Original Airdate: June 10, 2013
Written & Storyboarded by: Jesse Moynihan & Ako Castuera
One Last Job makes a full eleven minutes out of the often mentioned life of crime that Jake lived before he matured. Being something that was mostly treated as a gag and not an actual solid part of Jake’s character, this episode harps off of great continuity points within the show’s history, though it doesn’t really make for a particularly noteworthy entry in my eyes.
It’s pretty sweet that the entire conflict is driven by putting Jake Jr. in a captive situation. We haven’t seen the kids at all since Jake the Dad, so it was a nice way to reintroduce one of the pups and to put Jake in the position of a caring father. I enjoy how, despite his current feelings towards committing crimes and obstructing the law, the one driving factor that forces him to turn back is because that his daughter’s life is possibly on the line.
The episode takes a good bit of time developing the actual personalities of Jake’s gang members, and while I think it’s all pretty serviceable, I don’t really find any of these old colleagues particularly that interesting in design, or even character.
Gareth’s outlandishly big, detailed head is a somewhat silly sight gag, though it almost feels like it’s retreading Ricardio’s design of the “super detailed face.” Gareth’s voiced by Sam Marin, and Marin, who has some pretty decent vocal range, gives a pretty bland delivery. Marin had already voiced Clarence on the show before, and I’m not sure why they kept bringing him on if they were just going to keep making him perform the same delivery over and over again. Marin has some awesome voices under his belt, so why not allow him to whip them out? Also, I’m not really sure why we took the time to learn about Gareth’s possession ability if it never really had any part in the actual heist. Just seems like a missed opportunity.
The Flying Lettuce Brothers are a bit more interesting, providing for the most effective use of their character in relation to the actual plot itself. I like their introduction sequence, especially with the moody girl and her boss’s exchange at the Squeeze-E-Mart. I know I just mentioned it being detrimental for Sam Marin to use the same voice over and over, but I really never get tired of Pen Ward’s raspy voice being used to scream the lines of random tertiary characters. I quite enjoy how the boss of the Squeeze-E-Mart also apparently doesn’t open doors either, he just casually walks through glass.
And then there’s Tiffany, who I myself am not really a big fan of. I don’t really get into his long-winded monologues and his inner angst, and I think a lot of it has to do with his voice. Don’t get me wrong, Collin Dean’s voice is absolutely fine; Greg from Over the Garden Wall happens to be one of my favorite characters of all time. Yet, I think using that child voice to read off lines that are pretty much just constant bitching and moaning can get a little grating to me. Though, he does have his redeemable moments. I do enjoy his connection with Jake, and how Tiffany practically feels abandoned and misguided without him. Tiffany was obviously a lot younger when Jake first came into the picture, and when he left the gang, Tiffany presumably had thought of him like a big brother. It’s somewhat somber putting the pieces together like that, and I think it makes for a pretty interesting dynamic.
The break-in scene in general goes on a little too long. I do like the head Banana Guard being splashed with banana milk and actually enjoying it, but the Banana Guards screaming, outside of a few neat drawings, just isn’t really funny enough to hold onto for a whole minute. Once Jake gets inside, however, I think the episode as a whole picks up a bit more. And most of it comes from some really terrific storyboarding from Ako Castuera. I love the side-scrolling expedition Jake takes to reach the baker’s shard; AT has done many video game references up to this point, but this is one that still feels fresh, new, and visually appealing. And after it’s revealed that Jake’s gang is the one who crossed him, the entire chase sequence that follows is just terrific. One gag that Jesse Moynihan would always mention that makes no sense is the scene where Jake morphs through the prison bars and comes out in one piece, though it’s one that’s so fun and appealing that it doesn’t bother me the least bit that it technically doesn’t add up. Hell, most of Jake’s shape shifting doesn’t make any sense. But it’s a cartoon, dammit!
After some more great shots of a giant Jake chasing the truck, Jake finds out that Jake Jr. double-crossed the double-crossers to impress her pops… Though, I gotta wonder, how did Jake Jr. know about Jake’s criminal past in the first place? I somewhat doubt Jake talks to her enough to share it with her, and it would also surprise me if Lady shared such a story about Jake Jr.’s father to her. Though, it’s not one that bothers me much, and I do think the ending is pretty cute. This is the first one-on-one connection between Jake and one of his pups that we’ve actually seen, and it’s quite endearing. While Jake’s relationship with his kids is almost always awkward on some level, it seems like him and Jake Jr. get along quite fondly (well, in this instance; we’ll get to the next episode soon) and it doesn’t take much with Jake Jr.’s rambunctious personality at hand.
Overall, however, I think this one’s just ‘ight. Besides the sprinkles of fun and enjoyable moments throughout, I don’t think they took advantage of this idea as much as they possibly could have. The idea of Jake being a criminal in the past is a really interesting concept, and I sadly don’t think the choices they made are very interesting at all. It plays off like a pretty generic heist scenario, and I don’t think the interactions between the gang members (besides the aforementioned Tiffany and Jake bond) or Jake’s portrayal in general really differentiate between anything we haven’t already seen in these types of stories. It’s sad that an episode about Jake’s past history has so little for me to take away in terms of intriguing Jake content, and considering he’s a character whose past history and depth we know or understand the least about, this one ultimately leaves me wanting more.
Three episodes in a row where Finn barely has a role! This was somewhat of an oddity at the time, though it would become more of a regularity. I only wish we got to see more of his primitive noise band.