as the song finishes. Somvilay boarded the first half of the episode, and he really does a standout job in this one. There’s a few great Somvilayisms: the tiny people falling down one-by-one and forming a map to the monster, Finn, Jake and LSP abruptly pulling up seats before LSP tells her tale, and just some of the really nice dynamic shots. One of Somvilay’s biggest strengths are his very in depth looking scenes, including the ones of Finn and Jake trodding through the woods and LSP frantically traveling through a forest. Also, he continues to be the master of telling jokes without actually telling jokes. There’s plenty of sight gags within this episode that are so easy to miss if you simply blink.

What this episode really comes down to though, is a good chunk of it being Pendleton Ward talking in his LSP voice for nearly five straight minutes. Lumpy Space Princess’s valley girl accent is worth a laugh if it’s used very sparingly, but hearing it for almost an entire episode is really grating. When it comes down to it, her situation with the wolves just isn’t that funny to me either. I enjoy watching her pretending to speak as the wolves, but aside from that, I can’t think of anything else that really even got a chuckle out of me. It’s classic LSP reading too far into drama, but nothing we haven’t seen before and just really drags on and slows down the general pacing of the episode a lot.

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In addition, the conflict of the episode really isn’t that compelling at all. I don’t really care if Lumpy Space Princess moves back into her house with her parents, which is even completely retconned later on. Why would they even include this somewhat emotional reunion if LSP just ends up choosing to be homeless in later episodes? It’s a resolution that I really have no reason to care about, and Finn and Jake being chucked to the sidelines only weakens the episode’s chance of succeeding.

The only other noteworthy aspect is that Lumpy Space King and Lumpy Space Queen’s design was revamped in this episode. I admittedly sort of liked the more grotesque and detailed design from the first two seasons, but Pen Ward labeled it as “too gross” so they simplified it a bit. It somewhat feels a bit drastic of a change from what they looked like before, but it’s a cute redesign, so I really don’t mind that much.

Aside from that, there really isn’t much else for me to discuss. It’s just slow moving LSP-centric episode that doesn’t do much to help develop or strengthen her character.

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Favorite line: “Yeah, we didn’t really do that much.”

“To Cut a Woman’s Hair” Review

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Original Airdate: January 10, 2011

Written & Storyboarded by: Kent Osborne & Somvilay Xayaphone

One thing that Adventure Time does best is completely defying the viewer’s expectations and constantly keeping them on their toes. It’s not necessarily the shock humor you’d find on show like Family Guy, where it’s constantly trying to be in your face with over-the-top characters and situations, but it always has an element of surprise that you could have never predicted to see. Great examples of these are Magic Man’s reveal in Freak City or the Whywolves in Donny. This episode is the very first time we see Finn’s hair, and it isn’t treated like a big, significant reveal by the staff, network, or even the episode itself. It’s something that comes entirely out of the blue, and it’s hilarious, beautiful, and epic.

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When Finn does finally reveal his hair, the characters and visuals do treat it as if it’s a big deal, because it honestly is. The introduction of Finn’s hair and the fact that it’s immediately shaved off introduces something that isn’t regularly mentioned within the nature and world of the show: a clear timeline. We’re able to gather just how quickly or slowly time has passed by examining how long Finn’s hair has grown over a period of time. Considering we only get a legitimate mention of his age three times after season two, it’s rewarding to have this bit of continuity for fans to pick up on the changing times within the world, and it’s awesome to feel as though you’re in a world that’s constantly moving and growing. Again, the series manages to do this so ingeniously with something as simple as the length of Finn’s hair.

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Besides that, there’s a bit of world building for the other characters in this episode as well. We’re introduced to LSP living in the woods, which is a recurring home for her throughout the entirety of the series. This is also one of LSP’s better appearances in general. I really love the bulky and detailed way Somvilay draws her, and it adds a lot of oomf and personality to all of her dialogue. In addition, the scenes with Finn and Princess Bubblegum are especially cute, and she bestows upon Finn one of his most treasured possessions: a lock of her hair. Of course, this was specifically to serve the plot in this episode, but it would later become a source of affection, as well as obsession, for our hero.

