Original Airdate: June 4, 2012
Written & Storyboarded by: Tom Herpich & Skyler Page
Princess Bubblegum has easily become one of the show’s most fleshed out characters by the ninth season of AT, and the past three seasons would have almost never suggest that. Not to say she’s poorly written, but she appears to be just your standard, charming princess character. Her relationship with Finn was one the stronger facets of her arc, but once that came to a halt in Incendium, I became legitimately concerned for PB’s character. I really wondered just what the hell they were going to do with her from that point on, but Goliad depicts a new side of her personality that becomes pretty consistent with each passing episode.
PB’s encounter with the Lich certainly had a lasting bit of trauma on her life, and we get to see the outcome from those circumstances in great detail, as we view her stress and anxieties in regards to her kingdom surrounding her. Goliad actively sets in motion a more detached and morally ambiguous PB, as she begins to stop at nothing when it comes to protecting the Candy Kingdom and its civilians. It does this so well that I almost have little to no trouble accepting that the Bubblegum we watched from the past couple seasons was simply less stressed and facing fewer issues, while the unleashing of the Lich opened up new dangerous possibilities for the future that PB just simply isn’t ready to handle. The Candy People are super dumb, and without a ruler, they’d be lost.
Which leads to the creation of Goliad! A cute little sociopath that’s built with PB’s DNA. As we delve a bit deeper into Bubblegum’s issues and fears, it becomes clear why Goliad becomes the way that she is: Goliad and PB are both easily influenced by their surroundings. The reason Bubs created Goliad in the first place was because her near death experience and the unleashing of evil onto Ooo lead her to take matters into her own hands based on what she had learned to protect her kingdom. Goliad is exactly the same: filled with huge brains to absorb knowledge, she simply picks up on nihilistic behavior and methods of being a tyrannical leader. Holding her beliefs close to her based on her own experiences, Goliad thinks that the only way to properly run a kingdom is to take it into her own hands, believing that it’s the only way to save her kingdom. The parallels between the two characters really fascinates me, and introduces a bit of PB’s subconscious that she may not even be aware of: the way she is influenced by unorthodox methods.
Goliad herself is both adorable and extremely creepy. I love the very progressive transition between innocent and psychotic, and her voice actor Wendy Linehan (whose brother Henry actually also voices Stormo in this episode) does a perfect job of balancing between the two. The way Finn and Jake act as her mediators is also great. I enjoy Jake’s generally well-intentioned behavior that goes awry when his buttons are pushed, but it’s pretty funny that he’s the direct reason Goliad went berserk to begin with. I also like the way Goliad and the boys interact with each other. There’s several points that Goliad makes that clearly show off her sociopathic behavior, but the way she elegantly and structurally explains herself makes even Finn question if having full control over other people is correct or not. It’s also interesting to see Goliad’s points that seem almost like they’re straight out of a psychological thriller. The bee scene particularly really rubs me the wrong way, and it’s fascinating to see just how dictatorial her view of leadership has developed.
The climax in particular is a really heart-racing, intense sequence. The bit where Goliad telekinetically forces the Candy People into Jake’s mouth and body crevices had me legitimately stressed out the first time I saw it. I really thought he was gonna swallow one of those suckers! The scene where Goliad tries to read Finn’s mind is both humorous and taxing, it really feels like an accurate depiction of someone trying not to think about something. Trying to do so will only make one do the very opposite, unless they try to suppress it as much as Finn attempted to, leading to some really funny thought sequences. And the return of the Buff Baby song, which I’ve never been a fan of, but it was pretty funny to see it back once again.
The introduction of Stormo as a lifetime opponent for Goliad is a clever solution to the issue, and the concept that he was born from Finn, who is inherently good, is a pretty nice conclusive piece of information as well. I’d really like if Stormo and Goliad were brought back one more time for a final showdown, but with only so many episodes left, I’m not sure we’re ever going to get a definitive winner of their battle.
This is one of my favorites of season four. A really terrific psychological episode that’s pretty compelling from beginning to end. This is actually one that Herpich pitched himself, and I think that Skyler Page and himself did a damn fine job of making it thoroughly captivating and enjoyable. Most of all, it feels like the full-fledged introduction to an era of really in depth and riveting looks at PB’s character. We’ll get a couple more of those this season, but I think this one is the best one out of the others.