Tag Archive | Princess Bubblegum

“Too Old” Review

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Original Airdate: August 12, 2013

Written & Storyboarded by: Tom Herpich & Steve Wolfhard

After the preview came out for Too Old following the release of Frost & Fire, the entire fandom was in somewhat of a tizzy. People were really, really pissed at Finn (the comments on this particular YouTube video are a trip down memory lane) and it didn’t help that his behavior in this one was considerably more offensive than the last episode. While Finn’s manipulative behavior was generally based off of ignorance and hormonal urges, this episode features him being purposely lying and deceitful, downright creepy, and virtually pathetic and useless in his environment. That being said, I initially hated this one. I couldn’t believe the way Finn’s character was bastardized, and it doesn’t help that the episode is a bit of an ear sore as well. The Lemongrabs are constantly shrieking throughout the entirety of this one, and while it’s helped the characters really make a unique identity in the past, it’s just downright unpleasant in this one. Yet, time has been good to Too Old. What I initially thought was an irritating expedition through Castle Lemongrab with some really unlikable moments with Finn, I now believe is a really intriguing cautionary tale of trying to relive the past. And with tons of little details sprinkled throughout the episode’s run, I actually think it’s a pretty brilliant allegory.

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Too Old mimics Too Young to a tee. Aside from its title, the episode uses the basic structure of Too Young’s individual moments to carry the plot and its motif along smoothly. Even the title card music is the exact same jingle that was heard during Too Young’s title sequence. Yet, this isn’t a sequel episode. A sequel, by definition is “a published, broadcast, or recorded work that continues the story or develops the theme of an earlier one.” Too Young, in contrast, was a mostly bright and colorful tale with silly jokes that revolved around the bittersweet relationship between Finn and PB. Too Old, however, focuses not on a bright and colorful story, or the sweeter elements between Finn and PB, but a dark and twisted tale of a creation gone corrupt and Finn at his absolute lowest. Let’s start with Lemongrab.

Lemongrab has certainly come a long way since his first appearance. Initially an ineffectual and goofy tyrant, Lemongrab has gone from having absolutely nothing to having practically everything that the Candy Kingdom possesses. Lemongrab has a proper kingdom with citizens, the company of a brother, and enough food to make for an absurdly overweight lemon. The one thing that Lemongrab didn’t consider when building his kingdom, however, was building a kingdom based out of love and care for his people. Lemongrab simply decided to create for the sake of creation. Fascinated with his own ability to make citizens, he continued to do so and caused his kingdom to become overpopulated. Now he simply has a plethora of candy citizens who he doesn’t even love or care about; he simply was interested in their creation, and by the time the next lemon person came along, he was already disinterested in the last. On top of that, his brother, who was once built to be his equal, was quickly distorted into his oppressor. The fatal flaw in the creation of Lemongrab 2 was believing that a second Lemongrab would help to round out the first. Yet, what PB didn’t realize, was that Lemongrab only believes in himself. If someone’s methods don’t line up exactly with his, they’re automatically deemed as oppressors of his beliefs and tactics. And, though the two Lemongrabs were built exactly the same, the first Lemongrab has much more life experience than the first. The first Lemongrab has been hardened by society and has grown to be bigoted against anything that goes beyond his own way, as he was virtually born into this world alone. Lemongrab 2 was never built to be alone; Lemongrab 2 always had his brother since the moment he was conceived, and doesn’t possess the selfishness and ego that his brother has developed.

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What this all boils down to, basically, is that Lemongrab believes he is finally greater (or at least up-to-par) with his creator. Having an array of servants, citizens, and entertainers, he finally feels like royalty. And this really shows during Lemongrab’s royal dinner. As PB and Finn arrive, a Lemon Person announces the arrival of the two, followed by a Lemon Person abruptly falling from a trapeze, alluding to Cinnamon Bun doing the same thing in Too Young. What seems like a brief, cute reference to the past episode is actually a pretty in depth look into Lemongrab’s psyche. This introduction of PB and Finn, as well as the trapeze act, is how Lemongrab believes people are supposed to be greeted in a sophisticated, upstanding kingdom. Cinnamon Bun’s entrance, was of course, based on his own bumbling stupidity, rather than an actual elaborate performance. This view of ignorance on how a kingdom is supposed to be run is ultimately what leads Lemongrab into absolute fascism.

Say what you want about PB’s own policies and treatment of her people, yet she puts her heart, blood, sweat, and tears into caring and loving for her people and giving them a serviceable living experience. Lemongrab, on the other hand, only cares about himself and his own way of living. He could care less about the other Lemon People and their own quality of life; he simply wants to create a luxurious living community for himself as a status of his importance. The only person he has an ounce of care for, aside from himself, is Princess Bubblegum, though this care is often combatted with hostility. I don’t believe for a second that Lemongrab invited PB over for her to see how much the kingdom has improved, but rather to one-up her and to show that he is now more dominant than his creator.

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Yet, Lemongrab’s kingdom is based on a single ruler’s mindset, rather than the success and individuality of others. Whether the Candy Kingdom contains truly unique and inspired Candy People or not, they do have their own sense of individualism and their own distinct mindsets. This is why, when we’re introduced to Badlemonnohope (nicknamed Lemonhope), his identity and mindset offer a much higher sense of individuality and character than anyone else in the Earldom. He chooses his own path and interests, which is why Lemongrab has deemed him as obsolete among the crowd of lemon people that surround him. The reason I’m explaining all of this in great detail is particularly because I think Lemongrab’s descent into pure tyranny is actually quite well-rounded. It derives from systematic inadequacy and a sense of inferiority toward his creator. Lemongrab simply believes that emulating a fictitious utopian society based on what he has seen can create a bustling and admirable community, though all of what he thinks makes up a thriving kingdom is a mere facsimile of the Candy Kingdom. And his insistence that PB was behind all of this, that she is at fault for his shortcomings, is simply an excuse at this point. While some of PB’s errors and flaws could be attributed to Lemongrab’s suffering in You Made Me, at this point, Lemongrab uses his creator as a mere scapegoat for his own flaws, marking a full transformation into villainy as opposed to a sympathetic anti-hero. Once again, his selfishness comes out when addressing PB by his balcony, “You try to steal my Lemonhope away?!” His possessiveness towards Lemonhope shows that Lemongrab merely thinks of him as property; a token to add to the completeness of his kingdom. And, despite all of Lemongrab’s monstrous actions, an almost completely devoured Lemongrab 2 professes his life experiences and what he’s learned through his encounters with his devious brother: that lemons should not squeeze other lemons to get by, but allow lemons to grow and flourish. A silly analogy, but one that shows that Castle Lemongrab isn’t completely devoid of empathy and hope. The lemon people, through their suffering, have learned to empathize as well, and continue to look on towards hope for the day they will be rescued. Though, one must also remember: the desires of the Lemon People still remain deeply selfish. They look for freedom of their own, yet depend on one very little boy to save an entire society of people. This comes in handy when taking a look at Lemonhope’s selfishness in his own star episode, which has gotten a lot of flack, but is considerably more understandable when looking at the sour nature of the Lemon People in general.