The tree witch is a terrifically crafted antagonist, as she proves to be mildly likable despite her lunacy. Her voice is provided by Thurop Van Orman, the creator of The Marvelous Misadventures of Flapjack and the voice of its titular character. Van Orman has such a distinct and unique voice, yet he can alter it to fit any type of role without it feeling like he’s doing the same voice. Same goes for his performance as Gideon Gleeful in Gravity Falls; he really can add flair to any of these characters without drastically changing his range.

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To Cut a Woman’s Hair is great because it works as a completely self contained episode but also increases on the expansion of the world of AT and the characters within it. I always figured that Finn’s hair would grow back fully by the next episode we saw it, if we ever saw it again, but the writers took in the account of Finn’s aging process and the growing of his character, and one of the greatest ways they took on that is through the length of his hair. Also, this is an episode that has Jake being tortured while Finn has to rescue him. What a change of pace!

Favorite line: “Girl, if I didn’t already have a G.F., I’d be on you like butter on toast!”

Season One Review

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Season one of Adventure Time introduced me to one of my favorite shows of all time. It was revolutionary for introducing us to wonderful bright and dark characters within the glorious Land of Ooo. And while I enjoyed it quite fine the first run and the second run, how does it weigh in as a whole?

Characters

The first season introduced us to a majority of the series most prominent characters: Finn, Jake, Ice King, Princess Bubblegum, Marceline, and (partially) BMO, as well as some secondary characters: Lumpy Space Princess, Lady Rainicorn, Tree Trunks, NEPTR, Magic Man, and so on.

The depictions of these characters aren’t nearly as fleshed out as they are in later seasons, but it’s a very nice introduction to a lot of the fun elements each character has to offer. Finn is vibrant and pure, Jake goes with the flow yet is also bombastic in his own way, Ice King is sad and insane, Princess Bubblegum is sweet yet very passionate about her kingdom, and Marceline is playful and sometimes devious. We get some see some glimpses of development between the characters, including Finn’s characters flaws, Princess Bubblegum’s darker tendencies, Ice King’s more depressing side and his growing admiration of Finn and Jake, and Marceline’s transitioning from Finn and Jake’s adversary to one of their best friends. The characters’ more in depth personalities and unique dilemmas aren’t explored as much as they are in later seasons, but they’re certainly represented as fun characters to want to spend time with.

I’ve said this time and time again but Finn and Jake’s relationship is really the strong point of this season. I firmly believe any good show has to have some heart at the center of it, and Finn and Jake really embody every endearing aspect of this first season. Energy, compassion, and fun is carried with them at all times when they’re on screen, and I can’t think of a time I was legitimately not enjoying myself watching them.

In fact, it’s a pretty impressive feat to not be able to name a character off the top of my head that I truly disliked that was introduced in this season. I’ve mentioned before that I’m not the biggest LSP fan, but her role in the first 26 episodes is pretty minimal and she doesn’t really steal the spotlight as much as she does in later seasons.

This was just a delightful introduction to some of my all time favorite characters. While they would only develop more as time went on, everything about these characters that is later fleshed out is practically inserted in subtle moments throughout everyone’s actions. Of course, the only reason they’re able to become so complex is because they start out so simple. And as Adventure Time has proven time and time again, simplicity can be the route to something much greater.

Artwork

The aesthetics of the first season could really be dedicated to Ghostshrimp’s beautiful background work. He seriously knocks it out of the park with  the many designs, skies, and general landscapes that he’s created. GS played a key part in designing the Land of Ooo, and what he conducted was some of the most beautiful scenery I’ve seen in an animated series in years. Here’s some of my favorites:

I can’t really think of a specific storyboard artist that stood out, as I don’t think any of the episodes had the unique individual artwork that each storyboard artist possesses in later seasons, but the artwork is simple and fun. There are a few design quirks, however. Jake’s eyes and jowls are generally a lot larger than they are in following seasons, and he just looks kinda off. In addition, the characters are drawn with more cartoony and expressive faces, and Finn will frequently be drawn with eye-whites, which is somewhat distracting to me. Pendleton Ward has previously claimed to have hated seeing Finn with eye whites, as Finn is easier to connect with the audience through his simplistic dotted eyes, making him feel more real and less like a cartoon character.

