Original Airdate: December 17, 2017
Written & Storyboarded by: Graham Falk & Adam Muto
Alrighty guys, let me take a quick moment to break down all of the Hunson Abadeer centric episodes for you consideration:
- It Came From the Nightosphere – Hunson Abadeer’s introduction. Marceline resents him for being a shitty guy, but comes to terms with him by the end of it when he shows that he does care.
- Daddy’s Little Monster – Hunson controls Marceline to be more in his image, but Marceline breaks free and continues to resent him. She comes to terms with him by the end of it, however, when he shows that he does care.
- Marcy & Hunson – Hunson returns to Ooo to visit a less-than-excited Marceline, who still resents him. However, she comes to terms with him by the end of it when he shows that he does care.
… Does… does any of this sound familiar? I get the whole point of Hunson’s character is essentially that he is a shitty person who’s trying to maintain a relationship with his morally conscious daughter, but I’m kind of just amazed at the fact that, on his third episode, after years and years of being absent, nothing new was done with his character. And this isn’t a knock at the past entries that focused on Hunson’s neglect – It Came From the Nightosphere is a largely groundbreaking entry that introduced a lot of the modern day storytelling that made Adventure Time such a success and Daddy’s Little Monster was a successful follow-up to Hunson’s battle between being intrinsically evil and just a half-decent dad. Marcy & Hunson is a reiteration of both of these stories without adding anything new, and in fact, removing a lot of what made Hunson unique in the first place.
I do like the opening of this episode, primarily due to Peppermint Butler’s sweet inclusion. Though I find it somewhat odd – I guess I always pictured Peppermint Butler and Hunson as tight friends, but it’s treated as if PepBut more or less is just an acquaintance somehow. I’m not really sure I get a strong understanding of their connection either way. I always enjoy how fully committed and controlled Peppermint Butler is in terms of his experimenting with the dark arts. His fascination and involvement with anything less kosher almost never impedes on his ultimate good-natured self and loyalty. I’m not even lying when I say that the show has really built him up to be one of the most complex they’ve ever churned out. I know he’s primarily a side character, but I really love how arguably one of the darkest characters in the series is also one of the most genuine and caring towards our main cast. In this opening scene, we’re also introduced to Finn’s newest sword, the Nightmare Sword, which never really gets a chance to shine as the series draws closer to an ending. We also get to see Finn so shocked with Hunson Abadeer’s return, that he regenerates his right arm for a quick second! I guess being shocking and growing back an arm is potentially better than being horny and growing back an arm.
Following Gumbald’s big reveal back in Seventeen, this episode features a major role for Chicle. Chicle is probably the least “important” of the Bubblegum family, but he is probably the most entertaining, sporting some decent one-liners here and there. Though, I ultimately don’t really think his presence is particularly necessary in this episode. The events that go down probably could have still occurred even without his inclusion. And even then, he kind of just stirs the pot instead of actually seeming like a threat. Sure, he encourages the ghosts to go after Marceline and Hunson, but were they actually going to straight up kill them? Doubtful. Then he throws a peanut at Peppermint Butler, which has way more of an effect on Pepbut than it logically should. Overall though, Chicle’s goofiness tops the overly hammy repertoire of Gumbald and the perplexing nature of Aunt Lolly.
I think it says something about the quality of Marcy & Hunson when Hunson is kind of the worst part of it. I’d even argue that his character is relatively butchered in this entry. What made Hunson so great in It Came From the Nightosphere and, to a lesser extent, Daddy’s Little Monster is that he was genuinely intimidating. He was animated humorously and had his campier moments, but he could and would snap in an instance into a cold-blooded demon. Here, he’s just a big fuckin’ goofball that likes to get up in Marceline’s business and blatantly disregards her own well-being. The whole bit where he decides he’s going to sleep in Marceline’s bed and that she can take the air mattress is a total Martin move. This entire episode feels like Graham Falk and Adam Muto want to be writing for Martin, but are writing for Hunson instead. In his first three featured episodes, and even in the Adventure Time Encyclopaedia, you get the idea that Hunson is this really dignified and classy dude, and that there’s a reason he’s head honcho in the Nightosphere. Marcy & Hunson throws all of that out the window and just chooses the easier option of making him as pathetic as possible.
But hey, if you didn’t come for the connection between Hunson and Marceline, that’s okay, because there’s a shit-ton of Bubbline moments to hold you over!!! Marceline wearing Bubblegum’s sweater from Stakes?? Finn not knowing how to answer Hunson’s question about whether Marceline is in a relationship?? Marceline singing a song called Slow Dance With You with Hyden Walch providing the background vocals?? OH MAN, THIS IS WHAT WE CAME FOR, FOLKS!
In actuality, these moments are fine and I don’t want to sound pessimistic about a relationship that clearly means a lot to a mass of people who watch Adventure Time. BUT, it really does bum me out how Bubbline has practically become the only draw for Marceline’s character at this point. From Stakes onward, there isn’t a single episode focusing on Marceline that doesn’t somehow shoehorn in her relationship with Bubblegum for the sake of fanservice. And I’m not saying that these moments are necessarily poorly done, but Marcy just feels so hollow and reliant on other characters that I feel like I barely know who she is anymore. She used to be this really cool, fun character, but now she feels like a puppet being used solely for the purpose of giving fans what they want. Which is fine, but not when those moments completely overshadow everything else in the episode. I mean, does anyone actually talk about the connection between Marceline and her father in Marcy & Hunson? No! The only time I ever hear people discussing this episode is regarding Slow Dance With You which, I’m gonna be honest, is not very good. Of course, this all comes down to personal taste, but I think people are way more into the implication and meaning behind the tune than they are the actual rhythm and performance.
Probably gonna get a lot of flack for that rant, and if I’m being honest, the attention these Bubbline moments received is likely just because there’s very little of substance in Marcy & Hunson to begin with. Going back to my original point, this episode concludes with the same way literally every Hunson episode has – that Hunson is a shitty dude, but he cares about his daughter. I know the staff had probably no clue that the show was going to be canned before this episode, but you would think after so many years, with so much time having passed that they would consider taking a different direction with this character that probably would never appear again anyway.
Is there anything good about Marcy & Hunson? A few moments come to mind, mainly when it comes to humor. The flashback sequence featuring Hunson’s introduction to Marceline got a big laugh out of me, and both Jake and Chicle have their fair share of funny lines. The return of the Spirit Waves stage from Ghost Princess is a welcomed treat, and I dig the spooky atmosphere overall. But, Marcy & Hunson is mostly a flop. It’s sad, because I think the pieces are all there that would make for a great episode. Hunson wanting to be a good father, but struggling with his intrinsic desire to unleash evil, is something that the series never tackled head on, and could make for both a funny a intriguing entry. However, we’re left with a relatively lazy alternative that doesn’t offer anything new or interesting in one of AT‘s longest running story arcs.