Whew, so that was Lemongrab’s portion, now let’s look at the horny teen at the center of it: Finn. After the events of Frost & Fire, Finn most likely was heartbroken and ashamed over the loss of his girlfriend. Having no one but himself to blame, Finn was left alone with nothing but his own guilt to bear. This is also a time where, as we’ve discussed, Finn has yet to even border emotional maturity. That’s why, instead of addressing the thing that he has done wrong and allowing time for himself to grieve, he turns to a comfortable source of endearment of whom he spent much simpler times with: Princess Bubblegum. Probably the most rewarding time that Finn has experienced in his youth did take place when Lemongrab usurped Prubs; spending the entire day pulling pranks and being childish with someone he cares for deeply was something that Finn truly cherished and enjoyed more than anything else. Finn longs for the simple days of being a child, when he didn’t have to deal with the tough trials of relationships, and when he could spend time with someone he remembers having terrific times with. What Finn hasn’t acknowledged is that times have changed since he last pulled a series of pranks on the cranky lemon man. Finn does not realize that he cannot simply escape from his issues using glamorized memories, and that the memories he has left behind cannot simply be recreated.

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This is where most of his jerkiness comes from; first, from his childish lie to Jake in order to spend time alone with Princess Bubblegum. People have targeted this one especially, though honestly, I wouldn’t be surprised if Finn held some hostility for Jake after contributing to the third occurrence of Flame Princess and Ice King’s fight in the past episode. Though it’s never addressed upfront, and his guilt most likely puts most of the blame on himself, I get the feeling that Finn is looking for a scapegoat to put blame on, much like Lemongrab, which leads him to targeting Jake. It’s mean on it’s own, but Finn’s insistent urge to manipulating PB proves that he hasn’t completely learned from his actions in the past episode, if at all. Finn simply wants to find a quick and easy way to feel good again, and selfishly does not consider the wellbeing of others in the process.

It’s interesting to note that Finn barely even reacts in relation to the Lemon-centric plot. It makes it somewhat ingeniously tied together in my eyes that these two character’s failure to recreate the past have virtually nothing to do with the other: Lemongrab could give less of a shit about Finn’s boner issues, and Finn doesn’t realize the severity of Lemongrab’s corrupt government. He’s still too young to look beyond situations as a fun and enticing adventure, which is why he weighs Lemongrab’s abusive, dictating nature as equal to the day when Lemongrab took over the kingdom. Finn doesn’t yet grasp political issues like this, and the first time he encountered such an issue, he attempted to solve it with pranks and gags. Naturally, he believes the same solution is in place, yet only through PB’s solemn words is he able to realize that exploding pudding isn’t going to save Castle Lemongrab. Finn wasn’t looking to save an entire kingdom; instead, he was looking to have a fun time with an old friend (or in this case, an old flame). Yet, growing up is realizing that life isn’t always a little boy game, and that sometimes there are dire consequences to deal with. Trying to pretend that the past can simply be emulated every time something bad happens is completely ineffectual, and Finn cannot ignore his shame and guilt forever.

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When looking at Finn that way, I think it is a lot more forgivable that, by the end of this one, he does at least learn something from his actions. We aren’t just treated to a barrage of insufferable Finn moments that have no real payoff for his character (as The Red Throne would later be guilty of), as these moments are all vital for giving Finn a reality check that is much needed. Aside from Jesse Moynihan, Steve Wolfhard and Tom Herpich seem to be the most ballsy in exploring the darker and more uncomfortable portions of Finn’s personality, and I really enjoy these expeditions. Even if Finn is somewhat of an uncharismatic dick, you really have to look at it from the perspective of a 15-year-old boy. That doesn’t automatically correlate to decent writing, yet I think Finn’s issue at hand is presented with meaning and purpose. Finn is a sweet kid who wants the best for everyone, but as life has taken a turn for him, he has put his emotional sensitivity behind him and simply wants to be numbed to his own errors. And the sad truth of the matter is that a lot of nice people in the world have been negatively altered by the circumstances of life, to the point where their behavior is completely unrecognizable from their past self. 

Of course, at the center of this is PB; the level-headed guardian who just can’t catch a break. I sympathize with her a lot in this one, though there isn’t a ton of focus on her perspective. Her own creation has become a legitimate monster, and tons of people are suffering because of it, while the one person she thought could lessen the burden of a stressful trip actually made things more complicated and difficult. The poor gal just wanted to get through an already expectedly painful dinner.

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The humor in this one is paper thin, though this is a part of the series where I care much less about how funny an episode is and rather how captivating it can tell a story in the course of 11 minutes. Though this episode does have its funny moments, especially within the little details. BMO continuously trying to get into the bath with Jake while he’s on the phone with Finn is adorable and hilarious, and I don’t think I’ll ever get over the fact that the lemon toilet is a fucking juicer. There’s no way that isn’t excruciating.