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Otherwise though, this season is one of the most expressive and jumpy in terms of animation, considering the series becomes much more grounded later on. That being said, it is delightful to see Adventure Time in a Ren & Stimpy fashion in terms of its animation, but also, I’m glad the series didn’t stick to being outrageous and borderline schizophrenic in movement and facial expressions as it progressed.

Writing

In terms of humor, this is also the show’s most random and arguably juvenile approach at laughs. This leads to some very hit-or-miss jokes and gags, which honestly depends on your sense of humor. For me, the absurd humor works a majority of the time, but at other times, not so much. And I love the wacky dialogue within the series, but there’s only so many “shmowzow!” “slamacow!” “algebraic!” catchphrases I can sit through and not roll my eyes at.

In terms of individual writers, Adam Muto and Elizabeth Ito really killed it this season. They really know how to write good AT, which is likely how they got promoted to showrunner and supervising director respectively.

In terms of writers in general, a good chunk of them didn’t end up continuing to work on the series after the first season, so it was sort of difficult to adopt the styles or visions of writers such as Sean Jimenez, Luther McLaurin, J.G. Quintel, Armen Mirzaian (who sadly passed away three years later) or even Niki Yang.

So while the writing is a bit too 5th grade at some points, I have found myself laughing a lot more than I thought I would while rewatching.

Top 5 Best Episodes

5. Evicted! – A great introduction to one of AT’s most complex characters with a vibrant and fast paced song and some great character interactions as well.

4. The Enchiridion! – A terrific adventure and spotlight episode for our main character with loads of whimsy and quirky characters.

3. Dungeon – An exciting dungeon crawl with some hilarious one-time villains, as well as continuing to build on Finn and Jake’s relationship.

2. Ocean of Fear – An interesting look at Finn’s psyche and the realization that fears are not something to be ashamed of or ignored in any way.

1. What is Life? – The first episode to humanize Ice King and transform him from a psychotic jerk to someone who is completely lonely and devoid of anyone’s love and affection. Also, I fucking love NEPTR.

Top 5 Worst Episodes

5. Slumber Party Panic – Not necessarily a bad episode by any means, but somewhat of a poor start to the series considering that it throws a lot at the audience at once while also including no proper introductions at all.

4. When Wedding Bells Thaw – A somewhat misconstructed look at Ice King’s insanity that results in making the entire episode feel messy.

3. Business Time – An episode that focuses more on Finn and Jake’s lazier sides, which sucks most of the energy out of our main duo and ends up being somewhat of a bore.

2. The Gut Grinder – A generic and predictable plot that AT seems above and a season finale that disappoints.

1. Memories of Boom Boom Mountain – An episode that focuses more on the absurdity and randomness in terms of humor, and one that feels especially misconceived and all over the place when it comes to story.

Final Consensus

Season one of Adventure Time certainly isn’t my favorite season of the show; it’s practically the series at its most basic form, with somewhat childish humor at times and much less lore or complex adventures that are seen in later seasons. However, I found myself really enjoying the first season when watching again, and just find it so interesting how much the series has drastically changed over the years.

So season one of Adventure Time may best the weakest of the bunch in my opinion, but it’s a totally fun ride down memory lane to see how these characters were and what they have become. And of course, it really does show the world through Finn’s perspective. It’s bright and colorful and very silly and zany because he’s only 12, which fits with the overall theme of growing up within AT.

This isn’t a season I plan on rewatching a lot, but I’m glad I got the opportunity to take a look at it once more and I hope all of you that haven’t consider giving it another look as well.