I think some of my initial criticisms still stand, as the constant screaming of every single line performed by the Lemongrabs can grate on me a bit, but I think there’s some really brilliant undertones to this one that help it skyrocket beyond my first impressions. Capturing the motif of change between two distinctly different characters is interesting enough, yet there’s so many layers to Lemongrab and Finn’s individual identities that I feel like there’s so much you can read into and enjoy upon multiple viewings. Is Finn a dick? Yes. But this is an episode where he needs to be a dick. I can’t imagine the episode and allegories within this one working as well if Finn was just depressed or ignoring his issues the entire time. These choices, while potentially detrimental to Finn’s character, really work to emphasize a dangerous lesson in life, and to show its viewers the consequences that come with it. Whether it be Lemongrab’s inability to comprehend what it means to be a true leader, or Finn’s neverending issues with ladies, this episode combines two of the series recurring themes and blends them together for one completely uncomfortable, yet fascinating journey. It’s one of my favorites of the second half of season five, and one of the most interesting depictions of Finn during the fallout of his relationship.

Favorite line: “… and you’ll never get yelled at. Unless you drink my soda from out of the fridge.”

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“You Made Me” Review

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Original Airdate: August 27, 2012

Written & Storyboarded by: Jesse Moynihan & Tom Herpich

The Earl of Lemongrab had potential to be the most disposable character after his debut in Too Young. He was an absurdist gag who was used as a humorous plot device, and outside of that, I didn’t really expect to see him again. When I heard he was returning in You Made Me, I was slightly nervous. One-shot comic relief characters typically are never as funny as they were in their first appearance, and to a degree, this episode arguably supports that idea. However, it also takes Lemongrab’s character in a very interesting direction in regards to his connection with PB. We’ve already gotten so many glorious in depth looks at PB’s character this season, and this is just another addition into an already solid collection. Season four really is the season of PB, y’all!

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The episode starts off silly enough with another peak at Peppermint Butler’s dark and twisted psyche, followed by a mildly humorous interaction between the boys and the Banana Guards. I find it interesting the BG’s are practically rebelling against PB in this sequence, it’d be the first of many instances where the Candy People disregard PB’s orders out of their own stupidity. This is when we’re reintroduced to the creepy lurker himself, Lemongrab. The entire meat of this episode is introduced once PB barges in, and that’s the connection between Bubblegum and Lemongrab in a mother-son scenario. Lemongrab was originally pitched to be PB’s uncle in his first appearance, which was scrapped before its development, but kind of shows as PB generally disregards his physical and emotional well being without even slightly holding back. Here, she’s generally more sympathetic and caring towards him, and their first interactions with each other really give us a more impactful concept of how their relationship actually is. PB isn’t some cynical tyrant making his life more difficult for the sake of her own sadistic gain, but a loving and caring mother who simply can’t empathize with or understand one of her children. It reflects her dialogue in Too Young, where she describes Lemongrab as her first experiment that “went wrong.” All of the Candy People were designed to be moderately simple-minded so they were able to enjoy life freely and have little bottling issues, yet Lemongrab was born with an imbalance that made him unable to experience life as the other Candy People. So, as Bonnie shouts out, “I don’t understand you, Lemongrab!” it isn’t out of anger or malice, but simply her failure to understand the Earl as easily and carefully as she is with her other candy citizens. Lemongrab seems to hold this against PB deeply, as his fears and sadness are something he directly blames on his creator and mother. It’s oftentimes troubled children will blame their parents for any psychological issues they’re experiencing, and it’s only emphasized by the fact that, here, PB literally created Lemongrab with her own two hands. So, it only makes sense that Lemongrab would blame the princess for every single thing wrong with him, including his inability to socialize and live life as carefree as the other citizens. I’m sure I’m just babbling about the obvious right now, but it’s all really interesting written out.

This inner conflict within Lemongrab’s psyche carries through the entirety of the episode, and he begins to sink deeper as he believes that he’ll never be able to conform, so he must change the views of others to better fit what he was made to do. This is where the Pup Gang comes in (based on a real group of kids who threw a basketball at Jesse Moynihan’s head, my apologizes, Moyns) a group of enjoyably juvenile children who simply want to earn cash to support their delinquent mothers. The Pup Gang’s strong demeanor and outlandishness simply aren’t fitting of Lemongrab’s perception of how society is supposed to be, so he decides that the only way to change their perspectives is through extreme means of conditioning. It’s a really big switch from what we’ve seen in his first appearance; he was originally a token buttmonkey and an ineffectual pain in the butt, but here, he’s a much bigger threat and even more sympathetic than before. Despite his insane means of punishment, he still is deeply troubled for the sole reason that he was made to think and act this way, even though PB didn’t intend for this to happen.

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In the same way, PB is also sympathetic. Despite her being the creator of Lemongrab and being unable to fulfill his needs the same way she is with her other people, I do enjoy how motherly she is with LG and how she simply tries to level with him instead of butting heads with his mannerisms and preferences. Even though her efforts to try to help him to see the light fail, she does so in such a genuine and passionate way that isn’t talking down to Lemongrab in the slightest, and it’s really nice to see that she does care for him. Even when she knows that other Candy citizens (though, are the Pup Gang actually Candy People? If so, what the hell are they?) are in danger, she still wants to try to help him, because, in her own words, he’s her responsibility. From a mother-son perspective, it really is done fantastically. We get to see both sides of the situation, and it never feels too one-sided. Both characters have their flaws, which are demonstrated individually in a very fascinating way. “Raising” a child can be mentally taxing for both the mother and the child.

Entering Castle Lemongrab is where we do get to view sad symbolism into Lemongrab’s life, including the fact that he owns empty catcher’s mitts, a sign that he does want to relate to “normal” civilians, but has never found someone he’s able to relate to enough, or even accept into his life, that he’s willing to do so with. The turmoil within LG unleashes when PB enters his reconditioning chamber and pleads with him to stop. Lemongrab argues with PB, “You’re the one who made me this way, how can yoooou help??” It’s clear that his fear to change also stems from the fact that he was born with terrible fears and suffering, meaning that allowing PB to help him could result in only more problems and difficulties in his own life. He isn’t willing to risk that, and instead wants PB to feel and think exactly how he does.

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And I guess I can’t write this review without taking a deeper look into why Finn took the blow for Bubblegum at the hands of LG’s sound-sword. I think it can be looked at two ways: 1. Finn is heroic and willing to take a bullet for those around him, and I think that goes without saying. 2. He still loves PB. Not that he’s still in love with PB, but he still deeply cares for her and his feelings for her will never go away completely. Though he’s willing to do the same for others, Finn really would take a bullet for PB without question, as someone he cares about, serves, and respects greatly. I think this interpretation is much more interesting to me, because even after we get an episode like Burning Low that highlights Finn’s changing feelings and moving past his infatuation with Bubblegum, he still thinks very highly of her and would never let something terrible happen to her. It’s a moment I think could really put shippers in a tizzy, but honestly, I think it was just a nice moment showcasing that Finn still deeply cares for Peebles, and I’m glad they never really added any more attention to it.

The ending is the perfect solution to Lemongrab’s issues (for now, that is…) as he meets his new brother: Lemongrab 2. It’s a sweet and funny ending that once again highlights PB’s compassion; I’m sure there may have been a way for Bubblegum to simply change Lemongrab’s mind chemistry to think and act more like the other Candy People, but it’s clear that, despite his erratic behavior, PB does care and respect Lemongrab for the way he is and wants him to be comfortable in his own skin. The Lemongrabs get acquainted by humorously poking each other over and over and bid their new friendly guests farewell, in perfect Lemongrab fashion.

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I don’t think Lemongrab was that funny in particular in this one, but I don’t think he really needed to be. He’s transformed from a one-time gag into a legitimately compelling and interesting character, and I think that’s much more effective. At times, the screaming can get a bit tiring, but I think that’s something to expect from any Lemongrab episode. I actually think the Candy People were pretty funny in this one. I liked the stuff going on with the Banana Guards, Mr. Cupcake brutally breaking his own arm to get out of residing in Castle Lemongrab, and the Pup Gang are a very delightful addition to the tertiary cast. Also, I thought PB’s hair was somewhat of a funny sight gag for some reason. Her hairstyle was based off of a dutch crown, which I’ve seen in person before, but it just kind of looks wonky in most scenes here. A nice unintentional bit of humor for me. As for scenery, Castle Lemongrab is a very intentionally ugly looking landscape. The yellows, greens, and beiges make it a real eyesore, but always feel appropriately fucked up for the kind of place Castle Lemongrab is supposed to be.

Overall, this episode’s real interesting to me. I love the dynamic between Lemongrab and Princess Bubblegum, and how far they’re willing to stretch Lemongrab’s dysfunctionality. I’ve mentioned many times already, including in the beginning of this review, but the development for PB lately is fantastic. She’s gone from one of the weakest main characters to one of the most interesting and a personal fave for myself. Thank you, season four.

Favorite line: “We want the big cash money wad! Enough to provide for our delinquent mothers, so that hopefully they’ll show us the love we always dreamed about in our sad, young lives!”

“Lady & Peebles” Review

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Original Airdate: August 20, 2012

Written & Storyboarded by: Cole Sanchez & Rebecca Sugar

Lady Rainicorn and Princess Bubblegum’s relationship is one that always baffles me. In the original series pitch bible for Adventure Time, the friendship between PB and LR is really exaggerated to the point where it includes “when she [Lady Rainicorn] wakes up and doesn’t see Princess Bubblegum, she’ll dash around the castle grounds gaily searching for her mistress.” While the pitch bible isn’t necessarily the most factual piece of reference for AT’s current status, it still was insinuated in the very early days of the show that these two were supposed to be close pals – hell, PB’s even riding on top of Lady in the opening theme. Besides that, we get a few instances of the two together, namely in the pilot and What Have You Done? and… yeah that’s about it. Weird that we’re supposed to believe these two are close companions when the show has never suggested otherwise, until this particular episode. It’s nothing particularly telling of the friendship between the two, but it does give us some insight into two of Adventure Time’s most prominent female leads.

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The beginning starts off as a compelling, tension filled bit of expository information regarding Finn and Jake’s disappearance. It’s enlightened by Bubblegum’s goofy behavior which is always refreshing; I enjoy how she can go from a very stern and solemn ruler to somehow who is just as wacky and unusual as the rest of the cast of AT. The tenseness comes from Lady’s perspective, and, while a good majority of us have no idea what she’s saying, Niki Yang delivers it so eloquently and in such a sincere tone that it keeps my attention despite the fact that I can’t understand Korean. I feel like I’m watching a weighty foreign dub throughout this scene, and despite the fact that it feels heavy and serious, it’s once again lessened by PB’s totally genuine, yet sarcastic reactions to Lady’s monologue. You can tell she’s taking every word LR says seriously, but she does so in such a hammy and amplified way that is then followed by such a minuscule response that it just cracks me up. I love any depictions of PB’s character, but goofy PB really just rubs me the right way. Also, I’ve never mentioned it before, but the way Lady communicates with others is done so in such a non-pandering way. Most English-speaking viewers won’t be able to understand her, but they don’t go the unnatural route of having every character that interacts with her respond to her with “what do you mean you feel [this way] because of [this]?” There’s no spoon feeding with the writers trying to make us understand every single thing Lady says or feels, and we’re just generally supposed to accept this based on the way she emotes and her tone, which is so much more effective than having an English-speaking character repeat every single thing she says. It would defeat the point of having a Korean-speaking character to begin with.

In my somewhat scathing review of King Worm, I mentioned that the slow pacing of the episode was what really brought it down, and this episode takes its sweet time with the entire middle section as well. The only difference to me is that it actually works to strengthen the episode a great deal. The entire expedition through the black ice cave is remarkable, once again showing off the terrific backgrounds (BGs have been on point this season!) equipped with an ominous atmosphere to really drive the tension and mystery even further. Lady & Peebles embraces the quieter and more subdued moments to make a very convincingly unnerving atmosphere, and also helps make the action sequences more impactful. The action sequences themselves aren’t anything special, though the girls do face some visually interesting foes, from hand beasts to a giant tongue. These battles really show off how Lady and PB deal with physical combat: PB is equipped with her typical scientific technology, while Lady herself seems to be somewhat of a pacifist. Lady’s strengths seem much more on a moral and virtuous level rather than her own physicality. She’s evasive and defensive with her own skills, such as her tactic of phasing through walls and ability of flight, though I think it’s tough to picture Lady being someone who would throw punches, especially with her condition that’s revealed later on.

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The real icing on the cake is the reveal that Ricardio was behind Finn and Jake’s disappearances, however. I wasn’t too big on Ricardio or the episode he debuted in, for that matter, but by God, Sugar did her damnedest to make his return as chilling and uncomfortable as possible, and boy, does it work. They’ve somehow managed to make him seem even creepier and more grotesque than his first appearance, and added a layer of body horror with his loosely connected limbs. And for the first time, he does feel like a legitimate threat. I think the brief scene of him breaking Ice King’s bones was totally wince-worthy, and this time, he’s an actual adversary to Finn and Jake. Despite being easily beaten the first time, Ricardio had the upperhand by poisoning the boys with zanoits (something he and Bubblegum both shared a fond interest of in Ricardio the Heart Guy). It makes for a nice role reversal that Finn and Jake are now the ones who are in danger and PB has to be the one that saves them, and really shows how far she has come since the beginning of the series as a character.

After an unnervingly blatant moment of Ricardio making sexual advances towards the princess, Bubblegum is able to face off with him in a very simple, yet effective takedown. Sugar herself said it was really rewarding to include a scene where Peebles is able to engage in hand-to-hand combat without any of her weapons, and yeah, it’s pretty awesome to watch. It doesn’t feel out of character or like a manipulative tactic from the series to highlight feminism, but instead a great spotlight chance to showcase PB’s true strengths: her role as an intellectual. She isn’t able to defeat Ricardio specifically because she’s really buff or fierce, but because she identifies factually that Ricardio is simply not built as a stable living creature. She denotes this by saying, “I know a thing or two about building a body out of biomass,” which could both refer to herself, as well as her people. Bubblegum can easily identify strengths and weaknesses within living creatures simply because she built herself and her people from scratch. She can use her knowledge to help create life on all layers of the earth, or destroy any artificial being in a matter of seconds if need be. It’s a moment that really had me fully invested in PB as a character. Season four is really her first shining season in my eyes, and this particular battle had me cheering her on and just acknowledging how fucking badass she is by the end of it. It’s an excellent bit of growth for what was originally a damsel-esque character, and it’s terrific to see how far she has come from that stereotype.

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So with that, Finn, Jake, and Ice King are saved, Ricardio is defeated, and everything returns to normal… that is, besides the fact that Lady reveals to Jake that she’s pregnant. I love how this bit is handled, too. With Lady’s tears and general tone, it seems like she and Jake had no plans or desires to have children just yet, and Jake’s humorous closing remark suggests that as well. Despite the fact that the two end up loving their children, it’s clear that they’re a couple that wanted to play things safe and casually for the time being. And how ballsy is it that an unmarried couple are having children on a kid’s show? Pen Ward mentioned in the commentary that the original pitch was to have Jake and Lady break up, due to the stress that Lady endures when Jake goes on adventures, I’m so glad they didn’t go that route. It would’ve been incredibly melodramatic and pointless for a couple as laidback and caring as Jake and Lady to break up, especially given Lady’s devoted and unconditional love for her boyfriend. The pregnancy reveal honestly strengthens the episode for me as well. I love the little bits of foreshadowing, such as the heart monitor reading seven heart signatures instead of two. It also increases the impact of some scenes much more – I feel legitimately sick to my stomach every time I watch Ricardio tie Lady’s body in a knot. I know that aspect never comes into fruition (a lot of people argue Jake Jr.’s face is a birth defect, but that theory has been officially debunked) but it’s still very gruesome to watch a pregnant woman abused in such a way.

I enjoy this one, primarily because it does spotlight these two characters who are rarely seen together, yet feels so genuine and powerful. I don’t think there’s a single other time in the series where PB and Lady are seen together, yet, this episode does such a terrific job of building the unseen connection between them that I never have a hard time believing they are close friends. It also adds layers onto their individual characters, and leaves us wanting more from each of these gals. It’s both honest and telling for both PB and Lady, and adds excitement for the future of their respective character arcs.

Favorite line: “Then, I’ll use my Ball Blam Burglerber!”

“Goliad” Review

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Original Airdate: June 4, 2012

Written & Storyboarded by: Tom Herpich & Skyler Page

Princess Bubblegum has easily become one of the show’s most fleshed out characters by the ninth season of AT, and the past three seasons would have almost never suggest that. Not to say she’s poorly written, but she appears to be just your standard, charming princess character. Her relationship with Finn was one the stronger facets of her arc, but once that came to a halt in Incendium, I became legitimately concerned for PB’s character. I really wondered just what the hell they were going to do with her from that point on, but Goliad depicts a new side of her personality that becomes pretty consistent with each passing episode.

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Love this opening boarded by Skyler Page.

PB’s encounter with the Lich certainly had a lasting bit of trauma on her life, and we get to see the outcome from those circumstances in great detail, as we view her stress and anxieties in regards to her kingdom surrounding her. Goliad actively sets in motion a more detached and morally ambiguous PB, as she begins to stop at nothing when it comes to protecting the Candy Kingdom and its civilians. It does this so well that I almost have little to no trouble accepting that the Bubblegum we watched from the past couple seasons was simply less stressed and facing fewer issues, while the unleashing of the Lich opened up new dangerous possibilities for the future that PB just simply isn’t ready to handle. The Candy People are super dumb, and without a ruler, they’d be lost.

Which leads to the creation of Goliad! A cute little sociopath that’s built with PB’s DNA. As we delve a bit deeper into Bubblegum’s issues and fears, it becomes clear why Goliad becomes the way that she is: Goliad and PB are both easily influenced by their surroundings. The reason Bubs created Goliad in the first place was because her near death experience and the unleashing of evil onto Ooo lead her to take matters into her own hands based on what she had learned to protect her kingdom. Goliad is exactly the same: filled with huge brains to absorb knowledge, she simply picks up on nihilistic behavior and methods of being a tyrannical leader. Holding her beliefs close to her based on her own experiences, Goliad thinks that the only way to properly run a kingdom is to take it into her own hands, believing that it’s the only way to save her kingdom. The parallels between the two characters really fascinates me, and introduces a bit of PB’s subconscious that she may not even be aware of: the way she is influenced by unorthodox methods.

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Goliad herself is both adorable and extremely creepy. I love the very progressive transition between innocent and psychotic, and her voice actor Wendy Linehan (whose brother Henry actually also voices Stormo in this episode) does a perfect job of balancing between the two. The way Finn and Jake act as her mediators is also great. I enjoy Jake’s generally well-intentioned behavior that goes awry when his buttons are pushed, but it’s pretty funny that he’s the direct reason Goliad went berserk to begin with. I also like the way Goliad and the boys interact with each other. There’s several points that Goliad makes that clearly show off her sociopathic behavior, but the way she elegantly and structurally explains herself makes even Finn question if having full control over other people is correct or not. It’s also interesting to see Goliad’s points that seem almost like they’re straight out of a psychological thriller. The bee scene particularly really rubs me the wrong way, and it’s fascinating to see just how dictatorial her view of leadership has developed.

The climax in particular is a really heart-racing, intense sequence. The bit where Goliad telekinetically forces the Candy People into Jake’s mouth and body crevices had me legitimately stressed out the first time I saw it. I really thought he was gonna swallow one of those suckers! The scene where Goliad tries to read Finn’s mind is both humorous and taxing, it really feels like an accurate depiction of someone trying not to think about something. Trying to do so will only make one do the very opposite, unless they try to suppress it as much as Finn attempted to, leading to some really funny thought sequences. And the return of the Buff Baby song, which I’ve never been a fan of, but it was pretty funny to see it back once again.

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The introduction of Stormo as a lifetime opponent for Goliad is a clever solution to the issue, and the concept that he was born from Finn, who is inherently good, is a pretty nice conclusive piece of information as well. I’d really like if Stormo and Goliad were brought back one more time for a final showdown, but with only so many episodes left, I’m not sure we’re ever going to get a definitive winner of their battle.

This is one of my favorites of season four. A really terrific psychological episode that’s pretty compelling from beginning to end. This is actually one that Herpich pitched himself, and I think that Skyler Page and himself did a damn fine job of making it thoroughly captivating and enjoyable. Most of all, it feels like the full-fledged introduction to an era of really in depth and riveting looks at PB’s character. We’ll get a couple more of those this season, but I think this one is the best one out of the others.

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Favorite line: “Haven’t slept for a solid 83 hours, but… yeah, I’m good.”

“Incendium” Review

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One of my favorite title cards. Finn’s turmoil is so wonderfully represented.

Original Airdate: February 13, 2012

Written & Storyboarded by: Adam Muto & Rebecca Sugar

Incendium is significant because it was the point where I became completely and utterly invested in Adventure Time. There were points prior such as Mortal Recoil, Thank You, and Holly Jolly Secrets where I grew even fonder of the series, but Incendium was the episode where I decided there was absolutely no turning back. I was in it for the long haul from this point on, and prepared for where ever the series would take me next. As you can tell, this is one of my favorites. It’s not one of the funniest or even most dramatic episodes, but this is a direct transition into a new era of AT, and one that doesn’t hold back with its raw emotion, introduction of new characters, and growth from the past three seasons. This is it people: Finn’s most notable entrance into adolescence.

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The concept of this episode came from the writers no longer being able to incorporate Finn’s love interest for PB into compelling stories. Wizard Battle was an episode that proved this relationship to be a bit burnt out in its direction, and one that I was getting dreadfully bored of myself. The beginning of this episode wastes no time by displaying the truth behind how infatuations typically tend to start out as innocent and charming and eventually transition into creepy and desperate. Finn’s behavior can surely be seen as that, though without his intention to be so, and Bubblegum’s response is equally appropriate. It’s a moment that runs so quickly and contains little dialogue, but one that I think is especially well done. It doesn’t focus on making either character unlikable for the sake of the plot, and follows a realistic direction in which the situation was likely to follow. It’s a really impactful, driving moment for Finn to be straight up turned down, something we really haven’t gotten to see yet. It’s also a bit of the least teasing PB’s behavior has ever been; it seems her intentions to show Finn her new invention were strictly out of leisure and companionship, and her personal space being briefly invaded was what turned her off from what was genuinely supposed to be a simple picnic with friends.

That being said, it’s still one of the most emotional Goddamn scenes in the series to see Finn so drastically torn up. Sure, he’s still a child, and we all know those random teenage love interests never meant anything. But they still stung, dammit! This sequence is complete with one of my favorite Sugar songs, All Gummed Up Inside. Not only are the lyrics a perfect example of a character releasing his/her feelings through song, the combination between the pacing of BMO’s video game in the background and the ukulele chords are just beautiful. It’s really one of the most creatively timed tunes in the series, and one that I constantly find myself revisiting. In addition to the song, the visuals during it are equally as heartwrenching. Sugar outdoes herself with really somber depictions of AT’s characters, and the looks of hopelessness on Finn, Jake, and BMO’s faces are really terrifically drawn. It’s a very powerful moment that fits so much emotion into such a short sequence of time. Also love the callback to Finn clutching that wad of Bubblegum’s hair (although, I gotta wonder where he got those pictures of PB. It’s not even like it’s a picture of him and Peebles hanging out, it’s like, a fucking headshot. Did she just randomly give him a bunch of those?),

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A good remainder of the episode is kept mostly light with a really enjoyable and heartfelt story of Jake trying to find a new woman for his best friend. There’s a lot of really amusing moments from this point on: the reintroduction of Flambo, who, as I’ve mentioned before, is one of my favorite secondary characters in the series. I don’t know what it is about him, I just love his general demeanor and random Brooklyn accent. The interactions between him and Jake are really great; love the laidback way they’re able to just shoot the shit, followed by the always hilarious flame shield incantation (“I cast flame shield on ya’s… also I spat on ya’s!”).

Outside of Thank You, this is the first major appearance of the Fire Kingdom, and it looks dope. Love the various orange, red, yellow, and browns that make up the kingdom, and the contrast of Jake’s blue that really helps him to stick out among the crowds of Fire People and their surroundings. There’s also the introduction of another one of my favorite side characters, Flame King, and the entrance of a brand new major player herself, Flame Princess. This is probably Flame King’s strongest appearance in the series. His voice, provided by Keith David, hits all the right points of intimidation and dry wit. I love the way him and Jake work off of each other, and the various tasks Jake must go through that really are very pointless in hindsight. There’s also the crowd of Fire People that honestly crack me up. The way they just mindlessly repeat everything (a very satirical homage to other TV shows and movies that involve royalty) is always worth a dumb laugh or two from me. The way Jake reprises Finn’s song is really delightful; it’s not quite as catchy or powerful, but I love the way Jake is able to take something so heavy and emotional and reboot it into something more calming and delightful, typically showcasing his best abilities.

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It’s also a bit of a sad scene to watch Jake so disappointed of his failure as he softly apologizes to Finn’s hologram. It’s a moment that also displays another emotional strength of the series: the way the characters are able to so strongly empathize with each other. You can tell that Finn’s inability to reciprocate PB’s love is affecting Jake just as much, and that he’d do anything to help out his brother during his time of need. Which leads to one of the most confusing parts of the episode: Jake’s Finn mimic choking himself. I’m not sure if this was Jake getting way too in character, or if it was an elaborate plan by himself all along, but it just feels a bit aimless to me. Not sure how he knew it would work if it was the latter, and not sure why he would do it to begin with if it was the former.

The third act closes out with some of the strongest raw material of the episode, as Finn begins his fueled rampage and unleashes all of his negative inner feelings. It only last for a brief amount of time, and he’s able to step back once he notices the injured princess, allowing for some nice symbolism with Finn using a piece of Bubblegum to save Flame Princess, and then completely leaving that piece of PB behind. Flame Princess’s character isn’t that well-developed in this one, but the ending does leave a bit of intrigue that we haven’t seen from the show before: someone who is less emotionally mature than Finn. FP is completely bonkers when it comes to controlling her inner feelings, and for the longest time, Finn has had to combat his inferiority when it comes to those more mature than him. This may be where his immediate interest in the princess comes from, and it’s an interesting realization that disregards Finn’s entire romantic past up to this point. Everything changed when the fire nation attacked.

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So yeah, I love this one. It just has such an exciting feel to it, and despite it not having any big battles or giant cliffhangers like other season finales do, this one is simply an important transition into the later seasons of Adventure Time, leaving some old, worn out relationships in the past along with it. It’s a really fun exploration of Finn’s new potential love interest, and one that would forever change his life and future ahead of him. It’s a lovely bit of emotion mixed with amusing gags that I really never get tired of. Shoutout to Rebecca Sugar and Adam Muto for ending their board partnership together with a bang! Surely one of my all-time favorites.

That’s the end of season three, folks! Like always, I’d like to thank anyone who’s been keeping up with the blog and sharing your lovely thoughts with each new post. I really enjoy all the feedback I get with this blog, and it makes the entire experience more rewarding. The season three review should be out later this week, along with a bit of a surprise mini-review that I’m sure most of you weren’t expecting. But, besides that, I’ll be back with Hot to the Touch very shortly!

Favorite line: “If anyone tries to hurt Finn, I will kill them!”

“From Bad to Worse” Review

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Original Airdate: October 24, 2011

Written & Storyboarded by: Somvilay Xayaphone & Kent Osborne

I always sort of look at From Bad to Worse as a lesser The Creeps. Both possess a large horror theme and feature a set of major characters working together. In addition, both are quasi-sequels to past episodes. This episode is a follow-up to the very first episode Slumber Party Panic, and while this one is definitely more cohesive and enjoyable than the episode it’s based around, I think it squanders a bit of its potential by struggling to work in good humor and character interactions in its execution.

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The episode essentially lives up to its title by being exactly what it promises: situations going from bad to horribly wrong. While I do like some of the transitions the zombies go through, especially LSP’s luscious lip formula, I think the show could’ve been funnier and more creative with the way these zombies transform. Even the characters, who are the ones that create these potions that end up fucking things up are just sort of there to observe everything. I’ve always believed that disbelief and confusion can be two of the funniest reactions to watch in any TV show, and I really think From Bad to Worse could’ve worked in some stronger ways for the characters to react to the insanity going on around them.

Somvilay really pushed the bar with just how many dynamic shots he could include in this episode, and it really shows. Somvilay can have some of the funniest anti-joke oriented episodes when he puts his heart in it, and I think that, while it’s a very distinct type of humor he tried to incorporate, it just doesn’t work aesthetically with the episode. There’s very long sequences of the characters mixing different juices and potions and it just feels… dry. There’s tons of unique and nice looking shots, but they just aren’t outrageous, in depth, or even funny enough to keep my attention. Somvilay’s one of the most ambitious storyboard artists on Adventure Time, but there are times when he can get a bit too carried away with forms of anti-humor that the episode ends up being just that: humorless.

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Now, that’s not to say this episode is really that bad though. It’s a very fast-paced episode, and while it’s not a particularly funny one, it’s still relatively enjoyable from beginning to end. I do really like the frantic speed and the urgency of the situation. Although The Creeps was primarily a horror-themed episode, the circumstances didn’t seem to have a feeling of dire consequences till the last third, while this episode has a sense of dread throughout its entirety. There are some nice bits, like Jake trying to outrun his arm and being turned into a zombie. That entire scene is both humorous and creates a large feeling of tension, and man, you really do sympathize with Jake. His actions in particular are just really considerate; he doesn’t freak out or want any of his friends to worry about him, and quarantines himself for the safety of others. It really shows Jake at his best. He isn’t always as morally centered as Finn in his actions, but Jake is firm in his belief to not let anyone worry about him, and to protect those he cares about most.

In addition, while I don’t think Somvilay’s drawings make for some very funny scenes, they are really visually interesting to gawk at. Somvilay really knows how to make shots dynamic without them seeming too off-model or distorted, and the way he incorporates both the ceiling and the floor in several shots make the episode seem much more aesthetically pleasing on some levels. There’s also a longshot where Finn slides through PB’s lab on a task chair through a bunch of the Candy zombies and it just looks so freakin’ cool. Kent and Somvilay really mesh well when it comes to well-crafted intriguing shots.

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I could kinda see the ending coming from a mile away. I don’t mean to sound like a stuck-up little snob when I say that, but the minute I saw Science and remembered PB’s line, I was all “yeah, Science is totally her rat.” But whatevs, it was a cute ending and it wasn’t a twist that deserved to be completely ambiguous. I especially enjoy Science using “knife juice” in his concoction. I wonder how one even gets to acquire knife juice. The solution with Finn dousing himself in the serum was very clever, and the award ceremony at the end was equally amusing. Although, I call bullshit on Finn not getting an award. The little guy sacrificed himself to save the Candy People. All Science did was comically shrug!

So yeah, this isn’t really a great one in my book. I think there could’ve been a lot more jokes and funny character interactions, but for what it is, it’s a mildly enjoyable bit of frantic terror that compellingly keeps the viewer’s attention all the way through. A bit odd that we got The Creeps and From Bad to Worse back-to-back; I know they both aired during the Halloween season, but I’m wondering if they were purposely next to each other in production order. While both episodes are good at conveying this genre in their own merits, the best horror-themed episode of season three is yet to come.

Favorite line: “Sorry, LSP, PB, Jake, LR, peepee poopoo doodoo.”

“The Creeps” Review

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Original Airdate: October 17, 2011

Written & Storyboarded by: Ako Castuera & Jesse Moynihan

From the premise alone, you’d think The Creeps was a cheap imitation of the season two episode Mystery Train. However, The Creeps cleverly acknowledges its recycling and even pays homage to Mystery Train, in an execution that makes this episode stand out on top in my book. It’s much more diverse in its cast of characters, and even leaves us wanting a bit more by the end.

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The atmosphere in general in this one is much more desolate. Whereas Mystery Train was pretty much straightforward comedy, The Creeps adds a bit of a horror element to it, increasing the tension behind the murder mystery and the gang’s surroundings. There’s generally a lot of nightmare fuel within this episode as well, with PB melting, BMO’s face being ripped off, Cinnamon Bun’s eye drooping into BMO’s body… it’s all pretty nasty. It makes me really wonder why Jake goes through great lengths to potentially traumatize his younger brother. But hey, he’s thirteen. The kid can handle it.

I also like how the culprit of this episode isn’t really clear. The conductor of the mystery train was pretty obviously Jake to me, but here, I was kinda second guessing myself a lot. It bounces back from Finn, to Jake, to Finn, to some sort of outside force. It’s a twist that I really didn’t see coming, and the fast, thrilling pace of the episode leave little time for you to even have time to think about it. Jake puts on a damn good front as well. His blatant acknowledgement of the fact that they had already done a murder mystery before, his ability to get everyone else in on it, and even small details, like the fact that he was disappointed with his nickname “Randy Butternubs”. He was totally the one who picked out those names!

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In addition, I really love the cast of characters they chose for this episode. It’s an interesting choice of people, but they all work off of each other really well. Some great exchanges in this one, from CB trying to flirt with Lumpy Space Princess, LSP’s melodramatic monologue regarding her ex-boyfriend Brad, Finn’s infatuation for PB allowing him to remember something as insignificant as what he wrote on her birthday card two years prior, and the constant distrust Jake shares towards Finn a majority of the episode. It’s rare we ever get to see a group of characters like these interact with each other, and I really think that adds to the episode tremendously. This could’ve been a completely self-contained murder mystery, but the way each character attributes their own unique presence makes the entire experience much more enjoyable. There’s also one of my favorite BMO lines:

When bad things happen, I know you want to believe they are a joke. But sometimes, life is scary, and dark. That is why we must find the light.

The fun part about it is that it isn’t even supposed to be taken completely seriously based on the circumstances, as BMO was just looking around for a light switch. It works entirely as a beautifully out-of-nowhere bit of poignancy that you wouldn’t necessarily expect from a mostly comedic episode. I do have one gripe with this scene in general though: isn’t BMO in on Jake’s plan? Why would the two of them be talking about something scary and dangerous happening if they know exactly what’s going on? Perhaps BMO wasn’t in on the plan till later on? I dunno, it’s pretty much just an afterthought.

This episode also introduces the ghost from the mansion, which will later have a much bigger role later on. For now, she’s simply locked in Finn’s vault, where he hides all of the traumatizing material he experiences. Maybe it makes sense that Finn’s so unaffected by his friends dying grotesquely around him. He can just simply lock it away anytime he wishes. I do really love the way they carry out the ghost scene by treating it as one little glimpse of information to chew on while the conclusion sets in. Finn’s experience of almost dying via train the last time Jake pulled this stunt was a scary thought, but even scarier for Finn is something he can’t entirely understand or even believe before his own eyes.

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A very minor thing, but I also really love the attention to detail with the outfits in this episode. Ako designed a majority of the masks and costumes, and it treats the characters like visual candy (as I frequently say on this blog, no pun intended) by diverting from the standard models. It’s rare we ever get to see Jake, LSP, or Cinnamon Bun fully clothes, and even more interesting is the fact that when Jake stretches, his clothes stretch with him. Not sure if I should consider that an error or a fun visual gag. It can be two things.

Overall, I like this one a lot. It really does a lot with the murder mystery story and uses it to its greatest advantage, something it’s predecessor, Mystery Train, did not. It’s jam packed full of fun jokes, including the false personas of each character (Duchess Gummybuns and Guy Farting being two of my favorites) and its creepy atmosphere keeps me coming back for more. This is certainly one that isn’t getting locked up in the vault anytime soon.

Favorite line: “난 제이크랑 항상 한 몸이 되는데. (Jake and I merge our bodies all the time.)”